Gibbons, A. (2021). Interpreting Fictionality and Ontological Blurrings in and Between Lance Olsen’s Theories of Forgetting and there’s no place like time. Style (DeKalb), 55 (3), 406-429. http://doi.org/10.5325/style.55.3.0406

Gibbons, A., & Whiteley, S. (2021). Do worlds have (fourth) walls? A Text World Theory approach to direct address in Fleabag. Language and Literature, 30 (2), 105-126. http://doi.org/10.1177/0963947020983202

Gibbons, A. (2020). Rev. of Autofiction in English. a/b: Auto/Biography Studies, 35 (3), 793-796. http://doi.org/10.1080/08989575.2020.1766215

Gibbons, A. (2020). Metamodernism, the Anthropocene, and the Resurgence of Historicity: Ben Lerner’s 10:04 and “the utopian glimmer of fiction”. Critique - Studies in Contemporary Fiction. http://doi.org/10.1080/00111619.2020.1784828

Gibbons, A. (2019). The “dissolving margins” of Elena Ferrante and the Neapolitan Novels: A cognitive approach to fictionality, authorial intentionality, and autofictional reading strategies. Narrative Inquiry, 29 (2), 391-417. http://doi.org/10.1075/ni.19017.gib

Browse, S., Gibbons, A., & Hatavara, M. (2019). Real fictions: fictionality, factuality and narrative strategies in contemporary storytelling. Narrative Inquiry, 29 (2), 245-267. http://doi.org/10.1075/ni.19025.bro

Gibbons, A., Vermeulen, T., & van den Akker, R. (2019). Reality beckons: metamodernist depthiness beyond panfictionality. European Journal of English Studies, 23 (2), 172-189. http://doi.org/10.1080/13825577.2019.1640426

Gibbons, A. (2019). Using life and abusing life in the trial of Ahmed Naji: Text World Theory, Adab, and the ethics of reading. Journal of Language and Discrimination. http://doi.org/10.1558/jld.35809

Gibbons, A. (2019). Nurturing Life Writing in Egypt after the Arab Spring: Fiction as “Survival Mechanism”. a/b: Auto/Biography Studies, 34 (2), 316-324. http://doi.org/10.1080/08989575.2019.1592376

(2019). Rev. of The Phenomenology of Autobiography: Making It Real. a/b: Auto/Biography Studies, 34 (2), 360-364. http://doi.org/10.1080/08989575.2019.1592385

Gibbons, A. (2019). Book Review: Jane Lugea, World Building in Spanish and English Spoken Narratives. Language and Literature: International Journal of Stylistics, 28 (1), 99-102. http://doi.org/10.1177/0963947019827076

Gibbons, A. (2018). Was Kommt Nach Der Postmoderne? [What comes after Postmodernity?]. evolve, 17, 67.

Gibbons, A. (2018). Entropology and the end of nature in Lance Olsen’s Theories of Forgetting. Textual practice, 33 (2), 280-299. http://doi.org/10.1080/0950236x.2018.1509271

Gibbons, A. (2017). Reading S across media: transmedia storyworlds, multimodal fiction, and real readers. Narrative, 25 (3), 321-341. http://doi.org/10.1353/nar.2017.0017

Gibbons, A. (2017). Postmodernism is dead. What comes next?: Considering the new cultural paradigm and its renewed interest in truth and realism. TLS - The Times Literary Supplement. https://www.the-tls.co.uk/articles/postmodernism-dead-comes-next/

Gibbons, A. (2016). The Mobile Story: Narrative Practices with Locative Media (edited by James Farman). Gramma: Journal of Theory and Criticism, 23, 167-168.

Gibbons, A. (2016). "Take that you intellectuals" and "KaPOW!": Adam Thirlwell and the metamodernist future of style. . https://www.routledge.com/The-Futures-of-the-Present-New-Directions-in-American-Literature/Fjellestad-Watson/p/book/9781138685154

Gibbons, A. (2016). 'I haven't seen you since (a specific date, a time, the weather)': Global identity and the reinscription of subjectivity in Brian Castro's Shanghai Dancing. Ariel : A Review of International English Literature, 47 (1-2), 223-251. http://doi.org/10.1353/ari.2016.0000

Gibbons, A. (2016). Multimodality, Cognitive Poetics, and Genre:Reading Grady Hendrix’s novel Horrorstör. Multimodal communication, 5 (1), 15-29. http://doi.org/10.1515/mc-2016-0008

