Professor of Ecopoetry and Poetics
I am a poet and academic who has been practising, publishing and teaching since the early nineties. I have taught at Sheffield Hallam since 2007 and was for three years the course leader for the MA Writing. Since 2015, I have convened the Creative Writing Masterclass series bringing writers and professionals from the writing world to Hallam to contribute to teaching and give stimulating and informative talks and readings. My English Literature PhD was on the modernist poet H.D., and I retain an interest there, recently publishing an essay on Modernist Women Poets with Palgrave and one on H.D. with Classical Receptions. Currently I focus on my own poetry and critical work and review on contemporary poets, particularly ecopoetics. I have published eight poetry books, four artists’ books with Judith Tucker, and edited a well-received anthology, The Ground Aslant: Radical Landscape Poetry Anthology (Shearsman 2011). Since 2007 I have collaborated with artists to work on exhibitions and artists’ books involving text and image. Since 2011, I have been working on place-based collaborative projects with the artist Judith Tucker who works at the University of Leeds. I am also involved in a number of projects working with the public and academics from all disciplines on environmental threats and extinction. I have three main areas of interest within writing poetry and poetry criticism: gender, landscape and environment/eco-criticism and experimentalism/avant-gardism. I am also interested in performance and poetry readings and integrate these into the modules I teach. These interests feed into the modules I teach at Hallam. I have been involved in validating a number of hybrid modules (in which students work both creatively and critically in a particular area) and this is my main area of interest in undergraduate teaching. In particular I deliver modules on “Writing and Environment” and “Experimental Writing”. I also supervise PhD and M.A. students in critical and creative work relating to these areas of interest and am always keen to meet potential research students wanting to work in these areas.
I have three main areas of interest within writing poetry and poetry criticism: gender, landscape and environment/eco-criticism and experimentalism/avant-gardism. I am also interested in performance and poetry readings and integrate these into the modules I teach. These interests feed into the modules I teach at Hallam. I have been involved in validating a number of hybrid modules (in which students work both creatively and critically in a particular area) and this is my main area of interest in undergraduate teaching. In particular I deliver modules Level VI B.A. modules in “Writing and Environment” and “Experimental Writing” and the Level IV module, “Words and Images”. I also supervise PhD and M.A. students in critical and creative work relating to these areas of interest and am always keen to meet potential research students wanting to work in these areas.
Social Sciences and Arts
Creative Writing, English
I teach Creative Writing and English within the Department of Humanities in the College of Social Sciences and Arts. I supervise Creative Writing, Literature and Cross Disciplinary PhDs in areas relating to poetry, environment, gender and modernism. I teach on the M.A. Creative Writing Contemporary Writer and Workshop modules and the M.A. English by Research. I teach undergraduate modules in Writing and Environment and Experimental Writing as well as supervising final year Creative Writing Major Projects.
M.A. Creative Writing Workshop; Level 6 Writing and Environment; Level 6 Experimental Writing; Level 5 Poetry; Level 4 Words and Images
Current inter-disciplinary projects, working with fellow-academics and the public, include:
AHRC funded Hydrospheres network based at Sheffield Hallam and working on Climate Change Resilience in relation to the hydrological network of the Sheffield region and Royal Society funded "Every Bird a Nest: exploring reproduction and survival through art and poetry", working with Nicola Hemmings at the University of Sheffield on bird extinction and resilience through the arts. I continue to work with artist, Judith Tucker, on upcoming exhibitions at Gallery 2021 in Scunthorpe and London.
