Senior Lecturer in Contemporary Fine Art and course leader for BA (Hons) Creative Art Practices
I teach across different levels, from first year to post-graduate and from practical drawing classes and printmaking workshops to delivering lectures and running crit groups. I am particularly interested in exploring display opportunities with students that challenge and extend conventions of exhibiting.
My practice is concerned with exploring our complex relations with place and how place influences the decision-making process of the artist. My work is multi-disciplinary, ranging from printmaking through sculpture to video and installation. Recent projects include: The slender margin between the real and the unreal, co-authored with Gavin Morrison and Kiyoshi Okutsu, (London: Artwords, 2007), Host, with Alec Finlay, in 2008, and Host, with Jeremy Millar, in 2009. I studied at the British School in Rome and hold an MA in Fine Art from Glasgow School of Art. I have exhibited nationally and internationally, and am currently engaged in a practice-led PhD at Edinburgh College of Art.
Sneddon, A. (n.d.). The act of improvisation in the work of Tacita Dean. Critical Studies in Improvisation/ Etudes critiques en improvisation, 8 (2). http://www.criticalimprov.com/article/view/2123/2939
Sneddon, A. (2013). A Period Drama. In 4th Global Conference on Space and Place, Mansfield College, Oxford. Inter-disciplinary.net: http://www.inter-disciplinary.net/critical-issues/ethos/space-and-place/conference-programme-abstracts-and-papers/session-9b-space-place-and-heritage/
Sneddon, A. (2011). I dont know what Im looking for but I'll know it when I see it. In 1st Global conference on Space and Place organised by interdisciplinary.net, MANSFIELD COLLEGE, OXFORD, UK. http://www.inter-disciplinary.net/critical-issues/ethos/space-and-place/
Sneddon, A. (2009). Guest: Jeremy Millar ; Host: Andrew Sneddon. London: Artwords Press.
Sneddon, A. (2008). Guest: Alec Finlay ; Host: Andrew Sneddon. London: Artwords Press.
Sneddon, A., Morrison, G., & Okutsu, K. (2007). The slender margin between the real and the unreal. London: Artwords Press.
Harrington, J.J. (2015). Process made visible - in and outside the object. (Doctoral thesis). Supervised by Shaw, B., Mccarthy, P., & Sneddon, A.
Sneddon, A. (2012). When Edouard met Lafcadio to discuss the story of Mini-Nashi-Hoichi. [Dry-cast Marble sculpture]. http://castcontemporaries.weebly.com/index.html
Sneddon, A. (2004). Transmission portfolio. [Portfolio]. Haus and Lutzoplatz, Berlin, Germany. http://extra.shu.ac.uk/transmissions/index.html
Sneddon, A. (2004). In the order of things. [DVD, catalogue and portfolios]. Leeds Metropolitan University Gallery, Leeds. http://www3.shu.ac.uk/c3ri/SingleProject.cfm?Project_ID=169&ResCentre=ADRC
Sneddon, A. (2006). Shock of September 11 and the Mystery of the Other. [Image and portfolio]. Haus am Lutzoplatz, Berlin. http://www3.shu.ac.uk/c3ri/SingleProject.cfm?Project_ID=170&ResCentre=ADRC
Sneddon, A. (2013). Gravity : Beauty. [A variety of media and techniques]. Site Gallery, Sheffield. http://gravity21.org/
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