Work by researchers at the University of Wollongong in Australia looked at access and use of packaging by patients in hospitals in New South Wales

The research ‘Vaccine Hesitancy’ explores the health beliefs of vaccine critical parents.

Company of animals' products were previously packed in plastic clamshell packs or packs with a high plastic component. As an ethical company focused on animal welfare, this is something they were keen to change.

Re:mains is a collection of jewellery artefacts which form a multi-component output. This research, developed through iterative practice-based processes, explores the extent to which jewellery, created predominately using food waste, could serve as tools which enable the wearer to reflect on the everyday act of eating.

This research addresses the claim made about graphic and communication design research in the Research Excellence Framework 2015 Panel overview report (UoA34: Art and Design: History, Practice and Theory p.85)

The Imposter Series is an ongoing project of observational still life drawings taken from objects/artefacts/props used in Yuen Fong Ling’s performance-workshops.

The installation Hybrid-Display Structures navigates the complex relationship between the legacy of exhibition making and the contemporaneous reach of curation as art practice, in order to examine the autonomous and authorial positions of artworks.

This enquiry focuses on the post-industrial city of Sheffield, its female citizens, and their empowerment, explored through filmed participatory performance, and extends Brown’s methodologies developed in Detroit from 2015-2017.

Mirror III: Horizon is a two-channel video installation. The project examines the challenges to trust that can occur when identities cannot be verified.