Previous recent projects include:
Beyond Other Horizons: Contemporary paintings made in Britain and Romania, with Judith Tucker, Iasi Palace of Culture, Iasi Romania, March 2020, and symposium presentation. Low Lying painting and poetry from the saltmarsh, with Judith Tucker, Westminster Art Library, London, Nov-Dec, 2019. Outfalls, with Judith Tucker Winter Show, Gallery Steel Rooms, Brigg, 2018-19. Groundwork Gallery, gallery fbehinor Art and the Environment, curator Dr. Veronica Sekules. Spoke at Launch Symposium, July 2018, convened and spoke at public symposium Conserve? Restore? Rewild? Arts and Ecopoetics Rise to the Challenge with Groundwork Gallery, Kings Lynn, 1 September 2018. Outfalls selected for First Biennial Sino-British Contemporary Art Exhibition in Yantai Art Museum and Yantai City Art Museum, Shandong Province, China, 2018. Louth Navigation Trust, Louth, 2018 with outreach work/interviews/workshops over a two-year period and public work exhibited alongside our own. Muriel Barker Gallery, Grimsby with Symposium, talks, readings. Ropewalk Gallery, Barton-on-Humber with launch talk. Neverends The Muriel Barker Gallery, Grimsby Heritage Centre, culmination of 12 month Arts Council funded commission curated by Linda Ingham including opening/poetry reading; public artist’s talks and all day public workshop, March-June 2017 Fitties Project Trespass! Sheffield Institute of Arts Gallery, Nov-Dec 2018. More in Common APT Gallery, London, 2018 2018 The Case for Place, Steel Rooms, Brigg, Lincolnshire Fitties Exhibition, with Judith Tucker and Annabel McCourt, Cleethorpes Discovery Centre, accompanied by extensive public engagement on “Image, Text. Memory in Place”: see www.projectfitties.com, October 2016. Contemporary British Painting, Marylebone Crypt, London, May 2015. Seeing Double: residency and exhibition of open-form poems by Harriet Tarlo and monochrome drawings by Judith Tucker, The Aldeburgh Beach Lookout Tower Project , October 2015. Excavations and Estuaries Collaboration with Judith Tucker, commissioned by Linda Ingham and funded by the Arts Council and North East Lincolnshire Council: Exhibition on collaboration between poets and artists, Bank Street Arts, Sheffield, May 2015. Behind Land: Excavations and Estuaries, Hull Institute of Art and Design ongoing, 12 March-17 April 2015, including opening/poetry reading and talk on the work by Linda Ingham Drawing nearer: lines of movement, lines of sound. Scott Annexe, University of Plymouth, 2014 Behind Land. The Muriel Barker Gallery, Fishing Heritage Centre, Grimsby, 2014, culmination of 18 month Arts Council funded commission curated by Linda Ingham including opening/poetry reading; public talk and all day public workshop. Excavations and Estuaries. Abbey Walk Gallery, Grimsby, 2013, included opening/poetry reading and public seminar.
Tarlo, H. (2020). Rachel Blau DuPlessis: Around the Day in 80 Worlds, Days andWorks, Graphic Novella. Chicago Review, 63 (3-4), 202-213. https://www.chicagoreview.org/rachel-blau-duplessis-around-the-day-in-80-worlds-days-and-works-graphic-novella/
Tarlo, H., & Tucker, J. (2019). Cross Multi Inter Trans: a contextual introduction. Green Letters, 23 (3), 219-230. http://doi.org/10.1080/14688417.2019.1682347
Tarlo, H., & Tucker, J. (2019). Cross Multi Inter Trans: a contextual introduction. Green Letters, 23 (3), 219-230. http://doi.org/10.1080/14688417.2019.1682347
Tarlo, H., & Tucker, J. (2019). Poetry, painting and change on the edge of England. Sociologia ruralis. http://doi.org/10.1111/soru.12232
Tucker, J., & Tarlo, H. (2019). Excerpt from Night Fitties // Fragmento de Night Fitties. Ecozon@: European Journal of Literature, Culture and Environment, 10 (1), 204-205. http://doi.org/10.37536/ecozona.2019.10.1.3008
Tarlo, H., & Tucker, J. (2017). ‘Off path, counter path’: contemporary walking collaborations in landscape, art and poetry. Critical Survey, 29 (1), 105-132. http://doi.org/10.3167/cs.2017.290107
Tarlo, H. (2017). Editorial. Plumwood Mountain, 7 (1). https://plumwoodmountain.com/plumwood-mountain-volume-4-number-1/
Tarlo, H. (2017). Editorial. Plumwood Mountain, 7 (1). https://plumwoodmountain.com/plumwood-mountain-volume-4-number-1/
Tarlo, H., & Skinner, J. (2016). On Ecopoetics: Harriet Tarlo and Jonathan Skinner in Conversation. Lighthouse, (11).
