Re:mains is a collection of jewellery artefacts which form a multi-component output. This research, developed through iterative practice-based processes, explores the extent to which jewellery, created predominately using food waste, could serve as tools which enable the wearer to reflect on the everyday act of eating.

Ambiguous Implements is the result of an enquiry that investigates the extent to which ambiguous eating implements, when used to consume food, have the potential to create new forms of experience.

Investigating the DIY practices of cigar box guitar makers, exploring how this practice differs from other DIY practices

In the journal paper ‘Why Should Jewellers care about the Digital’ Koulidou discusses digital jewellery practice from a jeweller’s perspective.

Whilst increasingly rarefied in practice, the role of art for the modern church continues to be explored, questioned and debated, yet its application is often poles apart.

This design research led by Reed focused on the development of a brassiere to improve the treatment accuracy, and dignity for women undergoing radiotherapy for breast cancer.

Virginia Heath developed and directed this film research project, ‘Cigar Box Blues – The Makers of a Revolution’ (originally titled ‘Three Chords and the Truth’) in collaboration with writer and Design Historian, Paul Atkinson.

Imagine you were a museum professional and had a toolkit to create interactive installations in a matter of hours rather than months: what would you make?