Caroline Claisse: The Augmented House: Crafting tangible interaction in house museums.
With my practice-based PhD, I intended to broaden current practice in exhibition design by means of designing for tangible interaction in house museums.
Victoria Lucas: Reclamation Ground: Material Reckoning with Gendered Subjectivity through Site-Responsive Art Practice
This practice-led PhD explores how the materiality of post-industrial landscapes may be used to deconstruct and reconstitute female subjectivity.
Anton Hecht: Examining Gamefulness in Participatory Art: Space, Participant and Artefact
The study explores how games theory might elucidate and generate participatory art.
Amy Graham: On London Buses: Heritage Practices in Everyday Life
The project develops research approaches into ‘heritage’ as both a locus of meaning (the heritage object) and a practice of meaning (a doing) which has affecting as well as personal, political, cultural, and ethical consequences within our everyday lives.
Marika Grasso: Responsive matter: touch-touchscreen relationship through a material explorative approach
The study explores the conductivity of touch through art practice, and material explorative approach.
Marney Walker: How can design support the expression of personal aesthetic preferences in dementia?
Although dementia may affect the way we think, we will always know what we like.
Daniela Cascella: Nothing As We Need It: For Chimeric Writing
Nothing As We Need It: For Chimeric Writing is a thesis-work in which a new form of critical writing is imagined, enacted, and studied.
Jerome Harrington: Process made visible: In and outside the object
A practice-based PhD that investigates our relationship to and understanding of the object and its materiality
Louise Finney: Working through Fragments: Fictionalising the Archive
Exploring how archives and indexes can be applied to blur the boundary between fact and fiction
Susannah Gent: The Neuroscientific Uncanny: a Filmic investigation of Twenty-first Century Hauntology
A practice-based study explores how filmmaking, psychoanalysis, philosophy, and neuroscience might interact to generate an expanded understanding of the uncanny and the related concept of hauntology