Tarlo, H. (2013). Leaf graffiti. Green Letters, 17 (3), 300-302. http://doi.org/10.1080/14688417.2013.862052
Tarlo, H. (2012). 'An insurmountable chasm?': re-visiting, re-imagining and re-writing classical pastoral through the modernist poetry of H.D. Classical Receptions Journal, 4 (2), 235-260. http://doi.org/10.1093/crj/cls020
Tarlo, H. (2011). Harriet Tarlo on Brading and Presley, Rich, Robertson and Williams. Poetry Review, 101 (3).
Tarlo, H. (2011). 'The page is slowly turning black': Rachel Blau DuPlessis’s 'Torques: Drafts 58–76'. Jacket2. https://jacket2.org/article/page-slowly-turning-black
Tarlo, H. (2009). Recycles : the eco-ethical poetics of found text in contemporary poetry. Journal of Ecocriticism, 1 (2), 114-130. http://ojs.unbc.ca/index.php/joe/article/view/120
Tarlo, H. (2009). A preview of the ground aslant: Radical landscape poetry (forthcoming, Shearsman books, 2010). English, 58 (222), 192-198. http://doi.org/10.1093/english/efp020
Tarlo, H. (2008). Women and ecopoetics: an introduction in context. How2, 3 (2). https://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/index.html
Tarlo, H. (2008). Women and ecopoetics: an introduction in context. How2, 3 (2). https://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/index.html
Tarlo, H. (2007). “Between Romanticism and Modernism: A Rock and a Hard Place?”. Poetry Salzburg Review, (11).
Tarlo, H. (2002). New Maps for Old. Women: A Cultural Review, 13 (1), 90-93. http://doi.org/10.1080/09574040252980591
Tarlo, H. (2002). ’Origami Foldits’: Rachel Blau DuPlessis’s Drafts 1-38, Toll. How2, 1 (8). https://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_8_2002/current/index.htm
Tarlo, H. (1999). Provisional pleasures: The challenge of contemporary experimental women poets. Feminist Review, 62 (1), 94-112. http://doi.org/10.1080/014177899339207
Tarlo, H. (1996). The Underworld of H. D.'s Helen in Egypt. Sagetrieb: A Journal Devoted to Poets in the Imagist/Objectivist Tradition, 15 (1-2), 173-202.
Tarlo, H. (1994). 'Ah, Could They Know': The Place of the Erotic in H. D.'s Hymen. Gramma: Journal of Theory and Criticism/Periodiko Theōrias kai Kritikēs, 4, 89-105.
Tarlo, H. (1993). ‘At the Porthole’: Lorine Niedecker’s Harpsichord and Saltfish. Fragmente, (5), 39-51.
