Hopkins, L. (2022). Roman walls in English Renaissance Writing. Cahiers Elisabethains: late medieval and renaissance English studies. http://doi.org/10.1177/01847678221099594

Hopkins, L. (2021). Revived with Care: John Fletcher's Plays on the British Stage, 1885-2020. CAHIERS ELISABETHAINS, 106 (1), 136-138. http://doi.org/10.1177/01847678211039874i

Hopkins, L. (2021). “By Jupiter, forgot”: Volscians and Scots in Shakespeare and Arbella Stuart. SEDERI, (31), 55-72. http://doi.org/10.34136/sederi.2021.3

Hopkins, L. (2021). A Room of Everyone's Own: Sharing Space in Pride and Prejudice. Persuasions : the Jane Austen Journal On-Line, 41 (1). http://jasna.org/publications/persuasions-online/vol-41-no-1/hopkins/

Hopkins, L. (2020). Innovation and experiment in Webster's the Duchess of Malfi. Voprosy literatury, (2), 157-166. http://doi.org/10.31425/0042-8795-2020-2-157-166

Hopkins, L. (2020). Criminally Funny: Sarah Caudwell’s Inverted Janeism. Persuasions: The Jane Austen Journal On-Line, 40 (2). http://jasna.org/publications/persuasions-online/volume-40-no-2/hopkins/

Hopkins, L. (2019). King John (Theatre Review). Multicultural Shakespeare, 20 (1), 181-182. http://doi.org/10.18778/2083-8350.20.13

Hopkins, L. (2018). Herb Paris, Romeo and Juliet and Thomas Hesketh. Notes and Queries, 65 (4), 530-533. http://doi.org/10.1093/notesj/gjy137

Hopkins, L. (2018). Introduction: Early modern drama on screen. Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 12 (1). https://borrowers-ojs-azsu.tdl.org/borrowers/issue/view/23

Hopkins, L. (2017). Moving Marlowe: The Jew of Malta on the Caroline Stage. Marlowe Studies.

(2017). John Ford [Special Issue]. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 26, (no-pagination).

Hopkins, L. (2017). The Danish romance play: Fair Em, Sir Clyomon and Sir Clamydes, and Hoffman. Early modern literary studies, 27. https://extra.shu.ac.uk/emls/journal/index.php/emls/article/view/420

Hopkins, L. (2017). Birthing modernity: the BBC’s Count Dracula (1977). Journal of Adaptation in Film & Performance, 10 (3), 217-226. http://doi.org/10.1386/jafp.10.3.217_1

Hopkins, L. (2017). The Masters of the Revels and Elizabeth I's Court Theatre [Book Review]. Modern Language Review, 112 (4), 984-985. http://doi.org/10.5699/modelangrevi.112.4.0984

Hopkins, L. (2017). Editorial. Journal of Adaptation in Film & Performance, 10 (2), 91-92. http://doi.org/10.1386/jafp.10.2.91_2

Hopkins, L. (2017). I am Ìyálóde of tì still: A Yoruba Duchess of Malfi. Journal of Adaptation in Film & Performance, 10 (2), 111-125. http://doi.org/10.1386/jafp.10.2.111_1

Hopkins, L. (2017). Introduction: John Ford in Performance 2014-2016. Early modern literary studies, (SI 26). https://extra.shu.ac.uk/emls/journal/index.php/emls/issue/current

Hopkins, L. (2017). Perkin Warbeck and Massinger. Early modern literary studies, (SI 26). https://extra.shu.ac.uk/emls/journal/index.php/emls/article/view/286

(2016). Rome and Home: The Cultural Uses of Rome in Early Modern English Literature [Special Issue]. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 25, [no-pagination].

Hopkins, L. (2016). Love and war on Venus’ Island: Othello and the lover’s melancholy. Journal of Mediterranean Studies, 25 (1), 51-63. https://www.um.edu.mt/medinst/journal

Hopkins, L. (2016). Review of Shakespeare's Twelfth Night (directed by Tim Carroll) at the Apollo Theatre, London, 26 January 2013. Shakespeare, 12 (4), 433-434. http://doi.org/10.1080/17450918.2013.805806

Hopkins, L. (2016). Shakespearean allusion and the detective fiction of Georgette Heyer. Palgrave Communications, 2 (16052), 1-7. http://doi.org/10.1057/palcomms.2016.52

Hopkins, L. (2016). Play review: The Lady's Trial. Cahiers Élisabéthains, 89 (1), 109-110. http://doi.org/10.1177/0184767816631277f

Hopkins, L. (2016). Othello and his islands: Papers from the first three Othello's island conferences. Journal of Mediterranean Studies, 25 (1), 1-4.

Hopkins, L. (2015). Shakespeare's Princes of Wales: English Identity and the Welsh Connection. LITERATURE & HISTORY-THIRD SERIES, 24 (1), 75-76.

Lisa Hopkins, (2015). The Modern Language Review, 110 (1), 237. http://doi.org/10.5699/modelangrevi.110.1.0237

Hopkins, L. (2015). A matter of life and death: the fourth act in Shakespearean tragedy. Ben Jonson Journal, 22 (2), 188-207. http://doi.org/10.3366/bjj.2015.0134

Hopkins, L. (2015). Review of Ford's Love's Sacrifice(directed by Matthew Dunster for the Royal Shakespeare Company) at the Swan Theatre, Stratford-upon-Avon, 16 May 2015. Shakespeare, 12 (1), 81-82. http://doi.org/10.1080/17450918.2015.1074608

Hopkins, L. (2015). Staging England in the Elizabethan History Play: Performing National Identity. Ralf Hertel. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2014. ix + 272 pp. $119.95. [book review]. Renaissance quarterly, 68 (2), 774-775. http://doi.org/10.1086/682541

Hopkins, L. (2014). Bram Stoker's The lady of the shroud : supernatural fantasy, politics, Montenegro and its double. English Literature in Transition, 1880-1920, 57 (4), 519-534. http://doi.org/10.1353/elt.2014.0063

Hopkins, L. (2014). Hamlet is Heimat. Journal of Adaptation in Film & Performance, 7 (1), 27-39. http://doi.org/10.1386/jafp.7.1.27_1

Hopkins, L., & Macmahon, B. (2013). “Come, what, a siege?” : Metarepresentation in Lady Jane Cavendish and Lady Elizabeth Brackley’s The Concealed Fancies. Early modern literary studies, 16 (3), 1-17. http://extra.shu.ac.uk/emls/emlshome.html

Hopkins, L. (2013). ‘An Apple Cleft in Twain’: Shakespearean heroines and the penalty of Eve. Journal of drama studies, 7, 91-99. http://theshakespeareassociation.com/?page_id=19

Hopkins, L. (2013). Point, counterpoint, needlepoint:the tapestry in Margaret Cavendish’s The Unnatural Tragedy. Women’s Writing, 20 (4), 555-566. http://doi.org/10.1080/09699082.2013.786884

Hopkins, L. (2012). <i>Women in Shakespeare: A Dictionary</i> (review). Shakespeare Quarterly, 63 (2), 264-265. http://doi.org/10.1353/shq.2012.0019

Hopkins, L. (2012). The Framing Text in Early Modern English Drama: ‘Whining’ Prologues and ‘Armed’ Epilogues. By Brian W. Schneider. Farnham: Ashgate, 2011. Pp. 320. £60 Hb. Theatre Research International, 37 (2), 193-194. http://doi.org/10.1017/s0307883312000156

Hopkins, L. (2012). Review of Marlowe'sEdward II(directed by Peter Darney), the Rose Theatre, Bankside, 22 February 2011. Shakespeare, 8 (1), 100-101. http://doi.org/10.1080/17450918.2012.660274

HOPKINS, L. (2011). Deathly Experiments: A Study of Icons and Emblems of Mortality in Christopher Marlowe's Plays - By Clayton G. MacKenzie. Renaissance Studies, 25 (4), 597-599. http://doi.org/10.1111/j.1477-4658.2011.00749.x

Hopkins, L. (2011). JOHN D. STAINES, The Tragic Histories of Mary Queen of Scots, 1560-1900: Rhetoric, Passions, and Political Literature. Notes and Queries, 58 (3), 448-449. http://doi.org/10.1093/notesj/gjr093

Hopkins, L. (2011). MARGARET TUDEAU-CLAYTON AND WILLY MALEY (eds). This England, That Shakespeare: New Angles on Englishness and the Bard. The Review of English Studies, 62 (255), 472-474. http://doi.org/10.1093/res/hgr015

Hopkins, L. (2010). ‘Venice in ’Tis Pity She’s a Whore’. Early Theatre, 13 (2), 79-88. http://doi.org/10.12745/et.13.2.851

Hopkins, L. (2010). Englishmen abroad : mobility and nationhood in Dido, Queen of Carthage and Edward II. English, 59 (227), 324-348. http://doi.org/10.1093/english/efq019

Hopkins, L. (2010). The places of the gods on the English renaissance stage. Philological Quarterly, 89 (4), 415-433.

