Professor Lisa Hopkins

Lisa Hopkins is Professor of English and head of the Graduate School. She read English at King’s College, Cambridge and then did a PhD on John Ford at the University of Warwick. She is a co-editor of Shakespeare, the journal of the British Shakespeare Association, of the Arden Early Modern Drama Guides, and of Arden Studies in Early Modern Drama. She has published extensively on Renaissance drama, principally Marlowe, Shakespeare and Ford, and is also interested in screen adaptation and the work of Bram Stoker. She co-organises the annual Othello’s Island conference. 

She has supervised 20 PhD students to completion and has acted as external examiner for 14 PhD theses and 3 MPhil theses. She won a university award for inspirational research supervision in 2011 and 2017 and was also nominated 2013 and 2014, and nominated for inspirational teaching in 2011, 2012, 2013, 2014 and 2015. In 2015 she won the Ben Jonson Discoveries Award Essay for an essay on ‘A Matter of Life and Death: The Fourth Act in Shakespearean Tragedy’ and in 1994 she was joint winner of the Hoffman Prize for Distinguished Publication on Marlowe for an essay on ‘Lear, Lear, Lear! Marlowe, Shakespeare and the Third’. She is the college lead on the Heritage Consortium and NECAH. 

She is co-editor of Shakespeare, the journal of the British Shakespeare Association, of Marlowe Studies, and of the Arden Guides to Renaissance Drama. 

Renaissance drama
Literature on screen
Bram Stoker

Department of Humanities

Social Sciences and Arts

English

• Humanities Research Centre

Renaissance drama including Marlowe, Shakespeare and Ford; Jane Austen; adaptations; Bram Stoker

Journal articles

Hopkins, L. (2021). A Room of Everyone's Own: Sharing Space in Pride and Prejudice. Persuasions : the Jane Austen Journal On-Line, 41 (1). http://jasna.org/publications/persuasions-online/vol-41-no-1/hopkins/

Hopkins, L. (2020). Criminally Funny: Sarah Caudwell’s Inverted Janeism. Persuasions: The Jane Austen Journal On-Line, 40 (2). http://jasna.org/publications/persuasions-online/volume-40-no-2/hopkins/

Hopkins, L. (2020). Innovation and experiment in Webster's the Duchess of Malfi. Voprosy Literatury, (2), 157-166. http://doi.org/10.31425/0042-8795-2020-2-157-166

Hopkins, L. (2019). King John (Theatre Review). Multicultural Shakespeare, 20 (1), 181-182. http://doi.org/10.18778/2083-8350.20.13

Hopkins, L. (2018). Herb Paris, Romeo and Juliet and Thomas Hesketh. Notes and Queries, 65 (4), 530-533. http://doi.org/10.1093/notesj/gjy137

Hopkins, L. (2017). Moving Marlowe: The Jew of Malta on the Caroline Stage. Marlowe Studies.

(2017). John Ford [Special Issue]. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 26, (no-pagination).

Hopkins, L. (2017). The Danish romance play: Fair Em, Sir Clyomon and Sir Clamydes, and Hoffman. Early modern literary studies, 27. https://extra.shu.ac.uk/emls/journal/index.php/emls/article/view/420

Hopkins, L. (2017). Birthing modernity: the BBC’s Count Dracula (1977). Journal of Adaptation in Film & Performance, 10 (3), 217-226. http://doi.org/10.1386/jafp.10.3.217_1

Hopkins, L. (2017). The Masters of the Revels and Elizabeth I's Court Theatre. MODERN LANGUAGE REVIEW, 112, 984-985.

Hopkins, L. (2017). EDITORIAL. JOURNAL OF ADAPTATION IN FILM & PERFORMANCE, 10 (2), 91-92. http://doi.org/10.1386/jafp.10.2.91_2

Hopkins, L. (2017). I am Ìyálóde of tì still: A Yoruba Duchess of Malfi. Journal of Adaptation in Film & Performance, 10 (2), 111-125. http://doi.org/10.1386/jafp.10.2.111_1

Hopkins, L. (2017). Introduction: John Ford in Performance 2014-2016. Early modern literary studies, (SI 26). https://extra.shu.ac.uk/emls/journal/index.php/emls/issue/current

Hopkins, L. (2017). Perkin Warbeck and Massinger. Early modern literary studies, (SI 26). https://extra.shu.ac.uk/emls/journal/index.php/emls/article/view/286

(2016). Rome and Home: The Cultural Uses of Rome in Early Modern English Literature [Special Issue]. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 25, (no-pagination).

Hopkins, L. (2016). Love and war on Venus’ Island: Othello and the lover’s melancholy. Journal of Mediterranean Studies, 25 (1), 51-63. https://www.um.edu.mt/medinst/journal

Hopkins, L. (2016). Review of Shakespeare's Twelfth Night (directed by Tim Carroll) at the Apollo Theatre, London, 26 January 2013. Shakespeare, 12 (4), 433-434. http://doi.org/10.1080/17450918.2013.805806

Hopkins, L. (2016). Shakespearean allusion and the detective fiction of Georgette Heyer. Palgrave Communications, 2 (16052), 1-7. http://doi.org/10.1057/palcomms.2016.52

Hopkins, L., Ford, J., & Mills, P. (2016). Play review: The Lady's Trial. CAHIERS ELISABETHAINS, (89), 109-110. http://doi.org/10.1177/0184767816631277f

Hopkins, L. (2016). Othello and his islands: Papers from the first three Othello's island conferences. Journal of Mediterranean Studies, 25 (1), 1-4.

Hopkins, L. (2015). Shakespeare's Princes of Wales: English Identity and the Welsh Connection. LITERATURE & HISTORY-THIRD SERIES, 24 (1), 75-76.

Hopkins, L. (2015). Staging England in the Elizabethan Histoty Play: Performing National Identity. RENAISSANCE QUARTERLY, 68 (2), 774-U599. http://doi.org/10.1086/682541

Hopkins, L. (2015). A matter of life and death: the fourth act in Shakespearean tragedy. Ben Jonson Journal, 22 (2), 188-207. http://doi.org/10.3366/bjj.2015.0134

Hopkins, L. (2015). Review of Ford's Love's Sacrifice(directed by Matthew Dunster for the Royal Shakespeare Company) at the Swan Theatre, Stratford-upon-Avon, 16 May 2015. Shakespeare, 12 (1), 81-82. http://doi.org/10.1080/17450918.2015.1074608

Hopkins, L. (2015). Constituting Old Age in Early Modern English Literature, from Queen Elizabeth to 'King Lear'. MODERN LANGUAGE REVIEW, 110, 237-238. http://doi.org/10.5699/modelangrevi.110.1.0237

Hopkins, L. (2014). Bram Stoker's The lady of the shroud : supernatural fantasy, politics, Montenegro and its double. English Literature in Transition, 1880-1920, 57 (4), 519-534. http://doi.org/10.1353/elt.2014.0063

Hopkins, L. (2014). Hamlet Is Heimat. Journal of Adaptation in Film and Performance, 7 (1), 27-39. http://doi.org/10.1386/jafp.7.1.27_1

Hopkins, L., & Macmahon, B. (2013). “Come, what, a siege?” : Metarepresentation in Lady Jane Cavendish and Lady Elizabeth Brackley’s The Concealed Fancies. Early modern literary studies, 16 (3), 1-17. http://extra.shu.ac.uk/emls/emlshome.html

Hopkins, L. (2013). ‘An Apple Cleft in Twain’: Shakespearean heroines and the penalty of Eve. Journal of drama studies, 7, 91-99. http://theshakespeareassociation.com/?page_id=19

Hopkins, L. (2013). Point, counterpoint, needlepoint:the tapestry in Margaret Cavendish’s The Unnatural Tragedy. Women’s Writing, 20 (4), 555-566. http://doi.org/10.1080/09699082.2013.786884