Tarlo, H. (n.d.). Radical Landscapes: experiment and environment in contemporary poetry. Jacket, (32). http://jacketmagazine.com/32/p-tarlo.shtml
Tarlo, H., & Tucker, J. (2016). "Place as Pause: the value of collaborative, cross-disciplinary practices in place". In Collins, T., Kindermann, G., Newman, C., & Cronin, N. (Eds.) 'Landscape values: place and praxis', Centre for Landscape Studies, NUI Galway, 29 June 2016 - 2 July 2016. Co. Galway: Uniscape: https://aran.library.nuigalway.ie/handle/10379/7340
Tarlo, H. (2020). ‘GOLD/ Is Recovered’: Maggie O’Sullivan and environment. In Weidner, C. (Ed.) Fractured Ecologies. Eyecorner Press
Tarlo, H., & Tucker, J. (2017). “Drawing closer”: an ecocritical consideration of collaborative, cross-disciplinary practices of walking, writing, drawing and exhibiting. In Barry, P., & Welstead, W. (Eds.) Extending ecocriticism : crisis, collaboration and challenges in the environmental humanities. (pp. 47-69). Manchester: Manchester University Press: http://www.manchesteruniversitypress.co.uk/9781784994396/
Tarlo, H. (2013). Open Field: Reading Field as Place and Poetics. In Placing Poetry. (pp. 113-148). Amsterdam, Netherlands: Rodopi
Tarlo, H. (2013). Brother MacSweeney and the new-old English poet language is a steady stick. In Batchelor, P. (Ed.) Reading Barry MacSweeney. Bloodaxe Books / Newcaslte University
Tarlo, H. (2010). The new comes forward : Anglo-American modernist women poets. In Marsh, N., & Middleton, P. (Eds.) Teaching modernist poetry (Teaching the new English). Palgrave Macmillan
Tarlo, H. (2009). Love/Land: Writing Outside in the Twenty-First Century. In Wells, L., & Standing, S. (Eds.) Relic: Land/Water and the Visual Arts. (pp. 34-47). University of Plymouth Press
Tarlo, H., & Southam, J. (2008). Particles. In Southam, J. (Ed.) Clouds Descending. (pp. 63-93). Lowry Press
Tarlo, H. (2007). Home-hills: place, nature and landscape in the poetry of Geraldine Monk. In Thurston, S. (Ed.) The Salt Companion to Geraldine Monk. Salt Publishing
Tarlo, H. (2000). Radical Landscapes: Contemporary Poetry in the Bunting Tradition. In The Star You Steer By: Basil Bunting and British Modernism. (pp. 149-180). Amsterdam, Netherlands: Rodopi
Tarlo, H. (2000). “‘A she even smaller than a me’: gender dramas of the contemporary avant-garde”. In Mark, A., & Rees-Jones, D. (Eds.) Contemporary Women’s Poetry: Reading/Writing/Practice. Macmillan
Tarlo, H. (1997). Lorine Niedecker on and off the Margins. In Bertram, V. (Ed.) Kicking Daffodils: Twentieth-Century Women Poets. Edinburgh University Press
Tarlo, H. (2019). Gathering Grounds 2011-2019.
Tarlo, H., & Tucker, J. (2018). Neverends Poems and Paintings.
Tarlo, H., & Tucker, J. (2018). Outfalls Poems and Drawings.
Tarlo, H. (2016). Field. Shearsman Books. https://www.shearsman.com/store/Harriet-Tarlo-Field-p102839169
Tarlo, H., & Tucker, J. (2015). Behind Land Poems and Paintings.
Tarlo, H. (2015). Poems 2004-2014. Bristol: Shearsman Press. http://www.shearsman.com/ws-shop/category/1034-tarlo-harriet/product/5179-harriet-tarlo---poems-2004-2014
Tarlo, H. (2013). Sound Unseen.
Tarlo, H. (Ed.). (2011). The ground aslant: an anthology of radical landscape poetry. Exeter: Shearsman Books.
Tarlo, H. (2007). Nab.
Tarlo, H. (2004). Poems, 1990-2003.
Tarlo, H. (1997). Brancepeth Beck. Other Press.
Jeffrey, A. (2019). "Encounter before imagination": a more-than-human poeticsfrom the Moss Valley. (Doctoral thesis). Supervised by Tarlo, H. http://doi.org/10.7190/shu-thesis-00340
Dobson, J. (2017). Nesting in English fields : bird narratives and the re-imagining of post-war Britain. (Doctoral thesis). Supervised by Tarlo, H. http://doi.org/10.7190/shu-thesis-00005
Tarlo, H., & Tucker, J. (2018). In the Open: collaborative artworks around place, landscape and environment. https://plumwoodmountain.com/in-the-open-collaborative-artworks-around-place-landscape-and-environment-3/
Harriet, T. (2020). Beyond Other Horizons: Contemporary paintings made in Britain and Romania. [Text and image]. Iasi Palace of Culture, Iasi Romania.