Gibbons, A. (2015). An interview with Adam Thirlwell. Contemporary Literature, 55 (4), 611-634. http://doi.org/10.3368/cl.55.4.611

Gibbons, A. (2015). Moral Obligations. American Book Review, 37 (1), 21-22. http://doi.org/10.1353/abr.2015.0150

Gibbons, A. (2015). Eyes of the World. American Book Review, 36 (5), 11-12. http://doi.org/10.1353/abr.2015.0102

Gibbons, A. (2015). “That’s how quickly your life can change”. Notes on Metamodernism. http://www.metamodernism.com/2015/02/12/thats-how-quickly-your-life-can-change/

Gibbons, A. (2014). Tension, style and the modern psyche: A stylistic analysis of Philip Zimmermann's high tension. The blue notebook: Journal for artists’ books, 8 (2), 6-13. https://www.bookarts.uwe.ac.uk/blue-notebook/

Gibbons, A. (2014). An Interview with Adam Thirlwell. Contemporary Literature, 55 (4), 610-634. http://doi.org/10.1353/cli.2014.0035

Gibbons, A. (2014). “I agree to this”: Third Angel and the Price of Fame. Notes on Metamodernism. http://www.metamodernism.com/2014/01/29/i-agree-to-this-third-angel-and-the-price-of-fame/

Gibbons, A. (2013). THE FIFTY YEAR SWORD. AMERICAN BOOK REVIEW, 34 (5), 17-18.

Gibbons, A. (2013). Multimodal metaphors in contemporary experimental literature. Metaphor and the Social World, 3 (2), 180-198. http://doi.org/10.1075/msw.3.2.04gib

Gibbons, A. (2013). A Tale for the Time Being. Notes on Metamodernism. http://www.metamodernism.com/2013/10/16/a-tale-for-the-time-being/

Gibbons, A. (2013). Sewing, Stabbing, and Semantics. American Book Review, 34 (5), 17-18. http://doi.org/10.1353/abr.2013.0078

Gibbons, A. (2013). Profit over History. American Book Review, 34 (4), 11. http://doi.org/10.1353/abr.2013.0076

Gibbons, A. (2012). “You’ve never experienced a novel like this”: Time and interaction when reading TOC. Electronic book review. http://electronicbookreview.com/essay/youve-never-experienced-a-novel-like-this-time-and-interaction-when-reading-toc/

Gibbons, A. (2011). Book Review: Multimodal Metaphor by Charles J. Forceville and Eduardo Urios-Aparisi (eds), 2009. Berlin and New York: Mouton de Gruyter (Applications of Cognitive Linguistics), pp. 470. ISBN 978 3 11 020515 2 (hbk). Language and Literature: International Journal of Stylistics, 20 (1), 78-81. http://doi.org/10.1177/09639470110200010503

Gibbons, A. (2008). Multimodal literature 'moves' us: dynamic movement and embodiment in VAS: An opera In flatland. Hermes journal of language and communication in business, 41, 107-124. https://tidsskrift.dk/her/issue/view/2852

Book chapters

Gibbons, A. (2023). “I wanted to be present to hear her last words”: A Cognitive Approach to Multimodal Autobiographical Elegy. In Gibbons, A., & King, E. (Eds.) Reading the Contemporary Author: Narrative, Authority, Fictionality. University of Nebraska Press: https://www.nebraskapress.unl.edu/nebraska/9781496234612/

Gibbons, A. (2023). “I wanted to be present to hear her last words”: A Cognitive Approach to Multimodal Autobiographical Elegy. In Gibbons, A., & King, E. (Eds.) Reading the Contemporary Author: Narrative, Authority, Fictionality. University of Nebraska Press: https://www.nebraskapress.unl.edu/nebraska/9781496234612/

Gibbons, A. (2023). Fictionality and Multimodal Anthropocene Fiction. In Gibbons, A., & Ghosal, T. (Eds.) Fictionality and Multimodal Narratives. University of Nebraska Press: https://www.nebraskapress.unl.edu/nebraska/9781496222879/

Gibbons, A. (2023). Fictionality and Multimodal Anthropocene Fiction. In Gibbons, A., & Ghosal, T. (Eds.) Fictionality and Multimodal Narratives. University of Nebraska Press: https://www.nebraskapress.unl.edu/nebraska/9781496222879/

