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Digital technologies in heritage sites and museums are generally understood to be screen-based and more recently applications for the visitors’ phone.

This collection of jewellery artefacts made from recycled glass and metal are the outcome of an enquiry which explored how the application of co-creative design thinking strategies within a rural Indonesian community can provide creative agency for artisan craftmakers

Examining the design history of the electric guitar as a technological object, a cultural icon and a social construct

Ambiguous Implements is the result of an enquiry that investigates the extent to which ambiguous eating implements, when used to consume food, have the potential to create new forms of experience.

Imagine you were a museum professional and had a toolkit to create interactive installations in a matter of hours rather than months: what would you make?

This research forms part of Petrelli’s enquiry into the human interaction with extra-large data sets and the design of visual mechanisms to support the user in making meaning out of millions of entities

Re:mains is a collection of jewellery artefacts which form a multi-component output. This research, developed through iterative practice-based processes, explores the extent to which jewellery, created predominately using food waste, could serve as tools which enable the wearer to reflect on the everyday act of eating.

Virginia Heath developed and directed this film research project, ‘Cigar Box Blues – The Makers of a Revolution’ (originally titled ‘Three Chords and the Truth’) in collaboration with writer and Design Historian, Paul Atkinson.

In the journal paper ‘Why Should Jewellers care about the Digital’ Koulidou discusses digital jewellery practice from a jeweller’s perspective.

This research examines the relative merits and limitations of professional design practices as opposed to amateur design practices, and discusses the likely future for both positions.