Hopkins, L. (2010). MARY A. PAPAZIAN (ed.), The Sacred and Profane in English Renaissance Literature. Notes and Queries, 57 (3), 436-437. http://doi.org/10.1093/notesj/gjq126

Hopkins, L. (2010). ‘Prospero’s Books’. Journal of drama studies, 4 (2), 5-18. http://theshakespeareassociation.com/Journal.htm

Hopkins, L. (2010). The materiality of religion in early modern English drama. Shakespeare, 6 (1), 114-115. http://doi.org/10.1080/17450911003643118

Hopkins, L. (2010). Staging the Medici: the Medici Family in English renaissance drama, c.1590–c.1640. Sun Yat-Sen Journal of Humanities, 27, 63-74.

Hopkins, L. (2009). Review of Shakespeare'sThe Winter's Tale(directed by Sam Mendes) at the Old Vic, London, 23 May–15 August 2009. Shakespeare, 5 (4), 465-466. http://doi.org/10.1080/17450910903370566

Hopkins, L. (2009). Gordon McMullan. Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death. Cambridge: Cambridge University Press, 2008. Pp. xii+402. $99.00 (cloth). Journal of British Studies, 48 (1), 204-206. http://doi.org/10.1086/596139

Hopkins, L. (2008). Hamlet Smokes Prince: 101 Reykjavik on page and screen. Adaptation, 1 (2), 140-150. http://doi.org/10.1093/adaptation/apn016

Hopkins, L. (2008). Christopher Marlowe and the Succession to the English Crown. The Yearbook of English Studies, 38 (1-2), 183-198.

Hopkins, L. (2008). "Speak it in Welsh": Wales and the Welsh language in Shakespeare. SHAKESPEARE QUARTERLY, 59 (2), 216-217.

Hopkins, L. (2007). The Cardinal’s Fishpond : the symbolic landscapes of The Duchess of Malfi. Journal of Drama Studies, 1 (1), 20-34. http://theshakespeareassociation.com/?page_id=19

(2007). The Long 1590s. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 16, [no-pagination].

Hopkins, L. (2007). JOHN E. CURRAN JR, Hamlet, Protestantism, and the Mourning of Contingency: Not to Be. Notes and Queries, 54 (3), 341-342. http://doi.org/10.1093/notesj/gjm164

Hopkins, L. (2007). ROBERT A. LOGAN, Shakespeare's Marlowe. Notes and Queries, 54 (3), 339-341. http://doi.org/10.1093/notesj/gjm165

Hopkins, L. (2007). CHRISTOPHER MARLOWE, The Collected Poems of Christopher Marlowe, ed. PATRICK CHENEY and BRIAN J. STRIAR. Notes and Queries, 54 (1), 97-98. http://doi.org/10.1093/notesj/gjm041

Hopkins, L. (2006). Dorothy Dunnett’s Lymond and Niccolò series : history versus experience. Working Papers on the Web, 9. http://extra.shu.ac.uk/wpw/

Hopkins, L. (2006). 'In a little room': Marlowe and The 'Allegory of the Tudor Succession'. NOTES AND QUERIES, 53 (4), 442-444. http://doi.org/10.1093/notesj/gjl151

Hopkins, L. (2006). 'In a Little Room': Marlowe and The Allegory of the Tudor Succession. Notes and Queries, 53 (4), 442-444. http://doi.org/10.1093/notesj/gjl151

Hopkins, L. (2006). GARRETT A. SULLIVAN JR, PATRICK CHENEY, and ANDREW HADFIELD (eds), Early Modern English Drama: A Critical Companion Pp. xiii + 338. Oxford and New York: Oxford University Press, 2005. Paperbound  21.99 (ISBN 0 19 515386 3). Notes and Queries, 53 (4), 572. http://doi.org/10.1093/notesj/gjl206

Hopkins, L. (2006). A Proposed Emendation to Ford's The Broken Heart. Notes and Queries, 53 (1), 91-92. http://doi.org/10.1093/notesj/gjj146

Hopkins, L. (2006). THOMAS BETTERIDGE, Shakespearean Fantasy and Politics. Pp. vii + 214. Hatfield: University of Hertfordshire Press, 2005. Hardbound  35.00 (ISBN 1 902806 39 5); paperbound  18.99 (1 902806 40 9). Notes and Queries, 53 (1), 109-110. http://doi.org/10.1093/notesj/gjj164

Hopkins, L. (2005). Pocahontas andThe Winter's Tale. Shakespeare, 1 (1-2), 121-135. http://doi.org/10.1080/17450910500399091

Hopkins, L. (2005). ANDREW HADFIELD and PAUL HAMMOND (eds), Shakespeare and Renaissance Europe. Pp. xxix + 314 (The Arden Critical Companions). London: The Arden Shakespeare, 2004. Paperbound  16.99 (ISBN 1 90427 146 4). Notes and Queries, 52 (4), 536-537. http://doi.org/10.1093/notesj/gji463

Hopkins, L. (2005). Death and the castrated : the complex psyches of Valperga. Romanticism on the Net, 40. http://doi.org/10.7202/012460ar

Hopkins, L. (2005). Review: The Queen's Majesty's Passage & Related Documents. Notes and Queries, 52 (2), 247-248. http://doi.org/10.1093/notesj/gji255

Hopkins, L. (2005). Staging passions in Ford's The Lover's Melancholy. SEL studies in English literature 1500-1900, 45 (2), 443-459. http://doi.org/10.1353/sel.2005.0019

Hopkins, L. (2004). Review: Shakespeare's Drama of Exile * Review: Beggary and Theatre in Early Modern England. Notes and Queries, 51 (4), 440-441. http://doi.org/10.1093/nq/51.4.440

Hopkins, L. (2004). New Light on Marlowe's Murderer. Notes and Queries, 51 (3), 251-254. http://doi.org/10.1093/nq/51.3.251

Hopkins, L. (2004). Jane Austen and Bess of Hardwick. Notes and Queries, 51 (2), 134. http://doi.org/10.1093/nq/51.2.134

Hopkins, L. (2004). Crime and Context in The Unnatural Tragedy. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 14, 12-paragraphs.

(2004). Essays from the Fifth Biennial International Margaret Cavendish Converence. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 14, [no-pagination].

Hopkins, L. (2004). A Midsummer Night's Dream and Mary Sidney. English Language Notes, 41 (3), 23-28. http://doi.org/10.1215/00138282-41.3.23

Hopkins, L. (2004). Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England. Notes and Queries, 51 (1), 82-83. http://doi.org/10.1093/nq/51.1.82

Hopkins, L. (2003). 'A Tiger's Heart Wrapped in a Player's Hide': Julie Taymor's War Dances. Shakespeare Bulletin: The Journal of Early Modern Drama in Performance, 21 (3), 61-69.

Hopkins, L. (2003). A New Source for 'Tis Pity She's a Whore. Notes and Queries, 50 (4), 443-444. http://doi.org/10.1093/nq/50.4.443

Hopkins, L. (2003). ‘Jane C. Loudon’s The Mummy!: Mary Shelley Meets George Orwell, and They Go in a Balloon to Egypt’. Cardiff Corvey, 10. http://www.cardiff.ac.uk/encap/journals/corvey/articles/cc10_n01.html

Hopkins, L. (2003). Dramatic Difference: Gender, Class, and Genre in the Early Modern Closet Drama. Notes and Queries, 50 (2), 240-241. http://doi.org/10.1093/nq/50.2.240

Hopkins, L. (2003). Jane C. Loudon's The Mummy!: Mary Shelley Meets George Orwell, and They Go in a Balloon to Egypt. Romantic Textualities, 10, [no-pagination].

Hopkins, L. (2003). A Yorkshire Tragedy and Middleton's Tragic Aesthetic. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 8 (3), 15-paragraphs.

Hopkins, L. (2002). 'A Medea, in More Senses than the More Obvious One': Motherhood in Mary Shelley's Lodore and Falkner. The Eighteenth-Century Novel, 2, 383-405.

Hopkins, L. (2002). 'Like parrots at a bagpiper': The Polarities of Exchange in <i>The Merchant of Venice</i>. Parergon, 19 (1), 105-120. http://doi.org/10.1353/pgn.2002.0038

Hopkins, L. (2002). Returning to the Mummy. Postmodern Culture, 12 (2). http://doi.org/10.1353/pmc.2002.0010

Hopkins, L. (2002). "Like parrots at a bagpiper": The polarities of exchange in The 'Merchant of Venice' (Exotic cultures, cosmopolitan traditions, and global economies in the imagery of Shakespeare). PARERGON, 19 (1), 105-120.