Ivansson, E., & Gibbons, A. (2023). Important Artifacts and Literary Media in Archival Autofiction. In The Routledge Companion to Literary Media. (pp. 99-110). Routledge: http://doi.org/10.4324/9781003119739-10

Gibbons, A. (2022). Reading Celebrity Autofiction. In The Routledge Companion to Narrative Theory. (pp. 313-326). Routledge: http://doi.org/10.4324/9781003100157-29

Gibbons, A. (2022). Ben Lerner. In O'Donnell, P., Burn, S.J., & Larkin, L. (Eds.) Encyclopedia of Contemporary American Fiction. Wiley-Blackwell

Effe, A., & Gibbons, A. (2022). A Cognitive Perspective on Autofictional Writing, Texts, and Reading. In Effe, A., & Lawlor, H. (Eds.) The Autofictional. Approaches, Affordances, Forms. (pp. 61-81). Cham, Switzerland: Palgrave MacMillan: http://doi.org/10.1007/978-3-030-78440-9_4

Gibbons, A., Vermeulen, T., & van den Akker, R. (2021). Reality Beckons: Metamodernist Depthiness beyond Panfictionality. In Bell, A., & Alber, J. (Eds.) Fact and Fiction in Contemporary Narratives. (pp. 52-69). Routledge

Bell, A., Browse, S., Gibbons, A., & Peplow, D. (2021). Responding to Style. In Style and Reader Response: Minds, Media, Methods. (pp. 1-20). John Benjamins: http://doi.org/10.1075/lal.36.01bel

Gibbons, A. (2021). “Why do you insist that Alana is not real?” Visitors’ perceptions of the fictionality of Andi and Lance Olsen’s ‘there’s no place like time’ exhibition. In Gibbons, A., Bell, A., Peplow, D., & Browse, S. (Eds.) Style and Reader Response: Minds, media, methods. (pp. 101-121). John Benjamins: http://doi.org/10.1075/lal.36

Gibbons, A. (2021). “Why do you insist that Alana is not real?” Visitors’ perceptions of the fictionality of Andi and Lance Olsen’s ‘there’s no place like time’ exhibition. In Gibbons, A., Bell, A., Peplow, D., & Browse, S. (Eds.) Style and Reader Response: Minds, media, methods. (pp. 101-121). John Benjamins: http://doi.org/10.1075/lal.36

Gibbons, A. (2019). Remediation, Oral Storytelling, and the Printed Book: The Stylistic Strategies of Mark Z. Danielewski’s The Fifty Year Sword. In New Directions in Book History. (pp. 179-202). Springer International Publishing: http://doi.org/10.1007/978-3-030-22545-2_9

Gibbons, A. (2019). Fragments of a Postscript. In Drąg, W., & Guignery, V. (Eds.) The Poetics of Fragmentation in Contemporary British and American Fiction. (pp. 197-207). Vernon Press

Akker, R.V.D., Gibbons, A., & Vermeulen, T. (2019). Metamodernism: Period, Structure of Feeling, and Cultural Logic – A Case Study of Contemporary Autofiction. In New Directions in Philosophy and Literature. (pp. 41-54).

Gibbons, A., & Macrae, A. (2018). Positions and Perspectives on Pronouns in Literature: The State of the Subject. In Pronouns in Literature. (pp. 1-14). Palgrave Macmillan UK: http://doi.org/10.1057/978-1-349-95317-2_1

Gibbons, A. (2018). “Take that you intellectuals” and “KaPOW!”: Adam Thirlwell and the Metamodernist Future of Style’. In Fjellestad, D., & Watson, D. (Eds.) The Futures of the Present: New Directions in (American) Literature. (pp. 29-43). Routledge

Gibbons, A. (2018). Autonarration, 'I', and odd address in Ben Lerner's autofictional novel 10.04. In Gibbons, A., & Macrae, A. (Eds.) Pronouns in literature: Positions and perspectives in language. (pp. 75-96). Palgrave Macmillan: http://doi.org/10.1057/978-1-349-95317-2

Gibbons, A. (2018). Autonarration, 'I', and odd address in Ben Lerner's autofictional novel 10.04. In Gibbons, A., & Macrae, A. (Eds.) Pronouns in literature: Positions and perspectives in language. (pp. 75-96). Palgrave Macmillan: http://doi.org/10.1057/978-1-349-95317-2