Tarlo, H., & Tucker, J. (2019). Low Lying: painting and poetry from the saltmarsh. [Poems and Paintings]. Westminster Reference Library.
Tarlo, H., & Tucker, J. (2019). Low Lying: painting and poetry from the saltmarsh. [Poems and Paintings]. Westminster Reference Library.
Tarlo, H., & Tucker, J. (2019). Radical Landscapes. [Poems and painting]. The Plough Arts Centre, Torrington.
Tarlo, H., & Tucker, J. (2019). Radical Landscapes. [Poems and painting]. The Plough Arts Centre, Torrington.
Tarlo, H., & Tucker, J. (2018). Trespass! [Poems and painting]. Sheffield Institute of Arts.
Tarlo, H., & Tucker, J. (2018). Trespass! [Poems and painting]. Sheffield Institute of Arts.
Tarlo, H., & Tucker, J. (2018). Winter Show. [Poetry and drawing]. Gallery Steel Rooms, Brigg.
Tarlo, H., & Tucker, J. (2018). Winter Show. [Poetry and drawing]. Gallery Steel Rooms, Brigg.
Tarlo, H., & Tucker, J. (2018). Outfalls in First Biennial Sino-British Contemporary Art Exhibition. [Poems and Drawings]. Yantai Art Museum and Yantai City Art Museum, Shandong Province, China.
Tarlo, H., & Tucker, J. (2018). Outfalls in First Biennial Sino-British Contemporary Art Exhibition. [Poems and Drawings]. Yantai Art Museum and Yantai City Art Museum, Shandong Province, China.
Tarlo, H., & Tucker, J. (2018). More in Common. [Poems and Paintings from 'Fitties']. APT Gallery, London.
Tarlo, H., & Tucker, J. (2018). More in Common. [Poems and Paintings from 'Fitties']. APT Gallery, London.
Tarlo, H., & Tucker, J. (2018). Outfalls. [Poems and drawings]. GroundWork Gallery for Art and the Environment, Kings Lynn.
Tarlo, H., & Tucker, J. (2018). Outfalls at Under East Wind exhibition. [Poems and drawings]. Ropewalk Gallery, Barton-on-Humber.
Tarlo, H., & Tucker, J. (2017). Outfalls in Neverends: art, music, text. The Muriel Barker Gallery, Grimsby Heritage Centre.
Tarlo, H., Tucker, J., & McCourt, A. (2016). Fitties Exhibition. [Poems and paintings]. Cleethorpes Discovery Centre.
Tarlo, H., & Tucker, J. (2015). Fitties in Contemporary British Painting. [Poems and paintings]. Marylebone Crypt, London.
Tarlo, H., & Tucker, J. (2015). Seeing Double. [Poems, drawings and projection]. Aldeburgh Beach Tower.
Tarlo, H., & Tucker, J. (2015). Behind Land: Excavations and Estuaries. [Poems and drawings]. Hull Institute of Art and Design.
Tarlo, H., & Tucker, J. (2014). Drawing nearer: lines of movement, lines of sound. [Poems and drawings]. Scott Annexe, University of Plymouth.
Tarlo, H., Tucker, J., & Rowlett, G. (2014). Excavations and Estuaries: Behind Land. [Poems and paintings]. The Muriel Barker Gallery, Fishing Heritage Centre, Grimsby.
Tarlo, H., & Tucker, J. (2014). Tributaries. [Poems and drawings]. Auden Foyer, Greshams School, North Norfolk Nature Festival.
Tarlo, H., & Tucker, J. (2013). Tributaries at Landscape, Art and Uncertainty. [poems and drawings]. Southampton City Art Gallery.