Hopkins, L. (2002). Lear's castle (Shakespeare, 'King Lear', Leicester). CAHIERS ELISABETHAINS, (62), 25-32.

Hopkins, L. (2002). The 'Mummy Returns'. POSTMODERN CULTURE, 12 (2), u167-u183.

Hopkins, L. (2002). Lear's Castle. Cahiers Élisabéthains: A Journal of English Renaissance Studies, 62 (1), 25-32. http://doi.org/10.7227/ce.62.1.4

Hopkins, L. (2002). Orlando and the Golden World: The Old World and the New in As You Like It. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 8 (2), 21-paragraphs.

(2002). Teaching Renaissance Texts. Working Papers on the Web, 4, [no-pagination].

Hopkins, L. (2002). Cultural Shakespeare: Essays in the Shakespeare Myth. Notes and Queries, 49 (2), 287-288. http://doi.org/10.1093/nq/49.2.287

Hopkins, L. (2002). We were the Trojans: British national identities in 1633. Renaissance Studies, 16 (1), 36-51. http://doi.org/10.1111/1477-4658.t01-1-00003

Hopkins, L. (2002). Reading Between the Sheets: Letters in Shakespearean Tragedy. Critical Survey, 14 (3). http://doi.org/10.3167/001115702782351980

HOPKINS, L. (2001). A POSSIBLE SOURCE FOR ‘AN HORATIAN ODE UPON CROMWELL'S RETURN FROM IRELAND‘. Notes and Queries, 48 (1), 19-20. http://doi.org/10.1093/nq/48.1.19

Hopkins, L. (2001). Hamlet and the Julio-Claudians. Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 23, 103-110.

Hopkins, L. (2001). The Last Man and the Language of the Heart. Romanticism on the Net, (22), 0. http://doi.org/10.7202/005976ar

Hopkins, L. (2001). 'Denmark's a Prison': Branagh's Hamlet and the Paradoxes of Intimacy. EnterText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work, 1 (2), 226-246.

HOPKINS, L. (2001). Reviews. Notes and Queries, 48 (2), 189-190. http://doi.org/10.1093/nq/48.2.189

Hopkins, L. (2001). Passing : the Irish and the Germans in the fiction of John Buchan and Erskine Childers. Irish Studies Review, 9 (1), 69-80. http://doi.org/10.1080/09670880020032708

BARKER, J., SMITH, P.J., SANDERS, J., DOOLEY, M., COX, N., BRUCE, S., ... LONGSTAFFE, S. (2001). VI Shakespeare. The Year's Work in English Studies, 79 (1), 251-293. http://doi.org/10.1093/ywes/79.1.251

Hopkins, L. (2000). 'An Indian Beauty?' A Proposed Emendation to The Merchant of Venice. The Shakespeare Newsletter, 50 (1 [244]), 27.

Hopkins, L. (2000). ‘This is Venice: My house is not a grange’: Othello’s landscapes of the mind. The Upstart Crow : a Shakespeare Journal, 20, 68-78.

Hopkins, L. (2000). 'Ripeness is all': the death of Elizabeth in drama. Renaissance forum, 4 (2). http://www.hull.ac.uk/renforum/resource.htm

HOPKINS, L. (2000). JOHN FORD AND THE EARL OF ANTRIM. Notes and Queries, 47 (4), 485-486. http://doi.org/10.1093/nq/47.4.485

HOPKINS, L. (2000). JOHN FORD AND CHARLES ALEYN: TWO 1630S HISTORIES OF HENRY VII. Notes and Queries, 47 (4), 483-485. http://doi.org/10.1093/nq/47.4.483

Hopkins, L. (2000). Peter Happé English Drama Before Shakespeare London and New York; Longman, 1999. xi + 291 pp. £14.99. ISBN: 0-582-49374-9. Renaissance Quarterly, 53 (4), 1243-1244. http://doi.org/10.2307/2901482

Hopkins, L. (2000). Playing the globe: Genre and geography in English renaissance drama. NOTES AND QUERIES, 47 (1), 123-124.

Hopkins, L. (2000). William Shakespeare, 'Romeo and Juliet'. CAHIERS ELISABETHAINS, (58), 75-76.

Hopkins, L. (2000). The politics of performance in early renaissance drama. NOTES AND QUERIES, 47 (1), 123.

Hopkins, L. (2000). Introduction: Monstrosity and Anthropology. Gothic Studies, 2 (3), 267-273. http://doi.org/10.7227/gs.2.3.1

Miles, R., Sage, V., Hopkins, L., & Smith, A. (2000). Reviews. Gothic Studies, 2 (3), 361-369. http://doi.org/10.7227/gs.2.3.7

Hopkins, L. (2000). “Base Foot-ball Player”: This Sporting Life in King Lear. English Language Notes, 37 (4), 8-19. http://doi.org/10.1215/00138282-37.4.8

(2000). Shakespeare on Screen. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 6 (1), [no-pagination].

Hopkins, L. (2000). Margaret Cavendish and the Cavendish Houses. In-between: Essays and Studies in Literary Criticism, 9 (1-2), 63-75.

Hopkins, L. (2000). The Comedy of Errors and the Date of Easter. Ben Jonson Journal, 7 (1), 55-64. http://doi.org/10.3366/bjj.2000.7.1.4

Hopkins, L. (1999). The Iliad and the Henriad: Epics and Brothers. Classical and Modern Literature, 19 (2), 149-171.

Hopkins, L. (1999). Emma and the Servants. Persuasions: The Jane Austen Journal On-Line, 3 ([Occasional Papers]), [no-pagination].

Hopkins, L. (1999). What's Hercules to Hamlet? The Emblematic Garden in The Spanish Tragedy and Hamlet. Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 21 (1-2), 114-143.

Hopkins, L. (1999). Shakespeare, 'Twelfth Night'. CAHIERS ELISABETHAINS, (56), 93-94.

Hopkins, L. (1999). Playing with desire: Christopher Marlowe and the art of tantalization. SIXTEENTH CENTURY JOURNAL, 30 (4), 1180-1181.

Hopkins, L. (1999). Ladies' Trials: Women and the Law in Three Plays of John Ford. Cahiers Élisabéthains: A Journal of English Renaissance Studies, 56 (1), 49-64. http://doi.org/10.7227/ce.56.1.6

Hopkins, L. (1999). 'Now by Saint Paul': Richard III's Constituency. Q/W/E/R/T/Y: Arts, Littératures & Civilisations du Monde Anglophone, 9, 11-14.

Hopkins, L. (1999). "Touching tochets": 'Perkin Warbeck' and the Buggery Statute (Plumbing hidden depths of transgressive sexual subversion and deviation in 17th-century English theatre). Renaissance Quarterly, 52 (2), 384-401. http://doi.org/10.2307/2902058

BARKER, J., SMITH, P.J., CARTMELL, D., DOOLEY, M., & COX, N. (1999). Shakespeare. The Year's Work in English Studies, 77 (1), 269-316. http://doi.org/10.1093/ywes/77.1.269

Hopkins, L. (1999). “Mol!, God's maid”: Milton, women and epic. Women's Studies, 28 (3), 291-301. http://doi.org/10.1080/00497878.1999.9979261

Hopkins, L. (1998). Bedknobs and Broomsticks: Disney's Henry V. Shakespeare Bulletin: The Journal of Early Modern Drama in Performance, 16 (1), 46-47.

Hopkins, L. (1998). Knowing their loves: knowledge, ignorance and blindness in ’Tis Pity She’s a Whore. Renaissance forum, 3 (1). http://web.archive.org/web/20051229211016/www.hull.ac.uk/renforum/v3no1/index.html

Hopkins, L. (1998). Lillo's The 'London merchant': Elizabethan palimpsest? ENGLISH LANGUAGE NOTES, 36 (2), 4-11.

HOPKINS, L. (1998). Reviews. Notes and Queries, 45 (1), 116-117. http://doi.org/10.1093/nq/45.1.116

Hopkins, L. (1998). Food and growth in emma. Women's Writing, 5 (1), 61-70. http://doi.org/10.1080/09699089800200031

Hopkins, L. (1998). Middleton'swomen beware womenand the mothering principle. Journal of Gender Studies, 7 (1), 63-72. http://doi.org/10.1080/09589236.1998.9960701

BARKER, J., SMITH, P.J., KIERNAN, P., BRUCE, S., & HOPKINS, L. (1998). Shakespeare. The Year's Work in English Studies, 76 (1), 228-265. http://doi.org/10.1093/ywes/76.1.228

HOPKINS, L. (1997). JOHN FORD AND CYPRUS. Notes and Queries, 44 (1), 101-102. http://doi.org/10.1093/nq/44.1.101

Hopkins, L. (1997). Fissured families: A motif in Marlowe's plays. PAPERS ON LANGUAGE AND LITERATURE, 33 (2), 198-212.

