Layout print header[D]

Staff profiles

Dr Tom RutterDr Tom Rutter

BA, PhD

Phone 0114 225 4225
E-mail t.rutter@shu.ac.uk

Current work

My research focuses on early modern literature, especially drama, with a particular emphasis on playing companies and their repertories.

My main research project at the moment is a study of the Admiral's Men playing company, in particular the influence of Marlowe's plays on their repertory and their repertory's influence on Shakespeare. In 2010 I gave papers derived from this research at the Renaissance Society of America conference and the Oxford conference on Henry Chettle's Hoffman, and in 2009 I organised and chaired a seminar on playing companies at the British Shakespeare Association conference.

I am an editor of the journal Shakespeare and am on the editorial board of the Lost Plays Database.

My Introduction to Marlowe (Cambridge University Press) is forthcoming in 2012, and I am contributing to a Blackwell Companion to British Literature and a Marlowe in Context volume for Cambridge UP.

Major publications

'Englishmen for My Money: Work and Social Conflict?', Working Subjects in Early Modern English Drama, ed. Michelle M. Dowd and Natasha Korda (Farnham: Ashgate, 2011), 87-99

'Issues in Review: Dramatists, Playing Companies, and Repertories', Early Theatre 13.3 (2011), 121-89 (edited collection including 'Introduction: The Repertory-Based Approach, 121-32)

'Marlowe, the 'Mad Priest of the Sun', and Heliogabalus', Early Theatre 13.2 (2010), 109-20

'Adult Playing Companies 1603 to 1613', The Oxford Handbook of Early Modern Theatre, ed. Richard Dutton (Oxford: Oxford UP, 2009), 72-87

'Marlovian Echoes in the Repertory of the Admiral's Men', Shakespeare Bulletin 27.1 (Spring 2009), 27-38: 'exceptionally well researched, written, and argued' (Marlowe Society of America Newsletter)

Work and Play on the Shakespearean Stage (Cambridge: Cambridge UP, 2008): 'a formidable piece of scholarship … a worthwhile contribution to our understanding of the London theatrical marketplace and the elements of society that supported it' (Medieval and Renaissance Drama in England)

'Repertory Studies: An Overview', Shakespeare 4.3 (September 2008) 352-66

'Patient Grissil and Jonsonian Satire', Studies in English Literature 48.2 (Spring 2008), 283-303

'The Actors in Sir Thomas More', Shakespeare Yearbook, 16 (2007), 223-40

'Merchants of Venice in A Knack to Know an Honest Man', Medieval and Renaissance Drama in England 19 (2006), 194-209

'Fit Hamlet, Fat Hamlet, and the Problems of Aristocratic Labour', Cahiers Elisabéthains 68 (Autumn 2005), 27-32

Impact

I contributed an essay on Hamlet to the programme notes for Hamlet, dir. Paul Miller, Crucible Theatre, Sheffield, 2010

Academic profile

Sheffield Hallam University is not responsible for the content of external websites

Sheffield Hallam University, City Campus, Howard Street, Sheffield S1 1WB, UK

Phone +44 (0)114 225 5555 | Fax +44 (0)114 225 4449

How we use cookies

Privacy policy

Freedom of information

Accessibility

Sitemap

Legal information