Hopkins, L. (2012). Women in Shakespeare: A Dictionary. SHAKESPEARE QUARTERLY, 63 (2), 264-265. http://doi.org/10.1353/shq.2012.0019

Hopkins, L. (2012). The Framing Text in Early Modern English Drama: 'Whining' Prologues and 'Armed' Epilogues. THEATRE RESEARCH INTERNATIONAL, 37 (2), 193-194. http://doi.org/10.1017/S0307883312000156

Hopkins, L. (2012). Review of Marlowe's Edward II (directed by Peter Darney), the rose theatre, Bankside, 22 february 2011. Shakespeare, 8 (1), 100-101. http://doi.org/10.1080/17450918.2012.660274

Hopkins, L. (2011). Deathly Experiments: A Study of Icons and Emblems of Mortality in Christopher Marlowe's Plays. RENAISSANCE STUDIES, 25 (4), 597-599. http://doi.org/10.1111/j.1477-4658.2011.00749.x

Hopkins, L. (2011). The Tragic Histories of Mary Queen of Scots, 1560-1900: Rhetoric, Passions, and Political Literature. NOTES AND QUERIES, 58 (3), 448-449. http://doi.org/10.1093/notesj/gjr093

Hopkins, L. (2011). This England, That Shakespeare: New Angles on Englishness and the Bard. REVIEW OF ENGLISH STUDIES, 62 (255), 472-474. http://doi.org/10.1093/res/hgr015

Hopkins, L. (2010). ‘Venice in ’Tis Pity She’s a Whore’. Early Theatre, 13 (2), 79-88. http://doi.org/10.12745/et.13.2.851

Hopkins, L. (2010). Englishmen abroad : mobility and nationhood in Dido, Queen of Carthage and Edward II. English, 59 (227), 324-348. http://doi.org/10.1093/english/efq019

Hopkins, L. (2010). The materiality of religion in early modern English drama. SHAKESPEARE, 6 (1), 114-115. http://doi.org/10.1080/17450911003643118

Hopkins, L. (2010). Soul of the Age: The Life, Mind and World of William Shakespeare. CAHIERS ELISABETHAINS, (78), 103-104.

Hopkins, L. (2010). The places of the gods on the English renaissance stage. Philological Quarterly, 89 (4), 415-433.

Hopkins, L. (2010). ‘Prospero’s Books’. Journal of drama studies, 4 (2), 5-18. http://theshakespeareassociation.com/Journal.htm

Hopkins, L. (2010). The Sacred and Profane in English Renaissance Literature. NOTES AND QUERIES, 57 (3), 436-437. http://doi.org/10.1093/notesj/gjq126

Hopkins, L. (2010). Staging the Medici: the Medici Family in English renaissance drama, c.1590–c.1640. Sun Yat-Sen Journal of Humanities, 27, 63-74.

Hopkins, L. (2009). Review of Shakespeare’s the winter’s tale (directed by sam mendes) at the old vic, London, 23 May–15 August 2009. Shakespeare, 5 (4), 465-466. http://doi.org/10.1080/17450910903370566

Hopkins, L. (2009). Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death. JOURNAL OF BRITISH STUDIES, 48 (1), 204-206. http://doi.org/10.1086/596139

Hopkins, L. (2008). Hamlet Smokes Prince: 101 Reykjavik on page and screen. Adaptation, 1 (2), 140-150. http://doi.org/10.1093/adaptation/apn016

Hopkins, L. (2008). Christopher Marlowe and the Succession to the English Crown. Yearbook of English Studies, 38 (1-2), 183-198.

Hopkins, L. (2008). "Speak it in Welsh": Wales and the Welsh language in Shakespeare. SHAKESPEARE QUARTERLY, 59 (2), 216-217.

Hopkins, L. (2007). The Cardinal’s Fishpond : the symbolic landscapes of The Duchess of Malfi. Journal of Drama Studies, 1 (1), 20-34. http://theshakespeareassociation.com/?page_id=19

(2007). The Long 1590s. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 16, (no-pagination).

Hopkins, L. (2007). Hamlet, Protestantism, and the mourning of contingency: Not to be. NOTES AND QUERIES, 54 (3), 341-342. http://doi.org/10.1093/notesj/gjm164

Hopkins, L. (2007). Shakespeare's Marlowe. NOTES AND QUERIES, 54 (3), 339-341. http://doi.org/10.1093/notesj/gjm165

Hopkins, L. (2007). The collected poems of Christopher Marlowe. NOTES AND QUERIES, 54 (1), 97-98. http://doi.org/10.1093/notesj/gjm041

Hopkins, L. (2006). Dorothy Dunnett’s Lymond and Niccolò series : history versus experience. Working Papers on the Web, 9. http://extra.shu.ac.uk/wpw/

Hopkins, L. (2006). 'In a little room': Marlowe and the allegory of the tudor succession. Notes and Queries, 53 (4), 442-444. http://doi.org/10.1093/notesj/gjl151

Hopkins, L. (2006). A proposed emendation to Ford's the broken heart. Notes and Queries, 53 (1), 91-92. http://doi.org/10.1093/notesj/gjj146

Hopkins, L. (2006). 'In a little room': Marlowe and The 'Allegory of the Tudor Succession'. NOTES AND QUERIES, 53 (4), 442-444. http://doi.org/10.1093/notesj/gjl151

Hopkins, L. (2006). Early modern English drama: A critical companion. NOTES AND QUERIES, 53 (4), 572. http://doi.org/10.1093/notesj/gjl206

Hopkins, L. (2006). Shakespearean fantasy and politics. NOTES AND QUERIES, 53 (1), 109-110. http://doi.org/10.1093/notesj/gjj164

Hopkins, L. (2005). Pocahontas and the Winter's Tale. Shakespeare, 1 (1-2), 121-135. http://doi.org/10.1080/17450910500399091

Hopkins, L. (2005). Shakespeare and Renaissance Europe. NOTES AND QUERIES, 52 (4), 536-537. http://doi.org/10.1093/notesj/gji463

Hopkins, L. (2005). Death and the castrated : the complex psyches of Valperga. Romanticism on the Net, 40. http://doi.org/10.7202/012460ar

Hopkins, L. (2005). The queen's majesty's passage & related documents. NOTES AND QUERIES, 52 (2), 247-248. http://doi.org/10.1093/notesj/gji255

Hopkins, L. (2005). Staging passions in Ford's The Lover's Melancholy. SEL studies in English literature 1500-1900, 45 (2), 443-459. http://doi.org/10.1353/sel.2005.0019

Hopkins, L. (2004). Shakespeare's drama of exile. NOTES AND QUERIES, 51 (4), 440-441. http://doi.org/10.1093/nq/51.4.440

Hopkins, L. (2004). Crime and Context in The Unnatural Tragedy. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 14, 12-paragraphs.

(2004). Essays from the Fifth Biennial International Margaret Cavendish Converence. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 14, (no-pagination).

Hopkins, L. (2004). Better a shrew than a sheep: Women, drama, and the culture of jest in early modern England. NOTES AND QUERIES, 51 (1), 82-83. http://doi.org/10.1093/nq/51.1.82

Hopkins, L. (2004). New light on Marlowe's murderer. Notes and Queries, 51 (3), 251-254. http://doi.org/10.1093/nq/51.3.251

Hopkins, L. (2004). A midsummer night's dream and Mary Sidney. English Language Notes, 41 (3), 23-28. http://doi.org/10.1215/00138282-41.3.23

Hopkins, L. (2004). Jane Austen and Bess of Hardwick. Notes and Queries, 51 (2), 134. http://doi.org/10.1093/nq/51.2.134

Hopkins, L. (2003). 'A Tiger's Heart Wrapped in a Player's Hide': Julie Taymor's War Dances. Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship, 21 (3), 61-69.