Hopkins, L. (1997). 'Denmark's a Prison': Hamlet and the Earl of Bothwell. Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 19 (1-2), 93-96.

Hopkins, L. (1997). Marlowe, Chapman, Ford and Nero. ENGLISH LANGUAGE NOTES, 35 (1), 5-10.

Hopkins, L. (1997). Beguiling the Master of the Mystery: Form and Power in The Changeling. Medieval and Renaissance Drama in England: An Annual Gathering of Research, Criticism and Reviews, 9, 149-161.

Hopkins, L. (1997). 'Elegy by W. S.': Another Possible Candidate? Philological Quarterly, 76 (2), 159-168.

Hopkins, L. (1997). The Representation of Narrative: What Happens in Othello. Journal x: A Journal in Culture and Criticism, 1 (2), 160-174.

Hopkins, L. (1997). Household Words: Macbeth and the Failure of Spectacle. Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production, 50, 101-110.

Hopkins, L. (1997). Spartan boys : John Ford and Philip Sidney. Classical and Modern Literature, 17 (3), 217-229.

Hopkins, L. (1997). Memory at the End of History: Mary Shelley's The Last Man. Romanticism on the Net, (6), 0. http://doi.org/10.7202/005746ar

Hopkins, L. (1997). Mr. Darcy's Body: Privileging the Female Gaze. Topic: The Washington and Jefferson College Review, 48, 1-10.

Hopkins, L. (1997). 'Elegy by W.S.' + Shakespeare studies: Another possible candidate? PHILOLOGICAL QUARTERLY, 76 (2), 159-168.

HOPKINS, L. (1997). Reviews. Notes and Queries, 44 (2), 268-269. http://doi.org/10.1093/nq/44.2.268

Hopkins, L. (1997). The representation of narrative : what happens in Othello. Journal X : a journal in cinema and criticism, 1 (2), 159-174.

Hopkins, L. (1997). Vampires and Snakes: Monstrosity and motherhood in Bram Stoker. Irish Studies Review, 5 (19), 5-8. http://doi.org/10.1080/09670889708455572

Hopkins, L. (1997). 'Malta of Gold': Marlowe, The Jew of Malta, and the Siege of 1565. (Re)Soundings, 1 (2).

Hopkins, L. (1997). Ford and the Name 'Philema'. Notes and Queries, 44 [242] (1), 102.

Hopkins, L. (1997). Note. Ford and the name 'Philema'. Notes and Queries, 44 (1), 102. http://doi.org/10.1093/nq/44.1.102

Hopkins, L. (1996). Fluellen's Name. Shakespeare Studies, 24, 148-155.

Hopkins, L. (1996). Female Authority Figures in the Works of Tolkien, C. S. Lewis and Charles Williams. Mythlore: A Journal of J. R. R. Tolkien, C. S. Lewis, Charles Williams, and Mythopoeic Literature, 21 (2 [80]), 364-366.

Hopkins, L. (1996). Playing at Bouts: Hamlet and the Use of the Culminating Duel. Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 18 (1-2), 129-133.

HOPKINS, L. (1996). THE BROKEN HEART AND TROILUS AND CRESSIDA. Notes and Queries, 43 (2), 192-193. http://doi.org/10.1093/nq/43.2.192

HOPKINS, L. (1996). FORD AND GREENE: TWO HISTORIES OF JAMES THE FOURTH. Notes and Queries, 43 (2), 193-194. http://doi.org/10.1093/nq/43.2.193

Hopkins, L. (1996). 'Dead Shepherd, Now I Find Thy Saw of Might': Tamburlaine and Pastoral. Research Opportunities in Renaissance Drama, 35, 1-16.

Hopkins, L. (1996). Renaissance Queens and Foucauldian Carcerality. Renaissance and Reformation/Renaissance et Réforme, 20 (2), 17-32.

Hopkins, L. (1996). 'I Am Not Oedipus': Riddling the Body Politic in The Broken Heart. Connotations: A Journal for Critical Debate, 6 (3), 259-282.

Hopkins, L. (1996). A Woman Killed with Kindness: Author's Response. Connotations: A Journal for Critical Debate, 6 (1), 92-94.

Hopkins, L. (1996). French Accents in Shakespeare's Henry VI Plays. Folio: Shakespeare-Genootschap van Nederland en Vlaanderen, 3 (1), 5-10.

Hopkins, L. (1996). 'Lear, Lear, Lear!' Marlowe, Shakespeare, and the Third. The Upstart Crow: A Shakespeare Journal, 16, 108-123.

Hopkins, L. (1996). Art and nature in Women Beware Women. Renaissance forum, 1 (2). http://web.archive.org/web/20051229200035/www.hull.ac.uk/renforum/v1no2/index.html

Hopkins, L. (1996). Judith Shakespeare's Reading: Teaching The Concealed Fancies. Shakespeare Quarterly, 47 (4), 396. http://doi.org/10.2307/2870953

HOPKINS, L. (1996). AN ECHO OF 'HYMENAEI' IN THE 'CHANGELING'. NOTES AND QUERIES, 43 (2), 184.

HOPKINS, L. (1996). Reviews. Notes and Queries, 43 (3), 334-335. http://doi.org/10.1093/nq/43.3.334

HOPKINS, L. (1996). SHAKESPEARE 'MACBETH'. CAHIERS ELISABETHAINS, (49), 74-&.

HOPKINS, L. (1996). Book Reviews. Notes and Queries, 43 (4), 475. http://doi.org/10.1093/nq/43.4.475

Hopkins, L. (1996). Renaissance queens and Foucauldian carcerality + Marguerite de Navarre, Mary, queen of Scots and Elizabeth I. RENAISSANCE AND REFORMATION, 20 (2), 17-32.

Hopkins, L. (1996). Discovered Countries: Hamlet and Europe. Q/W/E/R/T/Y: Arts, Littératures & Civilisations du Monde Anglophone, 6, 39-45.

Hopkins, L. (1996). 'And I Shall Die, and This Unconquered?': Marlowe's Inverted Colonialism. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 2 (2), 23-paragraphs.

Hopkins, L. (1996). An Echo of Hymenaei in The Changeling. Notes and Queries, 43 [241] (2), 184.

Hopkins, L. (1996). Clothes and the Body of the Knight: The Making of Men in Sir Walter Scott's "The Talisman". The Wordsworth Circle, 27 (1), 21-24. http://doi.org/10.1086/twc24042474

Hopkins, L. (1995). Speaking Sweat: Emblems in the Plays of John Ford. Comparative Drama, 29 (1), 133-146.

HOPKINS, L. (1995). FORD,JOHN 'PERKIN WARBECK' AND 'HENRY IV PART 1' + SHAKESPEARE. NOTES AND QUERIES, 42 (3), 380-381.

HOPKINS, L. (1995). FORD,JOHN ANNABELLA AND THE VIRGIN-MARY. NOTES AND QUERIES, 42 (3), 380.

Hopkins, L. (1995). Illegitimate power: Bastards in Renaissance drama - Findlay,A. JOURNAL OF GENDER STUDIES, 4 (3), 389-390.

Hopkins, L. (1995). Acting the Self: John Ford's Perkin Warbeck and the Politics of Imposture. Cahiers Élisabéthains: A Journal of English Renaissance Studies, 48 (1), 31-36. http://doi.org/10.1177/018476789504800107

Hopkins, L. (1995). John Ford's Annabella and the Virgin Mary. Notes and Queries, 42 (3), 380. http://doi.org/10.1093/notesj/42.3.380

Hopkins, L. (1995). John Ford's Perkin Warbeck and Henry IV Part One. Notes and Queries, 42 (3), 380-381. http://doi.org/10.1093/notesj/42.3.380-a

Hopkins, L. (1995). Perkin Warbeck and Fulgens and Lucres. Notes and Queries, 42 (3), 382-383. http://doi.org/10.1093/notesj/42.3.382

Hopkins, L. (1995). McMullan, G., the Politics of Unease in the Plays of John Fletcher. Pp. xiii + 338 (Massachusetts Studies in Early Modern Culture). Amherst: The University of Massachusetts Press, 1994. £33.25. Notes and Queries, 42 (3), 397-398. http://doi.org/10.1093/notesj/42.3.397

(1995). Notes on contributors. Journal of Gender Studies, 4 (2), 251. http://doi.org/10.1080/09589236.1995.9960610

Hopkins, L. (1995). The part with ne'er a bone in't: Webster's women and the politics of speech. Journal of Gender Studies, 4 (2), 181-187. http://doi.org/10.1080/09589236.1995.9960604

Hopkins, L. (1995). Engendering Frankenstein's Monster. Women's Writing, 2 (1), 77-85. http://doi.org/10.1080/0969908950020105

Hopkins, L. (1994). John Ford: The Welsh Connection. Swansea Review, 326-331.