Tarlo, H., & Tucker, J. (2013). Tributaries at Art et Géographie: Aesthetics and Practices of Spatial Knowledges. [Poems and drawings]. Musée de Moulages, Lyon.
Tarlo, H., & Tucker, J. (2012). Shadows Traces, Undercurrents. [Poems and drawings]. Katherine E. Nash Gallery, Regis Centre for Art, Minnesota, Minneapolis.
Tarlo, H., & Tucker, J. (2012). Tributaries at "Closer to Home: Artists Re-consider the Local". [Poems and drawings]. East Street Arts, Leeds.
Tarlo, H., & Southam, J. (2008). Clouds Descending. [Photographs and poems]. The Lowry Gallery, Salford.
Tarlo, H., & Southam, J. (2009). Clouds Descending. [Photographs and poems]. Tullie House Museum and Gallery, Carlisle.
Tarlo, H. (2020). We are all more-than-human: Ecopoetics as positive action. Presented at: Humanities Society Conference, University of Dundee
Tarlo, H., & Tucker, J. (2019). ‘and thereby discover / the fact that a WE / does exist” (DuPlessis): contemporary 'anthroposcenic' practices at and with the coast’. Presented at: Co-emergence Co-creation Co-existence: ASLE UKI Biennial Conference 2019, University of Plymouth
Tarlo, H., & Kerridge, R. (2019). “Paradise Renegotiated: Cross, Multi, Inter, Trans: A Panel on Interdisciplinarity and Collaboration”. Presented at: U.S. ASLE Biennial Conference, University of California, Davis, 2019
Tarlo, H. (2018). 'unbrokenly tenuous, or tenacious': pressured connections in Peter Larkin. Presented at: Peter Larkin Symposium, University of Warwick
Tarlo, H., & Tucker, J. (2017). “Poetry, Painting and Change on the Edge of England”. Presented at: XXVIIth ESRS conference – Uneven processes of rural change: On diversity, knowledge and justice, Krakow, Poland
Tarlo, H., & Tarlo, J. (2016). “Threadings, Bendings, Tanglings: Poetry, Painting and Place”. Presented at: “Wildness without Wilderness”: The Poiesis of Energy and Instability”: The European Association for the Study of Literature, Culture and Environment (EASLCE): 7th Biennial Conference, Brussels, Belgium
Tarlo, H. (2016). "NOT THE LIGHT/ OF ANY EVENING/ BUT THE LIGHT/ OF THIS EVENING": particularity in the work of Thomas A Clark. Presented at: ‘A Place Apart’: Symposium on Poetry and Practice of Thomas A. Clark, Scottish Poetry Library
Tarlo, H., & Tucker, J. (2015). “’Are you alive?’: Vital Materialist Practice in modernist and contemporary art, poetry and collaboration”. Presented at: Vibrant Matters Conference
Tarlo, H. (2014). ’Articulations of the Earth of Language’ (Maggie O’Sullivan): how might visual/sonic/textual/performative poetics embody and engage with the eco-ethical? Presented at: Flow and Fracture from North America to Europe and Beyond: Reflections, Refractions and Diffractions within the Ecopoetic Avant-Garde, Maison des Arts de l'Université Libre de Bruxelles
Tarlo, H., & Tucker, J. (2014). Off path, counter path: contemporary collaborations in landscape. Presented at: Of the Earth: Art, Photography, Writing and the Environment, University of Plymouth
Tarlo, H., & Tucker, J. (2014). “’Drawing nearer’: lines of movement, lines of sound”. Presented at: “Drawing and Place” Symposium, Plymouth College of Art
Tarlo, H., & Tucker, J. (2013). “Tributaries: contemporary collaborations with neo-romanticism”. Presented at: Uncertain Exchanges Symposium, Southampton City Art Gallery
Tarlo, H. (2013). “’We are all in need of becoming archeologists of the morning after’: the implications of Pierre Joris’s nomadic poetics in, of and for the open field of ecopoetics”. Presented at: “Moving Back and Forth between Poetry and/as Translation”, International Poetry Lab, Université Libre de Bruxelles