Hopkins, L. (2003). ‘Jane C. Loudon’s The Mummy!: Mary Shelley Meets George Orwell, and They Go in a Balloon to Egypt’. Cardiff Corvey, 10. http://www.cardiff.ac.uk/encap/journals/corvey/articles/cc10_n01.html

Hopkins, L. (2003). Dramatic difference: Gender, class, and genre in the early modern closet drama. NOTES AND QUERIES, 50 (2), 240-241. http://doi.org/10.1093/nq/50.2.240

Hopkins, L. (2003). A new source for 'Tis Pity She's a Whore. Notes and Queries, 50 (4), 443-444. http://doi.org/10.1093/nq/50.4.443

Hopkins, L. (2003). A Yorkshire Tragedy and Middleton's Tragic Aesthetic. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 8 (3), 15-paragraphs.

Hopkins, L. (2002). 'A Medea, in More Senses than the More Obvious One': Motherhood in Mary Shelley's Lodore and Falkner. Eighteenth-Century Novel, 2, 383-405.

Hopkins, L. (2002). Reading between the Sheets: Letters in Shakespearean Tragedy. Critical Survey, 14 (3), 5-13. http://doi.org/10.3167/001115702782351980

Hopkins, L. (2002). Lear's Castle. Cahiers Elisabéthains: Late Medieval and Renaissance Studies, 62, 25-32. http://doi.org/10.7227/CE.62.1.4

Hopkins, L. (2002). Lear's castle (Shakespeare, 'King Lear', Leicester). CAHIERS ELISABETHAINS, (62), 25-32.

Hopkins, L. (2002). Orlando and the Golden World: The Old World and the New in As You Like It. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 8 (2), 21-paragraphs.

(2002). Teaching Renaissance Texts. Working Papers on the Web, 4, (no-pagination).

Hopkins, L. (2002). Cultural Shakespeare: Essays in the Shakespeare myth. NOTES AND QUERIES, 49 (2), 287-288. http://doi.org/10.1093/nq/49.2.287

Hopkins, L. (2002). 'Like Parrots at a Bagpiper': The Polarities of Exchange in The Merchant of Venice. Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies, 19 (1), 105-120. http://doi.org/10.1353/pgn.2002.0038

Hopkins, L. (2002). Returning to the Mummy. Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism, 12 (2), 28-paragraphs.

Hopkins, L. (2002). We were the Trojans: British national identities in 1633. Renaissance Studies, 16 (1), 36-51. http://doi.org/10.1111/1477-4658.t01-1-00003

Hopkins, L. (2002). "Like parrots at a bagpiper": The polarities of exchange in The 'Merchant of Venice' (Exotic cultures, cosmopolitan traditions, and global economies in the imagery of Shakespeare). PARERGON, 19 (1), 105-120.

Hopkins, L. (2002). The 'Mummy Returns'. POSTMODERN CULTURE, 12 (2), u167-u183.

Hopkins, L. (2001). Hamlet and the Julio-Claudians. Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 23, 103-110.

Hopkins, L. (2001). 'Denmark's a Prison': Branagh's Hamlet and the Paradoxes of Intimacy. EnterText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work, 1 (2), 226-246.

Barker, J., Smith, P.J., Sanders, J., Dooley, M., Cox, N., Bruce, S., ... Longstaffe, S. (2001). Shakespeare. Year's Work in English Studies, 79, 251-293. http://doi.org/10.1093/ywes/79.1.251

Hopkins, L. (2001). Passing : the Irish and the Germans in the fiction of John Buchan and Erskine Childers. Irish Studies Review, 9 (1), 69-80. http://doi.org/10.1080/09670880020032708

Hopkins, L. (2001). 'Troilus and Cressida'. NOTES AND QUERIES, 48 (2), 189-190. http://doi.org/10.1093/nq/48.2.189

Hopkins, L. (2001). The Last Man and the Language of the Heart. Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies, 22, (no-pagination).

Hopkins, L. (2001). A possible source for 'An Horatian Ode upon Cromwell's return from Ireland'. Notes and Queries, 48 (1), 19-20. http://doi.org/10.1093/nq/48.1.19

Hopkins, L. (2000). 'An Indian Beauty?' A Proposed Emendation to The Merchant of Venice. Shakespeare Newsletter, 50 (1 [244]), 27.

Hopkins, L. (2000). ‘This is Venice: My house is not a grange’: Othello’s landscapes of the mind. The Upstart Crow : a Shakespeare Journal, 20, 68-78.

Hopkins, L. (2000). 'Ripeness is all': the death of Elizabeth in drama. Renaissance forum, 4 (2). http://www.hull.ac.uk/renforum/resource.htm

Hopkins, L. (2000). The Comedy of Errors and the Date of Easter. Ben Jonson Journal: Literary Contexts in the Age of Elizabeth, James and Charles, 7, 55-64.

Hopkins, L. (2000). English drama before Shakespeare. RENAISSANCE QUARTERLY, 53 (4), 1243-1244. http://doi.org/10.2307/2901482

(2000). Monstrosity and Anthropology. Gothic Studies, 2 (3), 267-360. http://doi.org/10.7227/GS.2.3.1

Hopkins, L. (2000). William Shakespeare, 'Romeo and Juliet'. CAHIERS ELISABETHAINS, (58), 75-76.

Hopkins, L. (2000). "Base foot-ball player": This sporting life in 'King Lear'. ENGLISH LANGUAGE NOTES, 37 (4), 8-19.

(2000). Shakespeare on Screen. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 6 (1), [no-pagination].

Hopkins, L. (2000). Margaret Cavendish and the Cavendish Houses. In-between: Essays and Studies in Literary Criticism, 9 (1-2), 63-75.

Hopkins, L. (2000). Playing the globe: Genre and geography in English renaissance drama. NOTES AND QUERIES, 47 (1), 123-124.

Hopkins, L. (2000). The politics of performance in early renaissance drama. NOTES AND QUERIES, 47 (1), 123.

Hopkins, L. (2000). John Ford and the Earl of Antrim. Notes and Queries, 47 (4), 485-486. http://doi.org/10.1093/nq/47.4.485

Hopkins, L. (2000). John Ford and Charles Aleyn: Two 1630s histories of Henry VII. Notes and Queries, 47 (4), 483-485. http://doi.org/10.1093/nq/47.4.483

Hopkins, L. (1999). The Iliad and the Henriad: Epics and Brothers. Classical and Modern Literature: A Quarterly, 19 (2), 149-171.

Hopkins, L. (1999). Emma and the Servants. Persuasions: The Jane Austen Journal On-Line, 3 ([Occasional Papers]), [no-pagination].

Hopkins, L. (1999). Play Houses: Drama at Bolsover and Welbeck. Early Theatre: A Journal Associated with the Records of Early English Drama, 2, 25-44.

Hopkins, L. (1999). What's Hercules to Hamlet? The Emblematic Garden in The Spanish Tragedy and Hamlet. Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 21 (1-2), 114-143.

Hopkins, L. (1999). "Touching tochets": 'Perkin Warbeck' and the Buggery Statute (Plumbing hidden depths of transgressive sexual subversion and deviation in 17th-century English theatre). RENAISSANCE QUARTERLY, 52 (2), 384-401. http://doi.org/10.2307/2902058

Hopkins, L. (1999). Playing with desire: Christopher Marlowe and the art of tantalization. SIXTEENTH CENTURY JOURNAL, 30 (4), 1180-1181.

Hopkins, L. (1999). Ladies' trials: Women and the law in three plays of John Ford. CAHIERS ELISABETHAINS, (56), 49-64.

Hopkins, L. (1999). 'Now by Saint Paul': Richard III's Constituency. Q/W/E/R/T/Y: Arts, Littératures & Civilisations du Monde Anglophone, 9, 11-14.

Hopkins, L. (1999). Shakespeare, 'Twelfth Night'. CAHIERS ELISABETHAINS, (56), 93-94.

Hopkins, L. (1999). “Mol!, God's maid”: Milton, women and epic. Women's Studies, 28 (3), 291-301. http://doi.org/10.1080/00497878.1999.9979261

Hopkins, L. (1998). Bedknobs and Broomsticks: Disney's Henry V. Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship, 16 (1), 46-47.