Hopkins, L. (1994). 'That's Wormwood': Hamlet Plays His Mother. Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 16 (1-2), 83-85.

Hopkins, L. (1994). 'What Did Thy Song Bode, Lady?': Othello as Operatic Text. The Shakespeare Yearbook, 4, 61-70.

Hopkins, L. (1994). The Transference of Clarissa: Psychoanalysis and the Realm of the Feminine. Critical Survey, 6 (2), 218-225.

Hopkins, L. (1994). City Tragedy: Middleton, Shakespeare and Ford. Compar(a)ison: An International Journal of Comparative Literature, 1, 71-76.

Hopkins, L. (1994). The False Domesticity of A Woman Killed with Kindness. Connotations: A Journal for Critical Debate, 4 (1-2), 1-7.

Hopkins, L. (1994). King Lear and the Numbers Game. Shakespeare in Southern Africa: Journal of the Shakespeare Society of Southern Africa, 7, 32-39.

HOPKINS, L. (1994). SHAKESPEARE 'MUCH ADO ABOUT NOTHING' - ZITNER,SP. NOTES AND QUERIES, 41 (3), 384.

HOPKINS, L. (1994). SHAKESPEARE 'MUCH ADO ABOUT NOTHING' - A NEW CRITICAL EDITION - KLEIN,H. NOTES AND QUERIES, 41 (3), 384.

Hopkins, L. (1994). A possible source for Marlowe's pageant of the seven deadly sins. Notes and Queries, 41 (4), 451-452. http://doi.org/10.1093/nq/41.4.451-b

HOPKINS, L. (1994). A SOURCE FOR JOHN FORD'S 'TIS PITY SHE'S A WHORE. Notes and Queries, 41 (4), 520-521. http://doi.org/10.1093/nq/41-4-520

HOPKINS, L. (1994). Reviews. Notes and Queries, 41 (3), 383. http://doi.org/10.1093/nq/41-3-383

Liston, W.T. (1994). Review: Play: Shakespeare at the Stratford Festival, Ontario, Canada 1993, Antony and Cleopatra. Cahiers Élisabéthains: A Journal of English Renaissance Studies, 45 (1), 103-104. http://doi.org/10.1177/018476789404500119

HOPKINS, L. (1994). JOHN FORD'S 'TIS PITY SHE'S WHORE AND EARLY DIAGNOSES OF FOLIE À DEUX. Notes and Queries, 41 (1), 71-74. http://doi.org/10.1093/nq/41-1-71

Hopkins, L. (1994). Jane Austen and Money. The Wordsworth Circle, 25 (2), 76-78. http://doi.org/10.1086/twc24043082

Hopkins, L. (1994). A source for john ford's 'tis pity she's a whore. Notes and Queries, 41 (4), 520-521. http://doi.org/10.1093/nq/41-4-520

Hopkins, L. (1994). John Ford's 'tis pity she's whore and early diagnoses of folie à deux. Notes and Queries, 41 (1), 71-74. http://doi.org/10.1093/nq/41-1-71

HOPKINS, L. (1993). WOOING SCENES IN 'TIS PITY SHES A WHORE' AND 'RICHARD III' + FORD,JOHN DEBT TO SHAKESPEARE,WILLIAM. NOTES AND QUERIES, 40 (2), 227-228.

HOPKINS, L. (1993). Reviews. Notes and Queries, 40 (4), 544-545. http://doi.org/10.1093/nq/40-4-544

Hopkins, L. (1993). Wooing Scenes in 'Tis Pity She's a Whore and Richard III. Notes and Queries, 40 [238] (2), 227-228.

Hopkins, L. (1992). Bilbo Baggins as a Burglar. Inklings: Jahrbuch für Literatur und Ästhetik, 10, 93-101.

Hopkins, L. (1992). Endogamy and Exogamy in the Works of Tolkien. Mallorn: The Journal of the Tolkien Society, 29, 15-16.

Hopkins, D. (1991). Cowley, A. (ed. T.O. Calhoun, L. Heyworth, and A. Pritchard), The Collected Works of Abraham Cowley, vol. 1, Poetical Blossomes, The Puritans Lecture, The Puritan and the Papist, The Civil War. Newark: University of Delaware Press; London and Toronto: Associated University Presses, 1989. Notes and Queries, 38 (3), 385-386. http://doi.org/10.1093/notesj/38.3.385

Hopkins, L. (1991). The Hobbit and A Midsummer Night's Dream. Mallorn: The Journal of the Tolkien Society, 28, 19-21.

Hopkins, L. (n.d.). Acting the act in The Changeling. Revista Alicantina de Estudios Ingleses, (8), 107. http://doi.org/10.14198/raei.1995.8.10

Hopkins, L. (n.d.). Play Houses: Drama at Bolsover and Welbeck. Early Theatre, 2 (1). http://doi.org/10.12745/et.2.1.571

CONNOLLY, A., & HOPKINS, L. (n.d.). A Darker Shade of Pale: Webster’s Winter Whiteness. E-rea, (12.2). http://doi.org/10.4000/erea.4483

Hopkins, L. (n.d.). Review of Marlowe’s Doctor Faustus (Directed by Ricky Dukes for the Lazarus Theatre Company) at the Southwark Playhouse, London, 3 September 2022. Shakespeare, 1-2. http://doi.org/10.1080/17450918.2022.2145853

Conference papers

Ostovich, H., & Hopkins, L. (2014). Introduction: Transformations and the Ideology of Witchcraft Staged. MAGICAL TRANSFORMATIONS ON THE EARLY MODERN ENGLISH STAGE, 1-+.

Hopkins, L. (2014). Profit and Delight? Magic and the Dreams of a Nation. MAGICAL TRANSFORMATIONS ON THE EARLY MODERN ENGLISH STAGE, 139-151.

HOPKINS, L. (1996). CLOTHES AND THE BODY OF THE KNIGHT, THE MAKING OF MEN IN SCOTT,WALTER THE 'TALISMAN'. WORDSWORTH CIRCLE, 27 (1), 21-24. http://doi.org/10.1086/TWC24042474

HOPKINS, L. (1994). FORD,JOHN - THE WELSH CONNECTION. WRITING REGION AND NATION, 326-331.

Book chapters

Hopkins, L. (2022). Drama by Jane Lumley (née Lady Jane Fitzalan), 1537-1578. In The Palgrave Encylopedia of Early Modern Women's Writing. Palgrave

Hopkins, L. (2021). ‘All’s Well That Ends Well: Shakespearean Echoes in Heyer’s Regency Novels’. In Rayner, S., & Wilkins, K. (Eds.) Georgette Heyer, History and Historical Fiction. (pp. 147-161). London: UCL Press: http://doi.org/10.2307/j.ctv15d818n.14

Hopkins, L. (2020). The Shared Space of the Wood in A Midsummer Night’s Dream. In A Midsummer Night's Dream. (pp. 87-101). Amenia, NY: Salem Press

Hopkins, L. (2020). The Low Road and the High Road: Macbeth and the Way to Scotland. In Reading the Road, from Shakespeare's Crossways to Bunyan's Highways. (pp. 15-30). Edinburgh, Scotland: Edinburgh University Press

Hopkins, L., & Leggott, G. (2019). Domestic Tragedy: Yarington(?)'s Two Lamentable Tragedies. In The Genres of Renaissance Tragedy. (pp. 84-99). Manchester, England: Manchester University Press

Hopkins, L. (2019). ‘A King of Shreds and Patches’: Claudius, Clothes, Feelings. In Hamlet and Emotions. (pp. 213-227). Springer International Publishing: http://doi.org/10.1007/978-3-030-03795-6_11

Hopkins, L. (2019). Beautiful polecats: the living and the dead in Julius Caesar. In Smith, E. (Ed.) Shakespeare Survey. (pp. 160-170). Cambridge University Press: http://doi.org/10.1017/9781108588072.013

Hopkins, L. (2019). Austen and Shakespeare, detectives. In Cano, M., & Garcia-Periago, R. (Eds.) Jane Austen and William Shakespeare: A Love Affair in Literature, Film and Performance. (pp. 313-334). Cham, Switzerland: Springer International Publishing: http://doi.org/10.1007/978-3-030-25689-0_14

Hopkins, L. (2018). A man with a map: The Millennial Macbeth. In Hartley, A.J. (Ed.) Shakespeare and Millennial fiction. (pp. 145-158). Cambridge: Cambridge University Press: http://doi.org/10.1017/9781316761601.010

Hopkins, L. (2018). Bloody brothers and suffering sisters: The Duchess of Malfi and Harry Potter. In Gerzic, M., & Norrie, A. (Eds.) From Medievalism to Early-Modernism: Adapting the English Past. (pp. 117-133). New York: Routledge: http://doi.org/10.4324/9780429400544-8