Gibbons, A. (2017). Contemporary autofiction and metamodern affect. In Van Den Akker, R., Gibbons, A., & Vermeuleun, T. (Eds.) Metamodernism: Historicity, affect, and depth after postmodernism. (pp. 117-130). London: Rowman & Littlefield International: https://www.rowmaninternational.com/book/metamodernism/3-156-2ecae72f-85e3-46f0-9128-185c40366816

Gibbons, A. (2017). Metamodern affect. In Van Den Akker, R., Gibbons, A., & Vermeulen, T. (Eds.) Metamodernism: Historicity, Affect, and Depth after Postmodernism. (pp. 83-86). London: Rowman & Littlefield International: https://www.rowmaninternational.com/book/metamodernism/3-156-2ecae72f-85e3-46f0-9128-185c40366816

Gibbons, A. (2017). Metamodern affect. In Van Den Akker, R., Gibbons, A., & Vermeulen, T. (Eds.) Metamodernism: Historicity, Affect, and Depth after Postmodernism. (pp. 83-86). London: Rowman & Littlefield International: https://www.rowmaninternational.com/book/metamodernism/3-156-2ecae72f-85e3-46f0-9128-185c40366816

Gibbons, A. (2017). Contemporary autofiction and metamodern affect. In Van Den Akker, R., Gibbons, A., & Vermeuleun, T. (Eds.) Metamodernism: Historicity, affect, and depth after postmodernism. (pp. 117-130). London: Rowman & Littlefield International: https://www.rowmaninternational.com/book/metamodernism/3-156-2ecae72f-85e3-46f0-9128-185c40366816

Gibbons, A. (2016). Building Hollywood in Paddington: Text world theory, immersive theatre, and Punchdrunk's the drowned man. In Gavins, J., & Lahey, E. (Eds.) World building: Discourse in the mind. (pp. 71-89). Bloomsbury academic: https://www.bloomsbury.com/uk/world-building-9781472586551/

Gibbons, A. (2015). Creativity and multimodal literature. In Jones, R.H. (Ed.) Routledge handbook of language and creativity. (pp. 293-306). Abingdon: Routledge: https://www.routledge.com/The-Routledge-Handbook-of-Language-and-Creativity/Jones/p/book/9780415839730

Bray, J., & Gibbons, A. (2015). Introduction. In Mark Z. Danielewski. (pp. 1-14). Manchester University Press: http://doi.org/10.7228/manchester/9780719099335.003.0001

Gibbons, A. (2014). Multimodality in literature: An analysis of Jonathan Safran Foer's 'A primer for the punctuation of heart disease'. In Norris, S., & Maier, C.D. (Eds.) Interactions, images, and texts: A reader in multimodality. (pp. 371-380). Boston: De Gruyter Mouton: https://www.degruyter.com/view/product/181932

Gibbons, A. (2014). Fictionality and ontology. In The Cambridge Handbook of Stylistics. (pp. 408-423). Cambridge University Press: http://doi.org/10.1017/cbo9781139237031.031

Gibbons, A. (2012). "You were there": The allways ontologies of only revolutions. In Pohlmann, S. (Ed.) Revolutionary leaves: The fiction of Mark Z. Danielewski. (pp. 167-182). Newcastle Upon Tyne: Cambridge Scholars Publishing

(2012). Altermodernist fiction. In The Routledge Companion to Experimental Literature. (pp. 254-268). Routledge: http://doi.org/10.4324/9780203116968-25

(2012). Multimodal literature and experimentation. In The Routledge Companion to Experimental Literature. (pp. 436-450). Routledge: http://doi.org/10.4324/9780203116968-39

(2012). Introduction. In The Routledge Companion to Experimental Literature. (pp. 17-34). Routledge: http://doi.org/10.4324/9780203116968-7

Gibbons, A. (2011). This is not for you. In Bray, J., & Gibbons, A. (Eds.) Mark Z. Danielewski. (pp. 17-32). Manchester University Press: http://www.manchesteruniversitypress.co.uk/9780719082627/

Gibbons, A. (2011). This is not for you. In Bray, J., & Gibbons, A. (Eds.) Mark Z. Danielewski. (pp. 17-32). Manchester University Press: http://www.manchesteruniversitypress.co.uk/9780719082627/