Hopkins, L. (1998). Knowing their loves: knowledge, ignorance and blindness in ’Tis Pity She’s a Whore. Renaissance forum, 3 (1). http://web.archive.org/web/20051229211016/www.hull.ac.uk/renforum/v3no1/index.html

Hopkins, L. (1998). Lillo's The 'London merchant': Elizabethan palimpsest? ENGLISH LANGUAGE NOTES, 36 (2), 4-11.

Hopkins, L. (1998). Food and growth in emma. Women's Writing, 5 (1), 61-70. http://doi.org/10.1080/09699089800200031

Hopkins, L. (1998). Thomas Arden in Faversham: The man behind the myth. NOTES AND QUERIES, 45 (1), 116-117. http://doi.org/10.1093/nq/45.1.116

Hopkins, L. (1998). Middleton's Women Beware Women and the Mothering Principle. Journal of Gender Studies, 7 (1), 63-72. http://doi.org/10.1080/09589236.1998.9960701

Hopkins, L. (1997). Fissured families: A motif in Marlowe's plays. PAPERS ON LANGUAGE AND LITERATURE, 33 (2), 198-212.

Hopkins, L. (1997). 'Denmark's a Prison': Hamlet and the Earl of Bothwell. Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 19 (1-2), 93-96.

Hopkins, L. (1997). Beguiling the Master of the Mystery: Form and Power in The Changeling. Medieval and Renaissance Drama in England: An Annual Gathering of Research, Criticism and Reviews, 9, 149-161.

Hopkins, L. (1997). 'Elegy by W. S.': Another Possible Candidate? Philological Quarterly, 76 (2), 159-168.

Hopkins, L. (1997). The Representation of Narrative: What Happens in Othello. Journal x: A Journal in Culture and Criticism, 1 (2), 160-174.

Hopkins, L. (1997). Household Words: Macbeth and the Failure of Spectacle. Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production, 50, 101-110.

Hopkins, L. (1997). Spartan boys : John Ford and Philip Sidney. Classical and Modern Literature, 17 (3), 217-229.

Hopkins, L. (1997). Mr. Darcy's Body: Privileging the Female Gaze. Topic: A Journal of the Liberal Arts, 48, 1-10.

Hopkins, L. (1997). 'Elegy by W.S.' + Shakespeare studies: Another possible candidate? PHILOLOGICAL QUARTERLY, 76 (2), 159-168.

Hopkins, L. (1997). The representation of narrative : what happens in Othello. Journal X : a journal in cinema and criticism, 1 (2), 159-174.

Hopkins, L. (1997). Marlowe, Chapman, Ford and Nero. ENGLISH LANGUAGE NOTES, 35 (1), 5-10.

Hopkins, L. (1997). Reading Shakespeare historically - Jardine,L. NOTES AND QUERIES, 44 (2), 268-269. http://doi.org/10.1093/nq/44.2.268

Hopkins, L. (1997). 'Malta of Gold': Marlowe, The Jew of Malta, and the Siege of 1565. (Re)Soundings, 1 (2).

Hopkins, L. (1997). Memory at the End of History: Mary Shelley's The Last Man. Romanticism on the Net: An Electronic Journal Devoted to Romantic Studies, 6.

Hopkins, L. (1997). John Ford and Cyprus. Notes and Queries, 44 (1), 101-102. http://doi.org/10.1093/nq/44.1.101

Hopkins, L. (1997). Ford and the Name 'Philema'. Notes and Queries, 44 (242) (1), 102.

Hopkins, L. (1997). Hell in 'Hamlet' and ''Tis Pity She's a Whore'. NOTES AND QUERIES, 44 (1), 102-103. http://doi.org/10.1093/nq/44.1.102

Hopkins, L. (1997). Vampires and Snakes: Monstrosity and motherhood in Bram Stoker. Irish Studies Review, 5 (19), 5-8. http://doi.org/10.1080/09670889708455572

Hopkins, L. (1996). Fluellen's Name. Shakespeare Studies, 24, 148-155.

Hopkins, L. (1996). Female Authority Figures in the Works of Tolkien, C. S. Lewis and Charles Williams. Mythlore: A Journal of J. R. R. Tolkien, C. S. Lewis, Charles Williams, and the Genres of Myth and Fantasy Stu, 21; 33 (2 [80]), 364-366.

Hopkins, L. (1996). Playing at Bouts: Hamlet and the Use of the Culminating Duel. Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 18 (1-2), 129-133.

Hopkins, L. (1996). 'Dead Shepherd, Now I Find Thy Saw of Might': Tamburlaine and Pastoral. Research Opportunities in Renaissance Drama, 35, 1-16.

Hopkins, L. (1996). Clothes and the Body of the Knight: The Making of Men in Sir Walter Scott's The Talisman. TheWordsworth Circle, 27 (1), 21-24.

Hopkins, L. (1996). Renaissance Queens and Foucauldian Carcerality. Renaissance and Reformation/Renaissance et Réforme, 20 (2), 17-32.

Hopkins, L. (1996). 'I Am Not Oedipus': Riddling the Body Politic in The Broken Heart. Connotations: A Journal for Critical Debate, 6 (3), 259-282.

Hopkins, L. (1996). A Woman Killed with Kindness: Author's Response. Connotations: A Journal for Critical Debate, 6 (1), 92-94.

Hopkins, L. (1996). French Accents in Shakespeare's Henry VI Plays. Folio: Shakespeare-Genootschap van Nederland en Vlaanderen, 3 (1), 5-10.

Hopkins, L. (1996). 'Lear, Lear, Lear!' Marlowe, Shakespeare, and the Third. Upstart Crow, 16, 108-123.

Barker, J., Smith, P.J., Cartmell, D., Dooley, M., Cox, N., Bruce, S., ... Hopkins, L. (1996). Shakespeare. Year's Work in English Studies, 77, 269-316. http://doi.org/10.1093/ywes/77.1.269

Hopkins, L. (1996). Art and nature in Women Beware Women. Renaissance forum, 1 (2). http://web.archive.org/web/20051229200035/www.hull.ac.uk/renforum/v1no2/index.html

Hopkins, L. (1996). Judith-Shakespeare's reading + Lady Jane Cavendish, Lady Elizabeth Brackley, 16th-century women writers: Teaching The 'Concealed Fancies'. SHAKESPEARE QUARTERLY, 47 (4), 396-406. http://doi.org/10.2307/2870953

Hopkins, L. (1996). Renaissance queens and Foucauldian carcerality + Marguerite de Navarre, Mary, queen of Scots and Elizabeth I. RENAISSANCE AND REFORMATION, 20 (2), 17-32.

Hopkins, L. (1996). Shakespeare the historian - Pugliatti,P. NOTES AND QUERIES, 43 (4), 475. http://doi.org/10.1093/nq/43.4.475

Hopkins, L. (1996). Discovered Countries: Hamlet and Europe. Q/W/E/R/T/Y: Arts, Littératures & Civilisations du Monde Anglophone, 6, 39-45.

Hopkins, L. (1996). Inscribing the time: Shakespeare and the end of Elizabethan England - Mallin,ES. NOTES AND QUERIES, 43 (3), 334-335. http://doi.org/10.1093/nq/43.3.334

Hopkins, L. (1996). 'And I Shall Die, and This Unconquered?': Marlowe's Inverted Colonialism. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 2 (2), 23-paragraphs.

Hopkins, L. (1996). An Echo of Hymenaei in The Changeling. Notes and Queries, 43 (241) (2), 184.

HOPKINS, L. (1996). THE 'BROKEN HEART' AND 'TROILUS AND CRESSIDA'. NOTES AND QUERIES, 43 (2), 192-193. http://doi.org/10.1093/nq/43.2.192

Hopkins, L. (1996). Ford and Greene: Two histories of James the fourth. Notes and Queries, 43 (2), 193-194. http://doi.org/10.1093/nq/43.2.193

HOPKINS, L. (1996). AN ECHO OF 'HYMENAEI' IN THE 'CHANGELING'. NOTES AND QUERIES, 43 (2), 184.