Hopkins, L. (2018). Introduction: looking at Austen. In Hopkins, L. (Ed.) After Austen: reinventions, rewritings, revisitings. (pp. 1-15). Palgrave Macmillan: http://doi.org/10.1007/978-3-319-95894-1_1

Hopkins, L. (2018). Georgette Heyer: what Austen left out. In Hopkins, L. (Ed.) After Austen: reinventions, rewritings, revisitings. (pp. 61-79). Palgrave Macmillan: http://doi.org/10.1007/978-3-319-95894-1_4

Hopkins, L. (2018). Introduction: looking at Austen. In Hopkins, L. (Ed.) After Austen: reinventions, rewritings, revisitings. (pp. 1-15). Palgrave Macmillan: http://doi.org/10.1007/978-3-319-95894-1_1

Hopkins, L. (2018). Georgette Heyer: what Austen left out. In Hopkins, L. (Ed.) After Austen: reinventions, rewritings, revisitings. (pp. 61-79). Palgrave Macmillan: http://doi.org/10.1007/978-3-319-95894-1_4

Hopkins, L. (2018). Comedies of the Green World: A Midsummer Night's Dream, As You Like It and Twelfth Night. In Hirschfeld, H. (Ed.) The Oxford Handbook of Shakespearean Comedy. (pp. 520-536). Oxford: Oxford University Press: http://doi.org/10.1093/oxfordhb/9780198727682.013.33

Hirschfeld, H., & Hopkins, L. (2018). Comedies of the Green World: A Midsummer Night's Dream, As You Like It and Twelfth Night. In The Oxford Handbook of Shakespearean Comedy.

Hopkins, L. (2018). Strange truths: the Stanleys of Derby on the English Renaissance stage. In Shakespeare's histories and counter-histories. (pp. 85-100). Manchester University Press: https://manchesteruniversitypress.co.uk/9780719070747/

Hopkins, L. (2017). ‘Waltzing with Wellington, Biting with Byron: Heroes in Austen Tribute Texts’. In Kramp, M. (Ed.) Jane Austen and Masculinity. Lanham, Maryland: Bucknell University Press and Rowman & Littlefield: https://rowman.com/ISBN/9781611488678/Jane-Austen-and-Masculinity

Hopkins, L. (2017). Christopher Marlowe and Religion. In The Oxford Handbook of Early Modern English Literature and Religion. (pp. 309-323). Oxford, England: Oxford UP: http://doi.org/10.1093/oxfordhb/9780199672806.013.18

Hopkins, L. (2017). Pears and statues. In Romeo and Juliet. (pp. 216-230). Ipswich, MA: H.W. Wilson Publishing Co: https://store.salempress.com/products/9781682172643

Hopkins, L. (2017). With the skin side inside: The interiors of The Duchess of Malfi. In Privacy, Domesticity, and Women in Early Modern England. (pp. 21-30).

Hopkins, L. (2016). Introduction. In Shakespearean Allusion in Crime Fiction. (pp. 1-16). Palgrave Macmillan UK: http://doi.org/10.1057/978-1-137-53875-8_1

Hopkins, L. (2016). Stealing Shakespeare: Detective Fiction and Cultural Value. In Shakespearean Allusion in Crime Fiction. (pp. 149-181). Palgrave Macmillan UK: http://doi.org/10.1057/978-1-137-53875-8_5

Hopkins, L. (2016). Border Patrol: Shakespearean Allusions and Social and National Identities. In Shakespearean Allusion in Crime Fiction. (pp. 105-147). Palgrave Macmillan UK: http://doi.org/10.1057/978-1-137-53875-8_4

Hopkins, L. (2016). Wild Justice: Mercy, Revenge and the Detective. In Shakespearean Allusion in Crime Fiction. (pp. 17-61). Palgrave Macmillan UK: http://doi.org/10.1057/978-1-137-53875-8_2

Hopkins, L. (2016). The concealed fancies and Cavendish identity. In Edwards, P., & Graham, E. (Eds.) Authority, authorship and aristocratic identity in Seventeenth-Century England: William Cavendish, Ist Duke of Newcastle, and his political, social and cultural connections. (pp. 111-128). Leiden: Brill: http://www.brill.com/products/book/authority-authorship-and-aristocratic-identity-seventeenth-century-england

Hopkins, L. (2016). St Helena of Britain in the land of the Magdalene: All's Well That Ends Well. In Biblical women in early modern literary culture 1550-1700. (pp. 197-212).

Hopkins, L. (2016). Cymbeline, the translatio imperii, and the matter of Britain. In Shakespeare and Wales: From the Marches to the Assembly. (pp. 143-156). http://doi.org/10.4324/9781315609478-10

Hopkins, L. (2015). New directions: Othello and his brothers. In Evans, R.C. (Ed.) Othello: A Critical Reader. (pp. 173-191). London, England: Bloomsbury: https://www.bloomsbury.com/uk/othello-a-critical-reader-9781472520364/

Hopkins, L. (2014). Shakespeare's Churches. In Shakespeare the Man: New Decipherings. (pp. 135-146). Madison, NJ: Fairleigh Dickinson University Press

Hopkins, L. (2014). Theatricality, faith, and color imagery in philip massinger. In Stages of Engagement: Drama and Religion in Post-Reformation England. (pp. 219-240).

Connolly, A., & Hopkins, L. (2013). The Earl of Essex and the Duke of Windsor: Elizabeth and Essex on film. In Essex: The cultural impact of an Elizabethan courtier. (pp. 279-293). https://manchesteruniversitypress.co.uk/9780719084942/

Connolly, A., & Hopkins, L. (2013). Introduction. In Essex: the cultural impact of an Elizabethan courtier. (pp. 1-24). Manchester University Press: https://manchesteruniversitypress.co.uk/9780719084942/

Hopkins, L. (2013). Marrying the Dead: A Midsummer Night’s Dream, Hamlet, Antony and Cleopatra, Cymbeline and The Tempest. In Staged Transgression in Shakespeare’s England. (pp. 165-179). Palgrave Macmillan UK: http://doi.org/10.1057/9781137349354_12

Hopkins, L. (2013). Marlowe’s literary influence. In Christopher Marlowe in Context. (pp. 306-315). Cambridge University Press: http://doi.org/10.1017/cbo9781139060882.033

Hopkins, L. (2013). The dark side of the moon: Semiramis and Titania. In Connolly, A., & Hopkins, L. (Eds.) Goddesses and Queens: The iconography of Elizabeth I. (pp. 117-135). Manchester University Press: https://manchesteruniversitypress.co.uk/9780719090110/

Hopkins, L. (2013). The dark side of the moon: Semiramis and Titania. In Connolly, A., & Hopkins, L. (Eds.) Goddesses and Queens: The iconography of Elizabeth I. (pp. 117-135). Manchester University Press: https://manchesteruniversitypress.co.uk/9780719090110/

Hopkins, L. (2013). Cymbeline, the translatio imperii, and the matter of Britain. In Shakespeare and Wales: From the Marches to the Assembly. (pp. 143-155).

Henke, R. (2012). John Webster. In The Cambridge Companion to Shakespeare and Contemporary Dramatists. (pp. 181-196). Cambridge University Press: http://doi.org/10.1017/cco9780511994524.014

Hopkins, L. (2012). Shakespeare to Austen on Screen. (pp. 241-255). Wiley: http://doi.org/10.1002/9781118312032.ch13

Hopkins, L. (2011). Harry and his peers: Rowling's Web of allusions. In Heroism in the Harry Potter Series. (pp. 55-66).

Hopkins, L. (2010). New Directions: 'Tis Pity She's a Whore and the Space of the Stage. In 'Tis a Pity She's a Whore: A Critical Guide. (pp. 152-167). London, England: Continuum International Publishing Group

Hopkins, L. (2010). The Critical Backstory. In 'Tis a Pity She's a Whore: A Critical Guide. (pp. 14-33). London, England: Continuum International Publishing Group

Hopkins, L. (2010). “Papists and poets of like conscience for fictions”: religion and responsibility in the plays of Shakespeare. In Prakash, A., & Dahiya, S.P.S. (Eds.) The critic Shakespeare: essays in appreciation. (pp. 71-91). Haryana, India: The Shakespeare Association

Hopkins, L. (2010). Cymbeline, the translatio imperii, and the matter of Britain. In Shakespeare and Wales: From the Marches to the Assembly. (pp. 143-155).