Gibbons, A., & Bray, J. (2011). Introduction. In Gibbons, A., & Bray, J. (Eds.) Mark Z. Danielewski. (pp. 1-13). Manchester University Press

Gibbons, A., & Bray, J. (2011). Introduction. In Gibbons, A., & Bray, J. (Eds.) Mark Z. Danielewski. (pp. 1-13). Manchester University Press

Gibbons, A. (2010). Narrative worlds and multimodal figures in house of leaves: "-find your own words; I have no more". In Grishakova, M., & Ryan, M.-.L. (Eds.) Intermediality and Storytelling. (pp. 285-311). De Gruyter: https://www.degruyter.com/view/product/174062

(n.d.). New Perspectives on Narrative and Multimodality. Routledge: http://doi.org/10.4324/9780203869437

Books

Gibbons, A., & King, E. (Eds.). (2023). Reading the Contemporary Author: Narrative, Authority, Fictionality. University of Nebraska Press. https://www.nebraskapress.unl.edu/nebraska/9781496234612/

Gibbons, A., & Ghosal, T. (Eds.). (2023). Fictionality and Multimodal Narratives. Lincoln, NE: University of Nebraska Press.

Gibbons, A., van den Akker, R., & Vermeulen, T. (Eds.). (2021). Metamodernizm: Postmodernizm Sonrası Tarihsellik, Duyuşsallık ve Derinlik [Turkish Translation of Metamodernism: Historicity, Depth and Affect after Postmodernism]. (Turkish Translation). Tün Kitap Books. https://www.tunkitap.com/metamodernizm-postmodernizm-sonrasi-tarihsellik-duyussallik-ve-derinlik/

Bell, A., Browse, S., Gibbons, A., & Peplow, D. (Eds.). (2021). Style and Reader Response: Minds, Media, Methods. John Benjamins.

Browse, S., Gibbons, A., & Hatavara, M. (2019). Special Issue: Real Fictions Fictionnality, Factuality and Narrative Strategies in Contemporary Storytelling.

Gibbons, A., & Whiteley, S. (2018). Contemporary stylistics: Language, cognition, interpretation. Edinburgh University Press. https://edinburghuniversitypress.com/book-contemporary-stylistics.html

Gibbons, A., & Macrae, A. (Eds.). (2018). Pronouns in literature: Positions and perspectives in language. London: Palgrave Macmillan. https://www.palgrave.com/gb/book/9781349953165

Gibbons, A., & Macrae, A. (Eds.). (2018). Pronouns in literature: Positions and perspectives in language. London: Palgrave Macmillan. https://www.palgrave.com/gb/book/9781349953165

Van Den Akker, R., Gibbons, A., & Vermeulen, T. (Eds.). (2017). Metamodernism: Historicity, affect, depth, after postmodernism. London: Rowman and Littlefield. https://rowman.com/ISBN/9781783489602/Metamodernism-Historicity-Affect-and-Depth-after-Postmodernism

Bray, J., Gibbons, A., & McHale, B. (Eds.). (2012). The Routledge companion to experimental literature. Oxon: Routledge. https://www.routledge.com/The-Routledge-Companion-to-Experimental-Literature/Bray-Gibbons-McHale/p/book/9780415570008

Bray, J., Gibbons, A., & McHale, B. (Eds.). (2012). The Routledge companion to experimental literature. Oxon: Routledge. https://www.routledge.com/The-Routledge-Companion-to-Experimental-Literature/Bray-Gibbons-McHale/p/book/9780415570008

Bray, J., & Gibbons, A. (Eds.). (2011). Mark Z. Danielewski. Manchester University Press. http://www.manchesteruniversitypress.co.uk/9780719082627/

Bray, J., & Gibbons, A. (Eds.). (2011). Mark Z. Danielewski. Manchester University Press. http://www.manchesteruniversitypress.co.uk/9780719082627/

Gibbons, A. (n.d.). Multimodality, Cognition, and Experimental Literature. Routledge. http://doi.org/10.4324/9780203803219

Theses / Dissertations

Ivansson, E.A.C. (2023). Archival fiction: Archival poetics in American multimodal literature. (Doctoral thesis). Supervised by Gibbons, A., Bell, A., & Peplow, D. http://doi.org/10.7190/shu-thesis-00582