HOPKINS, L. (1996). SHAKESPEARE 'MACBETH'. CAHIERS ELISABETHAINS, (49), 74-&.

Hopkins, L. (1995). Speaking Sweat: Emblems in the Plays of John Ford. Comparative Drama, 29 (1), 133-146.

Barker, J., Smith, P.J., Kiernan, P., Bruce, S., & Hopkins, L. (1995). Shakespeare. Year's Work in English Studies, 76 (1), 228-265. http://doi.org/10.1093/ywes/76.1.228

Hopkins, L. (1995). Acting the Act in The Changeling. Revista Alicantina de Estudios Ingleses, 8, 107-111. http://doi.org/10.14198/raei.1995.8.10

Hopkins, L. (1995). Illegitimate power: Bastards in Renaissance drama - Findlay,A. JOURNAL OF GENDER STUDIES, 4 (3), 389-390.

HOPKINS, L. (1995). ACTING THE SELF - FORD,JOHN 'PERKIN WARBECK' AND THE POLITICS OF IMPOSTURE. CAHIERS ELISABETHAINS, (48), 31-36.

Hopkins, L. (1995). John Ford's Annabella and the Virgin Mary. Notes and Queries, 42 (240) (3), 380.

Hopkins, L. (1995). John Ford's Perkin Warbeck and Henry IV Part One. Notes and Queries, 42 (240) (3), 380-381.

HOPKINS, L. (1995). 'PERKIN WARBECK' AND 'FULGENS AND LUCRES' + FORD,JOHN DRAMA. NOTES AND QUERIES, 42 (3), 382-383. http://doi.org/10.1093/notesj/42.3.382

HOPKINS, L. (1995). THE POLITICS OF UNEASE IN THE PLAYS OF FLETCHER,JOHN - MCMULLAN,G. NOTES AND QUERIES, 42 (3), 397-398. http://doi.org/10.1093/notesj/42.3.397

HOPKINS, L. (1995). FORD,JOHN 'PERKIN WARBECK' AND 'HENRY IV PART 1' + SHAKESPEARE. NOTES AND QUERIES, 42 (3), 380-381.

HOPKINS, L. (1995). FORD,JOHN ANNABELLA AND THE VIRGIN-MARY. NOTES AND QUERIES, 42 (3), 380.

HOPKINS, L. (1995). THE PART WITH NEER A BONE INT - WEBSTERS WOMEN AND THE POLITICS OF SPEECH. JOURNAL OF GENDER STUDIES, 4 (2), 181-187. http://doi.org/10.1080/09589236.1995.9960604

Lennon, K., Davies, J., Bhopal, K., Barwell, I., Hopkins, L., Clisby, S., & Felton, L. (1995). Notes on Contributors. Journal of Gender Studies, 4 (2), 251. http://doi.org/10.1080/09589236.1995.9960610

Hopkins, L. (1995). Engendering frankenstein’s monster. Women's Writing, 2 (1), 77-85. http://doi.org/10.1080/0969908950020105

Hopkins, L. (1994). John Ford: The Welsh Connection. Swansea Review, 326-331.

Hopkins, L. (1994). 'That's Wormwood': Hamlet Plays His Mother. Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 16 (1-2), 83-85.

Hopkins, L. (1994). 'What Did Thy Song Bode, Lady?': Othello as Operatic Text. TheShakespeare Yearbook, 4, 61-70.

HOPKINS, L. (1994). AUSTEN,JANE AND MONEY. WORDSWORTH CIRCLE, 25 (2), 76-78. http://doi.org/10.1086/TWC24043082

Hopkins, L. (1994). The Transference of Clarissa: Psychoanalysis and the Realm of the Feminine. Critical Survey, 6 (2), 218-225.

Hopkins, L. (1994). City Tragedy: Middleton, Shakespeare and Ford. Compar(a)ison: An International Journal of Comparative Literature, 1, 71-76.

Hopkins, L. (1994). The False Domesticity of A Woman Killed with Kindness. Connotations: A Journal for Critical Debate, 4 (1-2), 1-7.

Hopkins, L. (1994). King Lear and the Numbers Game. Shakespeare in Southern Africa: Journal of the Shakespeare Society of Southern Africa, 7, 32-39.

Hopkins, L. (1994). A possible source for Marlowe's pageant of the seven deadly sins. Notes and Queries, 41 (4), 451-452. http://doi.org/10.1093/nq/41.4.451-b

HOPKINS, L. (1994). A SOURCE FOR FORD,JOHN 'TIS PITY SHES A WHORE'. NOTES AND QUERIES, 41 (4), 520-521. http://doi.org/10.1093/nq/41-4-520

HOPKINS, L. (1994). SHAKESPEARE 'MUCH ADO ABOUT NOTHING' - ZITNER,SP. NOTES AND QUERIES, 41 (3), 384.

HOPKINS, L. (1994). SHAKESPEARE 'MUCH ADO ABOUT NOTHING' - A NEW CRITICAL EDITION - KLEIN,H. NOTES AND QUERIES, 41 (3), 384.

HOPKINS, L. (1994). SHAKESPEARE, HARSNETT AND THE DEVILS OF DENHAM - BROWNLOW,FW. NOTES AND QUERIES, 41 (3), 383. http://doi.org/10.1093/nq/41-3-383

HOPKINS, L. (1994). FORD,JOHN 'TIS PITY SHES A WHORE' AND EARLY DIAGNOSES OF FOLIE-A-DEUX. NOTES AND QUERIES, 41 (1), 71-74. http://doi.org/10.1093/nq/41-1-71

Hopkins, L. (1994). A source for john ford's 'tis pity she's a whore. Notes and Queries, 41 (4), 520-521. http://doi.org/10.1093/nq/41-4-520

Hopkins, L. (1994). John Ford's 'tis pity she's whore and early diagnoses of folie à deux. Notes and Queries, 41 (1), 71-74. http://doi.org/10.1093/nq/41-1-71

HOPKINS, L. (1993). SHAKESPEARE SPEAKING PROPERTIES - TEAGUE,F. NOTES AND QUERIES, 40 (4), 544-545. http://doi.org/10.1093/nq/40-4-544

Hopkins, L. (1993). Wooing Scenes in 'Tis Pity She's a Whore and Richard III. Notes and Queries, 40 (238) (2), 227-228.

HOPKINS, L. (1993). WOOING SCENES IN 'TIS PITY SHES A WHORE' AND 'RICHARD III' + FORD,JOHN DEBT TO SHAKESPEARE,WILLIAM. NOTES AND QUERIES, 40 (2), 227-228.

Hopkins, L. (1992). Bilbo Baggins as a Burglar. Inklings: Jahrbuch fur Literatur und Asthetik, 10, 93-101.

Hopkins, L. (1992). Endogamy and Exogamy in the Works of Tolkien. Mallorn: The Journal of the Tolkien Society, 29, 15-16.

Hopkins, L. (1991). The Hobbit and A Midsummer Night's Dream. Mallorn: The Journal of the Tolkien Society, 28, 19-21.

Hopkins, L. (1991). The Dedication of John Ford's The Broken Heart. Notes and Queries, 38 (236) (1), 84-85.

CONNOLLY, A., & HOPKINS, L. (n.d.). A Darker Shade of Pale: Webster’s Winter Whiteness. E-rea, (12.2). http://doi.org/10.4000/erea.4483

Hopkins, L. (n.d.). ‘“By Jupiter, forgot”: Volscians and Scots in Shakespeare and Arbella Stuart’. SEDERI Yearbook.

Hopkins, L. (n.d.). Roman walls in English Renaissance Writing. Cahiers Elisabethains: late medieval and renaissance English studies.