Hopkins, L. (2009). The Words of a Queen: Elizabeth I on Stage and Page. In The Rituals and Rhetoric of Queenship: Medieval to Early Modern. (pp. 145-156). Dublin, Ireland: Four Courts Press

Hopkins, L. (2009). Recent Critical Responses and Approaches. In The Shakespeare Handbook. (pp. 147-172). London, England: Continuum International Publishing Group

(2009). The English Renaissance, Orientalism, and the Idea of Asia. Palgrave Macmillan US: http://doi.org/10.1057/9780230106222

Hopkins, L. (2008). What Lies Beneath. In Shakespeare's World/World Shakespeares. (pp. 87-97). Newark, DE: University of Delaware Press

Hopkins, L. (2008). Marriage in Shakespeare: a community affair. In Dahiva, B.S. (Ed.) Postmodern essays on love, sex, and marriage in Shakespeare. (pp. 1-17). New Delhi: Viva Books: http://www.vivagroupindia.com/frmBookDetail.aspx?BookId=6842&Status=C

Hopkins, L., Siemens, R.G., & Steggle, M. (2008). EMLS : a case study in the development of an ejournal. In Bowen, W.R., & Siemens, R.G. (Eds.) New Technologies and Renaissance Studies. (pp. 144-160). Tempe, Arizona: Iter

Hopkins, L. (2007). ‘Gollum and Caliban: Evolution and Design’. In Croft, J.B. (Ed.) Tolkien and Shakespeare: Essays on Shared Themes and Language. (pp. 281-293). Jefferson, N.C: McFarland

Hopkins, L. (2007). Maternity in A Woman Killed with Kindness. In Performing Maternity in Early Modern England. (pp. 73-84). Aldershot, England: Ashgate Publishing Co

Hopkins, L. (2007). 'Black but Beautiful': Othello and the Cult of the Black Madonna. In Marian Moments in Early Modern British Drama. (pp. 75-86). Aldershot, England: Ashgate Publishing Co

Hopkins, L. (2007). Marlowe. In Teaching Shakespeare and Early Modern Dramatists. (pp. 42-53). Basingstoke, England: Palgrave Macmillan (London)

Hopkins, L. (2007). Harington, Troilus and Cressida, and the Poets' War. In Italian Culture in the Drama of Shakespeare and His Contemporaries: Rewriting, Remaking, Refashioning. (pp. 127-140). Aldershot, England: Ashgate Publishing Co

Hopkins, L. (2006). Was Marlowe Going to Scotland When He Died, and Does it Matter? In Shakespeare, Marlowe, Jonson: New Directions in Biography. (pp. 167-182). Burlington, VT: Ashgate Publishing Co

Hopkins, L. (2005). Cleopatra and the myth of Scota. In Deats, S.M. (Ed.) Antony and Cleopatra : new critical essays. (pp. 231-242). Routledge

Hopkins, L. (2005). Dyads or Triads? His Dark Materials and the Structure of the Human. In His Dark Materials Illuminated: Critical Essays on Philip Pullman's Trilogy. (pp. 48-56). Detroit, MI: Wayne State University Press

Hopkins, L. (2004). Welshness in Shakespeare's English Histories. In Shakespeare's History Plays: Performance, Translation and Adaptation in Britain and Abroad. (pp. 60-74). Cambridge, England: Cambridge University Press

Hopkins, L. (2004). Passion and Reason in Sir Philip Sidney's Arcadia. In Prose Fiction and Early Modern Sexualities in England, 1570-1640. (pp. 61-75). New York, NY: Palgrave Macmillan (London)

Hopkins, L. (2004). Household words: Macbeth and the failure of spectacle. In Shakespeare and Language. (pp. 251-265). Cambridge University Press: http://doi.org/10.1017/cbo9780511617379.016

Hopkins, L. (2004). Marlowe’s reception and influence. In The Cambridge Companion to Christopher Marlowe. (pp. 282-296). Cambridge University Press: http://doi.org/10.1017/ccol0521820340.017

Hopkins, L. (2003). Harry Potter and the Acquisition of Knowledge. In Reading Harry Potter: Critical Essays. (pp. 25-34). Westport, CT: Greenwood Publishing Group

Hopkins, L. (2003). Dreamtime: A Midsummer Night's Dream and the Classical Past. In Where Are We Now in Shakespearean Studies? III. (pp. 193-205). Farnham, England: Ashgate Publishing Co

Hopkins, L. (2003). Paris Is Worth a Mass: All's Well That Ends Well and the Wars of Religion. In Shakespeare and the Culture of Christianity in Early Modern England. (pp. 369-381). New York, NY: Fordham University Press

Hopkins, L. (2003). Jack London’s evolutionary hierarchies : dogs, wolves, and men. In Cuddy, L.A., & Roche, C.M. (Eds.) Evolution and Eugenics in American Literature and Culture, 1880-1940. (pp. 89-101). Bucknell University Press

Hopkins, L. (2002). ‘How very like the home life of our own dear queen’: Ian McKellen’s Richard III. In Starks, L.S., & Lehmann, C. (Eds.) Spectacular Shakespeare : critical theory and popular cinema. (pp. 47-61). Fairleigh Dickinson University Press

Hopkins, L. (2002). Incest and Class: 'Tis Pity She's a Whore and the Borgias. In Incest and the Literary Imagination. (pp. 94-113). Gainesville, FL: University Press of Florida

Hopkins, L. (2002). Writing to Control: The Verse of Mary, Queen of Scots. In Reading Monarchs Writing: The Poetry of Henry VIII, Mary Stuart, Elizabeth I, and James VI/I. (pp. 35-50). Tempe, AZ: Arizona Center for Medieval and Renaissance Studies

Hopkins, L. (2001). The Pyrrhus Speech: Querying the Uses of the Troy Story. In Approaches to Teaching Shakespeare's Hamlet. (pp. 138-140). New York, NY: Modern Language Association of America

Hopkins, L. (2000). 'The Shores of My Mortality': Pericles' Greece of the Mind. In Pericles: Critical Essays. (pp. 228-237). New York, NY: Garland Publishing, Inc

Hopkins, L. (2000). The Red and the Blue: Jane Eyre in the 1990s. In Classics in Film and Fiction. (pp. 54-69). London, England: Pluto Press

Hopkins, L. (1998). Crowning the King, Mourning His Mother: The Jewel of Seven Stars and The Lady of the Shroud. In Bram Stoker: History, Psychoanalysis, and the Gothic. (pp. 134-150). New York, NY: Macmillan Reference USA

Hopkins, L. (1998). Mr. Darcy's Body: Privileging the Female Gaze. In Jane Austen in Hollywood. (pp. 111-121). Lexington, KY: University Press of Kentucky

Hopkins, L. (1997). The Self and the Monstrous. In Iconoclastic Departures: Mary Shelley after Frankenstein: Essays in Honor of the Bicentenary of Mary Shelley's Birth. (pp. 260-74`). Madison, NJ: Fairleigh Dickinson University Press

Hopkins, L. (1997). Neighbourhood in Henry V. In Burnett, M.T., & Wray, R. (Eds.) Shakespeare and Ireland: History, Politics, Culture. Palgrave Macmillan

Hopkins, L. (1995). The Disguised Royalty Motif in the Arcadia. In Narrative Strategies in Early English Fiction. (pp. 187-194). Lewiston, NY: Edwin Mellen Press

Hopkins, L. (1994). Parison and the Impossible Comparision. In New Essays on Hamlet. (pp. 153-164). New York: AMS Press, Inc

Hopkins, L. (n.d.). The King's Melting Body: Richard II. In A Companion to Shakespeare's Works, Volume 2. (pp. 395-411). Blackwell Publishing Ltd: http://doi.org/10.1002/9780470996546.ch20

Hopkins, L. (n.d.). A Philosophical Home Ruler: The Imaginary Geographies of Bram Stoker. In A Companion to Irish Literature. (pp. 377-391). Wiley-Blackwell: http://doi.org/10.1002/9781444328066.ch23

Hopkins, L. (n.d.). Politics and Religion in Elizabethan Drama. In A Companion to British Literature. (pp. 129-141). John Wiley & Sons, Ltd: http://doi.org/10.1002/9781118827338.ch36

Books

Hopkins, L. (2022). The Edge of Christendom on the Early Modern Stage. De Gruyter. http://doi.org/10.1515/9781501514159

Hopkins, L., & Rutter, T. (Eds.). (2020). A companion to the Cavendishes writing, patronage, and material culture. Arc Humanities Press.

Hopkins, L., & Angus, B. (2020). Reading the Road, from Shakespeare's Crossways to Bunyan's Highways. Edinburgh, Scotland: Edinburgh University Press.

Norrie, A., Houlahan, M., & Hopkins, L. (2020). New Directions in Early Modern English Drama: Edges, Spaces, Intersections. Berlin, Germany: Western Michigan University.

Hopkins, L. (2020). Greeks and Trojans on the Early Modern English Stage. Berlin, Germany: Western Michigan University.

Hopkins, L., & Rutter, T. (2020). A Companion to the Cavendishes. Arc Humanities Press.