Tarlo, H., & Tucker, J. (2013). “’When land trips you up’: drawing and writing as fieldwork”. Presented at: “Art and Geography: Aesthetics and Practices of Spatial Knowledge”, University of Lyon, France
Tarlo, H., & Tucker, J. (2012). “’None of this was here’: drawing and writing in landscape”. Presented at: “Shadows Traces Undercurrents” Mapping Spectral Traces Symposium, University of Minnesota, Minneapolis
Tarlo, H., Fisher-Wirth, A., & Street, L.-.G. (2012). “Environmental poetry, Ecopoetry, Ecopoetics? – the exploration of new forms of British and American poetry through the anthologizing process”. Presented at: “Composting Culture: Literature, Nature, Popular Culture, Science,” ASLE-UKI Conference, University of Worcester
Tarlo, H., Fisher-Wirth, A., & Street, L.-.G. (2012). “Environmental poetry, Ecopoetry, Ecopoetics? – the exploration of new forms of British and American poetry through the anthologizing process”. Presented at: “Composting Culture: Literature, Nature, Popular Culture, Science,” ASLE-UKI Conference, University of Worcester
Tarlo, H., & Tucker, J. (2012). It begins with a line in space’: Drawing and Writing in Landscape. Presented at: “Composting Culture: Literature, Nature, Popular Culture, Science,” ASLE-UKI Conference, September 2012, University of Worcester
Tarlo, H. (2012). 'Consider/ the alliance': Basil Bunting, Lorine Niedecker, Richard Caddel and the development of British modernist environmental poetics. Presented at: "With Sleights Learned from Others": Basil Bunting and Friends', University of Durham
Tarlo, H. (2011). “The Doors of the Senses: New Poems”. Presented at: “Species, Space and the Imagination of the Global”, ASLE Biennial Conference, Indiana University, Bloomington
Tarlo, H. (2010). “Fieldwork: Olsonian open form poetics in and around the field”. Presented at: Charles Olson 2010, A Centenary Conference, University of Kent, Canterbury, 2010
Tarlo, H. (2009). “Earth’s Body: An Ecopoetry Anthology”. Presented at: "Island Time: The Fate of Place in a Wired, Warming World", ASLE Biennial Conference, University of Victoria, British Columbia
Tarlo, H. (2008). “Recycles: the eco-ethical poetics of found text in contemporary poetry”. Presented at: First International Poetic Ecologies Conference, Université Libre de Bruxelles, Brussels
Tarlo, H. (2006). “Radical Landscapes: experiment and environment in contemporary poetry”. Presented at: “Pressure to Experiment’ Conference, Southampton University
Tarlo, H. (2003). “Consider/ the alliance: Lorine Niedecker’s and Richard Caddel’s ethical poetics”. Presented at: Lorine Niedecker Centenary Conference/Festival, Milwaukee, U.S.A
Tarlo, H., Gifford, T., Agee, C., & Arnold, R. (2001). Radical Landscape Poetry in Four Poets from Ireland, England, Canada. Presented at: “Making a Start out of Particulars”, ASLE Biennial Conference, University of Northern Arizona, Flagstaff, 2001
Tarlo, H. (1999). “Writing Outside”. Presented at: Subvoicive Colloquium, Centre for English Studies, University of London
Tarlo, H. (1998). “‘A she even smaller than a me’: Gender Dramas of the Contemporary Avant-Garde”. Presented at: “Tradition and Resistance in Contemporary Poetry”, Centre for English Studies, University of London
Tarlo, H. (1998). “‘Can you read the past/ Like a Scroll?’: the Origins and Genres of H.D.’s Helen in Egypt”. Presented at: American Literature Association Conference (ALA), San Diego, U.S.A