Conference papers

Ostovich, H., & Hopkins, L. (2014). Introduction: Transformations and the Ideology of Witchcraft Staged. MAGICAL TRANSFORMATIONS ON THE EARLY MODERN ENGLISH STAGE, 1-+.

Hopkins, L. (2014). Profit and Delight? Magic and the Dreams of a Nation. MAGICAL TRANSFORMATIONS ON THE EARLY MODERN ENGLISH STAGE, 139-151.

HOPKINS, L. (1996). CLOTHES AND THE BODY OF THE KNIGHT, THE MAKING OF MEN IN SCOTT,WALTER THE 'TALISMAN'. WORDSWORTH CIRCLE, 27 (1), 21-24. http://doi.org/10.1086/TWC24042474

HOPKINS, L. (1994). FORD,JOHN - THE WELSH CONNECTION. WRITING REGION AND NATION, 326-331.

Book chapters

Hopkins, L. (2021). ‘All’s Well That Ends Well: Shakespearean Echoes in Heyer’s Regency Novels’. In Georgette Heyer, History and Historical Fiction.

Hopkins, L. (2019). Austen and Shakespeare, detectives. In Jane Austen and William Shakespeare: A Love Affair in Literature, Film and Performance. (pp. 313-334). http://doi.org/10.1007/978-3-030-25689-0_14

Hopkins, L. (2018). A man with a map: The Millennial Macbeth. In Hartley, A.J. (Ed.) Shakespeare and Millennial fiction. (pp. 145-158). Cambridge: Cambridge University Press: http://doi.org/10.1017/9781316761601.010

Hopkins, L. (2018). Introduction: Looking at Austen. In After Austen: Reinventions, Rewritings, Revisitings. (pp. 1-15). http://doi.org/10.1007/978-3-319-95894-1_1

Hopkins, L. (2018). Georgette Heyer: What Austen left out. In After Austen: Reinventions, Rewritings, Revisitings. (pp. 61-79). http://doi.org/10.1007/978-3-319-95894-1_4

Hopkins, L. (2018). Comedies of the Green World. (pp. 519-536). Oxford University Press: http://doi.org/10.1093/oxfordhb/9780198727682.013.33

Hirschfeld, H., & Hopkins, L. (2018). Comedies of the Green World: A Midsummer Night's Dream, As You Like It and Twelfth Night. In The Oxford Handbook of Shakespearean Comedy.

Hopkins, L. (2018). Strange truths: The Stanleys of Derby on the English Renaissance stage. In Shakespeare's histories and counter-histories. (pp. 85-100).

Hopkins, L. (2018). The dark side of the moon: Semiramis and Titania. In Goddesses and Queens: The iconography of Elizabeth I. (pp. 117-135).

Hopkins, L. (2018). Bloody brothers and suffering sisters: The duchess of malfi and harry potter. In From Medievalism to Early-Modernism: Adapting the English Past. (pp. 117-133). http://doi.org/10.4324/9780429400544-8

Hopkins, L. (2017). Pears and Statues. In Romeo and Juliet. (pp. 216-230). Ipswich, MA--Amenia, NY: Salem--Grey House

Hopkins, L. (2017). Christopher Marlowe and Religion. In The Oxford Handbook of Early Modern English Literature and Religion. (pp. 309-323). Oxford, England: Oxford UP: http://doi.org/10.1093/oxfordhb/9780199672806.013.18

Hopkins, L. (2017). ‘Waltzing with Wellington, Biting with Byron: Heroes in Austen Tribute Texts’. In Kramp, M. (Ed.) Jane Austen and Masculinity. Bucknell University Press

Hopkins, L. (2017). With the skin side inside: The interiors of The Duchess of Malfi. In Privacy, Domesticity, and Women in Early Modern England. (pp. 21-30).

Hopkins, L. (2016). The concealed fancies and Cavendish identity. In Edwards, P., & Graham, E. (Eds.) Authority, authorship and aristocratic identity in Seventeenth-Century England: William Cavendish, Ist Duke of Newcastle, and his political, social and cultural connections. (pp. 111-128). Leiden: Brill: http://www.brill.com/products/book/authority-authorship-and-aristocratic-identity-seventeenth-century-england

Hopkins, L. (2016). St Helena of Britain in the land of the Magdalene: All's Well That Ends Well. In Biblical women in early modern literary culture 1550-1700. (pp. 197-212).

Hopkins, L. (2015). New Directions: Othello and His Brothers. In Othello: A Critical Reader. (pp. 173-191). London, England: Bloomsbury

Hopkins, L. (2014). Shakespeare's Churches. In Shakespeare the Man: New Decipherings. (pp. 135-146). Madison, NJ: Fairleigh Dickinson UP

Hopkins, L. (2014). Theatricality, faith, and color imagery in philip massinger. In Stages of Engagement: Drama and Religion in Post-Reformation England. (pp. 219-240).

Hopkins, L. (2014). Politics and religion in elizabethan drama. In A Companion to British Literature. (pp. 129-141). http://doi.org/10.1002/9781118827338.ch36

Connolly, A., & Hopkins, L. (2013). The Earl of Essex and the Duke of Windsor: Elizabeth and Essex on film. In Essex: The cultural impact of an Elizabethan courtier. (pp. 279-293). https://manchesteruniversitypress.co.uk/9780719084942/

Connolly, A., & Hopkins, L. (2013). Introduction. In Essex: the cultural impact of an Elizabethan courtier. (pp. 1-24). Manchester University Press: https://manchesteruniversitypress.co.uk/9780719084942/

Hopkins, L. (2013). Cymbeline, the translatio imperii, and the matter of Britain. In Shakespeare and Wales: From the Marches to the Assembly. (pp. 143-155).

Hopkins, L. (2012). Shakespeare to Austen on Screen. In A Companion to Literature, Film, and Adaptation. (pp. 241-255). http://doi.org/10.1002/9781118312032.ch13

Hopkins, L. (2012). A Philosophical Home Ruler: The Imaginary Geographies of Bram Stoker. In A Companion to Irish Literature. (pp. 377-391). http://doi.org/10.1002/9781444328066.ch23

Hopkins, L. (2011). Harry and his peers: Rowling's Web of allusions. In Heroism in the Harry Potter Series. (pp. 55-66).

Hopkins, L. (2011). Marlowe's literary influence. In Christopher Marlowe in Context. (pp. 306-315). http://doi.org/10.1017/CBO9781139060882.033

Hopkins, L. (2010). New Directions: 'Tis Pity She's a Whore and the Space of the Stage. In 'Tis a Pity She's a Whore: A Critical Guide. (pp. 152-167). London, England: Continuum

Hopkins, L. (2010). The Critical Backstory. In 'Tis a Pity She's a Whore: A Critical Guide. (pp. 14-33). London, England: Continuum

Hopkins, L. (2010). “Papists and poets of like conscience for fictions”: religion and responsibility in the plays of Shakespeare. In Prakash, A., & Dahiya, S.P.S. (Eds.) The critic Shakespeare: essays in appreciation. (pp. 71-91). Haryana, India: The Shakespeare Association

Hopkins, L. (2010). Cymbeline, the translatio imperii, and the matter of Britain. In Shakespeare and Wales: From the Marches to the Assembly. (pp. 143-155).