Hopkins, L., & Rutter, T. (Eds.). (2020). A companion to the Cavendishes writing, patronage, and material culture. Arc Humanities Press.

Hopkins, L. (2020). Greeks and Trojans on the Early Modern English Stage. De Gruyter. http://doi.org/10.1515/9781501514623

Hopkins, L., & Norrie, A. (2019). Women on the Edge in Early Modern Europe. Amsterdam, Netherlands: Amsterdam University Press.

Cadman, D., Duxfield, A., & Hopkins, L. (Eds.). (2019). The genres of Renaissance tragedy. Manchester University Press. http://www.manchesteruniversitypress.co.uk/9781784992798/

Cadman, D., Duxfield, A., & Hopkins, L. (Eds.). (2019). The genres of Renaissance tragedy. Manchester University Press. http://www.manchesteruniversitypress.co.uk/9781784992798/

Hopkins, L. (2018). After Austen: Reinventions, rewritings, revisitings. http://doi.org/10.1007/978-3-319-95894-1

Hopkins, L. (2018). After Austen: Reinventions, rewritings, revisitings. http://doi.org/10.1007/978-3-319-95894-1

Hopkins, L. (2017). From the Romans to the Normans on the English Renaissance Stage. Medieval Institute Publications. https://www.jstor.org/stable/j.ctt1ws7x1b

Hopkins, L. (2016). Shakespearean allusion in crime fiction: DCI Shakespeare. Palgrave Macmillan. http://www.palgrave.com/gb/book/9781137538741

Hopkins, L. (2014). Renaissance drama on the edge. Ashgate.

Hopkins, L., & Ostovich, H. (Eds.). (2014). Magical transformations on the early modern English stage. Ashgate.

Connolly, A., & Hopkins, L. (2013). Essex: the cultural impact of a Renaissance Courtier. Manchester: Manchester University Press.

Hopkins, L. (2013). Shakespeare on the edge: Border-crossing in the tragedies and the Henriad.

Hiscock, A., & Hopkins, L. (Eds.). (2011). King Lear: A Critical Guide. New York, NY: Continuum International Publishing Group.

Hopkins, L. (2011). Drama and the Succession to the Crown, 1561-1633. Ashgate.

Hopkins, L. (Ed.). (2011). The Lady's Trial. Manchester: Manchester University Press.

Hopkins, L. (Ed.). (2010). 'Tis a Pity She's a Whore: A Critical Guide. London, England: Continuum International Publishing Group.

Hopkins, L. (2009). Relocating Shakespeare and Austen on Screen. Basingstoke: Palgrave Macmillan.

Hopkins, L. (2008). The cultural uses of the Caesars on the English Renaissance stage. Aldershot: Ashgate.

Hopkins, L. (2008). Christopher marlowe, renaissance dramatist.

Hopkins, L. (2007). Bram Stoker. Palgrave Macmillan UK. http://doi.org/10.1057/9780230626416

Buccola, R., & Hopkins, L. (Eds.). (2007). Marian Moments in Early Modern British Drama. Aldershot, England: Ashgate Publishing Co.

Hiscock, A., & Hopkins, L. (Eds.). (2007). Teaching Shakespeare and Early Modern Dramatists. Palgrave Macmillan UK. http://doi.org/10.1057/9780230593206

Connolly, A., & Hopkins, L. (Eds.). (2007). Goddesses and Queens: the iconography of Elizabeth I. Manchester Univ Press. http://www.manchesteruniversitypress.co.uk/catalogue/book.asp?id=1204076

Connolly, A., & Hopkins, L. (Eds.). (2007). Goddesses and Queens: the iconography of Elizabeth I. Manchester Univ Press. http://www.manchesteruniversitypress.co.uk/catalogue/book.asp?id=1204076

Connolly, A., & Hopkins, L. (2007). Goddesses and Queens: The Iconography of Elizabeth I. Manchester, England: Manchester University Press.

Hopkins, L., & Steggle, M. (2006). Renaissance Literature and Culture. London: Continuum. http://www.bloomsbury.com/uk/renaissance-literature-and-culture-9781441104823/

Hopkins, L. (2005). A Christopher Marlowe Chronology. Palgrave Macmillan UK. http://doi.org/10.1057/9780230503045

Hopkins, L. (2005). Screening the gothic.

Hopkins, L. (2004). Giants of the Past: Popular Fictions and the Idea of Evolution. Lewisburg, PA: Bucknell University Press.

Ostovich, H., Sauer, E., & Smith, M. (Eds.). (2004). Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1550-1700. New York, NY: Routledge.

Hopkins, L. (2002). Writing Renaissance Queens: Texts by and about Elizabeth I and Mary, Queen of Scots. Newark, DE: University of Delaware Press.

Hopkins, L. (2002). The Female Hero in English Renaissance Tragedy. Palgrave Macmillan UK. http://doi.org/10.1057/9780230503052

Hopkins, L. (2000). Christopher Marlowe: A Literary Life. New York, NY: Palgrave Macmillan (London).

Hopkins, L. (1998). The Shakespearean Marriage. Palgrave Macmillan UK. http://doi.org/10.1057/9780230373037

Hopkins, L. (1994). John Ford's Political Theater. Manchester: Manchester University Press.

Hopkins, L. (1994). A Hall of Mirrors: Mary Shelley's Frankenstein. Sheffield: PAVIC, Sheffield City Polytechnic.

Hopkins, L. (1990). Queen Elizabeth I and Her Court. London: Vision.

Hopkins, L. (n.d.). Renaissance Drama on the Edge. Routledge. http://doi.org/10.4324/9781315605258

Theses / Dissertations

Wardle, J. (2021). In search of Shakespeare and Austen: travels in time and place. (Doctoral thesis). Supervised by Hopkins, L., & Cadman, D. http://doi.org/10.7190/shu-thesis-00386

Mellor, H. (2018). Gender, power and disguise: cross dressing women within Shakespeare and Spenser. (Doctoral thesis). Supervised by Hopkins, L. http://doi.org/10.7190/shu-thesis-00127

McDonnell, S.F.I. (2016). Male poisoners in Renaissance revenge tragedies. (Doctoral thesis). Supervised by Hopkins, L.

Skelton, S.F.B. (2016). The afterlife of survival: a thematic guide to contemporary Canadian short fiction. (Doctoral thesis). Supervised by Le Bihan, J., Earnshaw, S., & Hopkins, L.

Heaton, C. (2016). Revolting Women, Roaring Girls and Bloody Men: The RSC in Stratford, 2014. (Doctoral thesis). Supervised by Hopkins, L.

Dyson, G.M. (2013). The vampire as eugenic examiner, 1880-1896. (Doctoral thesis). Supervised by Hopkins, L., & Dredge, S.

Wood, R.J. (2012). The image of human condition: Sidney's Arcadia and the conflicts of virtue. (Doctoral thesis). Supervised by Steggle, M., & Hopkins, L.

Cadman, D.J. (2011). Republicanism and stoicism in Renaissance neo-Senecan drama. (Doctoral thesis). Supervised by Steggle, M., Hopkins, L., & Rutter, T.

Dahiya, H. (2011). Shakespeare studies in Colonial Bengal : The early phase. (Doctoral thesis). Supervised by Hopkins, L., & Rutter, T.

Wilkinson, K. (2010). A brief chronicle of the time : staging Shakespeare's English histories, 2000-2010. (Doctoral thesis). Supervised by Hopkins, L., & Steggle, M.

Griffin, P.A. (2009). A critical edition of William Sampson's 'The Vow Breaker' 1636. (Doctoral thesis). Supervised by Hopkins, L., & Steggle, M.

Connolly, A.F. (2008). Princes set on stages : Iconography on the early modern stage. (Doctoral thesis). Supervised by Hopkins, L.

Norton, J.J. (2008). Humiliation, redemption, and reformation theology in Shakespeare's tragedies and late plays. (Doctoral thesis). Supervised by Hopkins, L., & Steggle, M.

Thomas, S.F. (2008). The exploration and development of tools for active reading and electronic texts. (Doctoral thesis). Supervised by Hopkins, L., Green, G., Steggle, M., Roast, C., & Ritchie, I.

Pitchforth, S.M. (2006). Vulnerable Britons: National identity in captivity narratives, 1770-1830. (Doctoral thesis). Supervised by Mills, S., & Hopkins, L.

Wetherall Dickson, L. (2006). Beyond Byron, legitimising Lamb : The cultural context of Caroline Lamb's life and works. (Doctoral thesis). Supervised by Hopkins, L.

Morton, K. (2005). A life marketed as fiction : An analysis of the work of Eliza Parsons. (Doctoral thesis). Supervised by Hopkins, L.

Cheta, A.K. (n.d.). Thomas Nashe and the Idea of the Author. (Doctoral thesis). Supervised by Hopkins, L. http://doi.org/10.7190/shu-thesis-00246