Tarlo, H. (1998). “Voy-elle’s ‘Skims of Language’: Rachel Blau DuPlessis’ Drafts”. Presented at: Postmodern Poetry Conference, University of Plymouth
Tarlo, H. (1997). “Radical Landscapes: Contemporary British Poets in the Bunting Tradition”. Presented at: Literature and the Natural Environment Conference, University of Wales Swansea
Tarlo, H. (1996). “Radical Landscapes: Experimental Landscape Poetry of Northern England and Scotland”. Presented at: Assembling Alternatives International Poetry Conference/Festival, University of New Hampshire, U.S
Tarlo, H. (1995). “‘This is reality’: Cornwall, Corfu and the development of H.D.’s Aesthetics, 1919 - 20”. Presented at: “Feminism and the Aesthetics of Difference” Conference, Institute of Romance Studies and Falmouth College of Arts
Tarlo, H. (1995). “‘Hellas re-born from death’: a Reading of H.D.’s Hymen and Heliodora”. Presented at: Rethinking Women’s Poetry 1730 - 1930 Conference, Birkbeck College, London
Tarlo, H. (1994). “Lorine Niedecker on the Margins: the Radical Vision of a Woman Objectivist”. Presented at: Kicking Daffodils: Women and Poetry Conference, Oxford Brookes University
Tarlo, H. (2020). Six Cut Flowers. Dostoyevsky Wannabe
Tarlo, H. (2020). Five Cut Flowers. https://www.dispatchespoetrywars.com/poetics-for-the-more-than-human-world/
Tarlo, H. (2020). Five Cut Flowers. https://erotoplasty.tumblr.com/
Tarlo, H. (2019). from 'Cut Flowers'.
Tarlo, H. (2017). Two Cut Flowers. Boiler House Press: http://978-1-911343-39-4/
Tarlo, H. (2017). Six Cut Flowers. Boiler House Press
Tarlo, H. (2013). 'Pibroch on Fallen Pine' and 'The Sound of Highland Landscape". Moray School of Art Press
Tarlo, H. (2011). Asterisk 9: poems from Field. Fewer and Further Press
Tarlo, H. (2010). Seven poems. Shearsman Books
Tarlo, H. (2009). Small.
Tarlo, H. (2009). Friday Piece. Rampike 18/1
Tarlo, H. (2008). Summer Solstice Manchester UK 2007. British Council
Leach, H., & Graham, R. (2007). Everything You Need to Know About Creative Writing: (But Knowing Isn't Everything. . .). Continuum
Tarlo, H. (2003). Love/Land. Rem Press
Tarlo, H. (2001). from Love/Land. The Paper
Champion, M., Kidd, H., & Thurston, S. (1996). Sleight of Foot. Reality Street
Tarlo, H. (n.d.). From cut flowers. Duration Press: http://durationpress.com/wp-content/uploads/2018/05/seedings-5_h-tarlo.pdf
I am currently supervising the following PhD research students: Joanna Dobson who is working on a Creative Writing project on Nature Writing, Memoir and Trauma; Chris Howard who is working on Southern Studies and Posthumanism in relation to contemporary American fiction; Erin Kavanagh whose creative project works across disciplines to explore Climate Change through the figure of the mermaid and Krystle Morley who is working across Geography and Humanities on mapping and modelling Radical Water Futures in the Sheffield region. At Sheffield I have supervised to completion Andrew Jeffrey's poetry project on encounter with the non-human animal; Bernadette O'Toole on Mallarmé and the expanded field of painting and Rachel Franklin on eroticism and cultural renewal in Salvador Dali's writings. I have supervised two M.A.s by research in the ecocritical field. At previous institutions, I supervised three Phds to completion, on environmental poetry and ecocriticism; Djuna Barnes and psychoanlytic models of urban space.
I have supervised to completion two Creative Writing PhDs on environmental poetry and one academic PhD on the modernist writer Djuna Barnes.
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