Hopkins, L. (2010). Marlowe's Asia and the feminization of conquest. In The English Renaissance, Orientalism, and the Idea of Asia. (pp. 115-130). http://doi.org/10.1057/9780230106222

Hopkins, L. (2009). The Words of a Queen: Elizabeth I on Stage and Page. In The Rituals and Rhetoric of Queenship: Medieval to Early Modern. (pp. 145-156). Dublin, Ireland: Four Courts

Hopkins, L. (2009). Recent Critical Responses and Approaches. In The Shakespeare Handbook. (pp. 147-172). London, England: Continuum

Hopkins, L. (2009). John ford: Suffering and silence in Perkin Warbeck and ’tis pity she’s a whore. In The Cambridge Companion to Shakespeare and Contemporary Dramatists. (pp. 197-211). http://doi.org/10.1017/CCO9780511994524.014

Hopkins, L. (2008). What Lies Beneath. In Shakespeare's World/World Shakespeares. (pp. 87-97). Newark, DE: U of Delaware P

Hopkins, L. (2008). Marriage in Shakespeare: a community affair. In Dahiva, B.S. (Ed.) Postmodern essays on love, sex, and marriage in Shakespeare. (pp. 1-17). New Delhi: Viva Books: http://www.vivagroupindia.com/frmBookDetail.aspx?BookId=6842&Status=C

Hopkins, L., Siemens, R.G., & Steggle, M. (2008). EMLS : a case study in the development of an ejournal. In Bowen, W.R., & Siemens, R.G. (Eds.) New Technologies and Renaissance Studies. (pp. 144-160). Tempe, Arizona: Iter

Hopkins, L. (2007). ‘Gollum and Caliban: Evolution and Design’. In Croft, J.B. (Ed.) Tolkien and Shakespeare: Essays on Shared Themes and Language. (pp. 281-293). Jefferson, N.C: McFarland

Hopkins, L. (2007). Maternity in A Woman Killed with Kindness. In Performing Maternity in Early Modern England. (pp. 73-84). Aldershot, England: Ashgate

Hopkins, L. (2007). 'Black but Beautiful': Othello and the Cult of the Black Madonna. In Marian Moments in Early Modern British Drama. (pp. 75-86). Aldershot, England: Ashgate

Hopkins, L. (2007). Marlowe. In Teaching Shakespeare and Early Modern Dramatists. (pp. 42-53). Basingstoke, England: Palgrave Macmillan

Hopkins, L. (2007). Harington, Troilus and Cressida, and the Poets' War. In Italian Culture in the Drama of Shakespeare and His Contemporaries: Rewriting, Remaking, Refashioning. (pp. 127-140). Aldershot, England: Ashgate

Hopkins, L. (2007). The King's Melting Body: Richard II. In A Companion to Shakespeare's Works: The Histories. (pp. 395-411). http://doi.org/10.1002/9780470996546.ch20

Hopkins, L. (2006). Was Marlowe Going to Scotland When He Died, and Does it Matter? In Shakespeare, Marlowe, Jonson: New Directions in Biography. (pp. 167-182). Burlington, VT: Ashgate

Hopkins, L. (2005). Cleopatra and the myth of Scota. In Deats, S.M. (Ed.) Antony and Cleopatra : new critical essays. (pp. 231-242). Routledge

Hopkins, L. (2005). Dyads or Triads? His Dark Materials and the Structure of the Human. In His Dark Materials Illuminated: Critical Essays on Philip Pullman's Trilogy. (pp. 48-56). Detroit, MI: Wayne State UP

Hopkins, L. (2004). Welshness in Shakespeare's English Histories. In Shakespeare's History Plays: Performance, Translation and Adaptation in Britain and Abroad. (pp. 60-74). Cambridge, England: Cambridge UP

Hopkins, L. (2004). Passion and Reason in Sir Philip Sidney's Arcadia. In Prose Fiction and Early Modern Sexualities in England, 1570-1640. (pp. 61-75). New York, NY: Palgrave Macmillan

Hopkins, L. (2004). Marlowe’s reception and influence. In The Cambridge Companion to Christopher Marlowe. (pp. 282-296). http://doi.org/10.1017/CCOL0521820340.017

Hopkins, L. (2004). Household words: Macbeth and the failure of spectacle. In Shakespeare and Language. (pp. 251-265). http://doi.org/10.1017/CBO9780511617379.016

Hopkins, L. (2003). Harry Potter and the Acquisition of Knowledge. In Reading Harry Potter: Critical Essays. (pp. 25-34). Westport, CT: Praeger

Hopkins, L. (2003). Dreamtime: A Midsummer Night's Dream and the Classical Past. In Where Are We Now in Shakespearean Studies? III. (pp. 193-205). Aldershot, England: Ashgate

Hopkins, L. (2003). Paris Is Worth a Mass: All's Well That Ends Well and the Wars of Religion. In Shakespeare and the Culture of Christianity in Early Modern England. (pp. 369-381). New York, NY: Fordham UP

Hopkins, L. (2003). Jack London’s evolutionary hierarchies : dogs, wolves, and men. In Cuddy, L.A., & Roche, C.M. (Eds.) Evolution and Eugenics in American Literature and Culture, 1880-1940. (pp. 89-101). Bucknell University Press

Hopkins, L. (2002). ‘How very like the home life of our own dear queen’: Ian McKellen’s Richard III. In Starks, L.S., & Lehmann, C. (Eds.) Spectacular Shakespeare : critical theory and popular cinema. (pp. 47-61). Fairleigh Dickinson University Press

Hopkins, L. (2002). Incest and Class: 'Tis Pity She's a Whore and the Borgias. In Incest and the Literary Imagination. (pp. 94-113). Gainesville, FL: UP of Florida

Hopkins, L. (2002). Writing to Control: The Verse of Mary, Queen of Scots. In Reading Monarchs Writing: The Poetry of Henry VIII, Mary Stuart, Elizabeth I, and James VI/I. (pp. 35-50). Tempe, AZ: Arizona Center for Medieval and Renaissance Studies

Hopkins, L. (2001). The Pyrrhus Speech: Querying the Uses of the Troy Story. In Approaches to Teaching Shakespeare's Hamlet. (pp. 138-140). New York, NY: Modern Language Association of America

Hopkins, L. (2000). 'The Shores of My Mortality': Pericles' Greece of the Mind. In Pericles: Critical Essays. (pp. 228-237). New York, NY: Garland

Hopkins, L. (2000). The Red and the Blue: Jane Eyre in the 1990s. In Classics in Film and Fiction. (pp. 54-69). London, England: Pluto

Hopkins, L. (1998). Crowning the King, Mourning His Mother: The Jewel of Seven Stars and The Lady of the Shroud. In Bram Stoker: History, Psychoanalysis, and the Gothic. (pp. 134-150). Basingstoke, England--New York, NY: Macmillan--St. Martin's

Hopkins, L. (1998). Mr. Darcy's Body: Privileging the Female Gaze. In Jane Austen in Hollywood. (pp. 111-121). Lexington, KY: UP of Kentucky

Hopkins, L. (1997). The Self and the Monstrous. In Iconoclastic Departures: Mary Shelley after Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley's Birth. (pp. 260-74`). Madison, NJ: Fairleigh Dickinson UP

Hopkins, L. (1997). Neighbourhood in Henry V. In Burnett, M.T., & Wray, R. (Eds.) Shakespeare and Ireland: History, Politics, Culture. Palgrave Macmillan

Hopkins, L. (1995). The Disguised Royalty Motif in the Arcadia. In Narrative Strategies in Early English Fiction. (pp. 187-194). Lewiston, NY: Mellen

Hopkins, L. (1994). Parison and the Impossible Comparision. In New Essays on Hamlet. (pp. 153-164). New York: AMS

Books

Hopkins, L., & Rutter, T. (2020). A Companion to the Cavendishes Writing, Patronage, and Material Culture.

Cadman, D., Duxfield, A., & Hopkins, L. (Eds.). (2019). The genres of Renaissance tragedy. Manchester University Press. http://www.manchesteruniversitypress.co.uk/9781784992798/

Hopkins, L. (2018). After Austen: Reinventions, rewritings, revisitings. http://doi.org/10.1007/978-3-319-95894-1

Hopkins, L. (2018). After Austen: Reinventions, rewritings, revisitings. http://doi.org/10.1007/978-3-319-95894-1

Hopkins, L. (2017). From the Romans to the Normans on the English Renaissance Stage. Medieval Institute Publications. https://www.jstor.org/stable/j.ctt1ws7x1b

Hopkins, L. (2016). Shakespearean allusion in crime fiction: DCI Shakespeare. Palgrave Macmillan. http://www.palgrave.com/gb/book/9781137538741

Hopkins, L. (2016). Renaissance drama on the edge. http://doi.org/10.4324/9781315605258

Hopkins, L. (2014). Renaissance drama on the edge. Ashgate.

Hopkins, L., & Ostovich, H. (Eds.). (2014). Magical transformations on the early modern English stage. Ashgate.

Connolly, A., & Hopkins, L. (2013). Essex: the cultural impact of a Renaissance Courtier. Manchester: Manchester University Press.

Hopkins, L. (2013). Shakespeare on the edge: Border-crossing in the tragedies and the Henriad.

Hiscock, A., & Hopkins, L. (Eds.). (2011). King Lear: A Critical Guide. New York, NY: Continuum.

Hopkins, L. (2011). Drama and the Succession to the Crown, 1561-1633. Ashgate.

Hopkins, L. (Ed.). (2011). The Lady's Trial. Manchester: Manchester University Press.

Hopkins, L. (Ed.). (2010). 'Tis a Pity She's a Whore: A Critical Guide. London, England: Continuum.

Hopkins, L. (2009). Relocating Shakespeare and Austen on Screen. Basingstoke: Palgrave Macmillan.

Hopkins, L. (2008). The cultural uses of the Caesars on the English Renaissance stage. Aldershot: Ashgate.

Hopkins, L. (2008). Christopher marlowe, renaissance dramatist.

Hopkins, L. (2007). Bram Stoker: A Literary Life. Basingstoke, England: Palgrave Macmillan. http://doi.org/10.1057/9780230626416

Buccola, R., & Hopkins, L. (Eds.). (2007). Marian Moments in Early Modern British Drama. Aldershot, England: Ashgate.

Hiscock, A., & Hopkins, L. (Eds.). (2007). Teaching Shakespeare and Early Modern Dramatists. Basingstoke, England: Palgrave Macmillan. http://doi.org/10.1057/9780230593206

Connolly, A., & Hopkins, L. (Eds.). (2007). Goddesses and Queens: the iconography of Elizabeth I. Manchester Univ Press. http://www.manchesteruniversitypress.co.uk/catalogue/book.asp?id=1204076

Connolly, A., & Hopkins, L. (Eds.). (2007). Goddesses and Queens: the iconography of Elizabeth I. Manchester Univ Press. http://www.manchesteruniversitypress.co.uk/catalogue/book.asp?id=1204076

Hopkins, L., & Steggle, M. (2006). Renaissance Literature and Culture. London: Continuum. http://www.bloomsbury.com/uk/renaissance-literature-and-culture-9781441104823/

Hopkins, L. (2005). A Christopher Marlowe Chronology. New York, NY: Palgrave Macmillan. http://doi.org/10.1057/9780230503045

Hopkins, L. (2005). Screening the Gothic. Austin, TX: U of Texas P.

Hopkins, L. (2004). Giants of the Past: Popular Fictions and the Idea of Evolution. Lewisburg, PA: Bucknell UP.

Ostovich, H., & Sauer, E. (Eds.). (2004). Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1550-1700. New York, NY: Routledge.

Hopkins, L. (2002). Writing Renaissance Queens: Texts by and about Elizabeth I and Mary, Queen of Scots. Newark, DE--London, England: U of Delaware P--Associated UP.

Hopkins, L. (2002). The Female Hero in English Renaissance Tragedy. Basingstoke, England: Palgrave Macmillan. http://doi.org/10.1057/9780230503052

Hopkins, L. (2000). Christopher Marlowe: A Literary Life. New York, NY: Palgrave.

Hopkins, L. (1997). The Shakespearean Marriage: Merry Wives and Heavy Husbands. Basingstoke, England: Palgrave Macmillan. http://doi.org/10.1057/9780230373037

Hopkins, L. (1994). John Ford's Political Theater. Manchester: Manchester UP.

Hopkins, L. (1994). A Hall of Mirrors: Mary Shelley's Frankenstein. Sheffield: PAVIC, Sheffield City Polytechnic.

Hopkins, L. (1990). Queen Elizabeth I and Her Court. London--New York: Vision--St. Martin's.

Theses / Dissertations

Mellor, H. (2018). Gender, power and disguise: cross dressing women within Shakespeare and Spenser. (Doctoral thesis). Supervised by Hopkins, L. http://doi.org/10.7190/shu-thesis-00127

McDonnell, S.F.I. (2016). Male poisoners in Renaissance revenge tragedies. (Doctoral thesis). Supervised by Hopkins, L.

Skelton, S.F.B. (2016). The afterlife of survival: a thematic guide to contemporary Canadian short fiction. (Doctoral thesis). Supervised by Le Bihan, J., Earnshaw, S., & Hopkins, L.

Heaton, C. (2016). Revolting Women, Roaring Girls and Bloody Men: The RSC in Stratford, 2014. (Doctoral thesis). Supervised by Hopkins, L.

Dyson, G.M. (2013). The vampire as eugenic examiner, 1880-1896. (Doctoral thesis). Supervised by Hopkins, L., & Dredge, S.

Wood, R.J. (2012). The image of human condition: Sidney's Arcadia and the conflicts of virtue. (Doctoral thesis). Supervised by Steggle, M., & Hopkins, L.

Cadman, D.J. (2011). Republicanism and stoicism in Renaissance neo-Senecan drama. (Doctoral thesis). Supervised by Steggle, M., Hopkins, L., & Rutter, T.

Dahiya, H. (2011). Shakespeare studies in Colonial Bengal : The early phase. (Doctoral thesis). Supervised by Hopkins, L., & Rutter, T.

Wilkinson, K. (2010). A brief chronicle of the time : staging Shakespeare's English histories, 2000-2010. (Doctoral thesis). Supervised by Hopkins, L., & Steggle, M.

Griffin, P.A. (2009). A critical edition of William Sampson's 'The Vow Breaker' 1636. (Doctoral thesis). Supervised by Hopkins, L., & Steggle, M.

Connolly, A.F. (2008). Princes set on stages : Iconography on the early modern stage. (Doctoral thesis). Supervised by Hopkins, L.

Norton, J.J. (2008). Humiliation, redemption, and reformation theology in Shakespeare's tragedies and late plays. (Doctoral thesis). Supervised by Hopkins, L., & Steggle, M.

Thomas, S.F. (2008). The exploration and development of tools for active reading and electronic texts. (Doctoral thesis). Supervised by Hopkins, L., Green, G., Steggle, M., Roast, C., & Ritchie, I.

Pitchforth, S.M. (2006). Vulnerable Britons: National identity in captivity narratives, 1770-1830. (Doctoral thesis). Supervised by Mills, S., & Hopkins, L.

Wetherall Dickson, L. (2006). Beyond Byron, legitimising Lamb : The cultural context of Caroline Lamb's life and works. (Doctoral thesis). Supervised by Hopkins, L.

Morton, K. (2005). A life marketed as fiction : An analysis of the work of Eliza Parsons. (Doctoral thesis). Supervised by Hopkins, L.

Cheta, A.K. (n.d.). Thomas Nashe and the Idea of the Author. (Doctoral thesis). Supervised by Hopkins, L. http://doi.org/10.7190/shu-thesis-00246

External examiner for the Early Modern period at Loughborough University

Currently supervising projects. I am also external supervisor for a thesis on Harry Potter at the Université Stendhal, Grenoble.

Projects previously supervised include ‘Princes Set on Stages: Royal Iconography on the Early Modern Stage’, ‘Reduction and Ambiguity in the Plays of Christopher Marlowe’, ‘A Critical Edition of William Sampson’s The Vow Breaker (1636)’, ‘A Brief Chronicle of the Time: Staging Shakespeare’s Histories 2000-2010’, ‘Shakespeare Studies in Colonial Bengal: the Early Phase’, and ‘The Vampire as Eugenic Examiner’.