Dr Alison Gibbons

GIBBONS, Alison (2016). 'I haven't seen you since (a specific date, a time, the weather)': Global identity and the reinscription of subjectivity in Brian Castro's Shanghai Dancing. Ariel : A Review of International English Literature, 47 (1-2), 223-251.

GIBBONS, Alison (2016). Multimodality, Cognitive Poetics, and Genre: Reading Grady Hendrix’s novel Horrorstör. Multimodal communication, 5 (1), 15-29.

GIBBONS, Alison (2015) ‘An Interview with Adam Thirlwell’, Contemporary Literature 55(4): 611-634.

GIBBONS, Alison (2015) ‘ “Take that you intellectuals” and “KaPOW!”: Adam Thirlwell and the Metamodernist Future of Style’, Studia Neophilologica 87(Supp 1): 29-43.

GIBBONS, Alison (2014) ‘Tension, Style and the Modern Psyche: A Stylistic Analysis of Philip Zimmermann’s High Tension’, The Blue Notebook: Journal for Artists’ Books 8(2): 6-13.

GIBBONS, Alison (2013) ‘Multimodal Metaphors in Contemporary Experimental Literature’, Metaphor in the Social World 3(2): 180-198.

Gibbons, A. (2012) ‘ “You’ve never experienced a novel like this”: Time and Interaction when reading TOC’, Electronic Book Review, special festschrift edition on Steve Tomasula. Online: http://www.electronicbookreview.com/thread/fictionspresent/linear

GIBBONS, Alison (2008) ‘Multimodal literature ‘moves’ us: dynamic movement and embodiment in VAS: An Opera In Flatland’, HERMES 41: 107-124.

Monographs

GIBBONS, Alison (2012) Multimodality, Cognition, and Experimental Literature, London; New York: Routledge.
(2014; paperback) (November 2016; Chinese translation)

Co-authored Books

GIBBONS, Alison and WHITELEY, Sarah (forthcoming 2016) Style and Cognition: An Introduction, Edinburgh: Edinburgh University Press. [Contracted and in preparation]

Edited Volumes

VAN DEN AKKER, RAMON., GIBBONS, Alison, and VERMEULEN, Timotheus. (eds) (forthcoming) Metamodernism: Historicity, Affect, Depth, Rowman & Littlefield International. [Under consideration.]

GIBBONS, Alison and MACRAE, Andrea. (eds) (forthcoming 2018) Pronouns in Literature: Positions and Perspectives in Language, Palgrave Macmillan. [Contracted.]

BRAY, Joe, GIBBONS, Alison and McHALE, Brian. (eds) (2012) Routledge Companion to Experimental Literature, London; New York: Routledge. (2014; paperback)

BRAY, Joe and GIBBONS, Alison (eds) (2011) Mark Z. Danielewski, Manchester: Manchester University Press. (2015; paperback)

Book Chapters

GIBBONS, Alison (2016) ‘Building Hollywood in Paddington: Text World Theory, immersive theatre, and Punchdrunk’s The Drowned Man’, in Gavins, J. and Lahey, E. (eds) World Building: Discourse in the Mind, Bloomsbury. pp.71-89

GIBBONS, Alison (2015) ‘Creativity and Multimodal Literature, in Jones, R. H. (ed.) Routledge Handbook of Language and Creativity, London; New York: Routledge, pp. 293-306.

GIBBONS, Alison (2014) ‘Multimodality in Literature: An analysis of Jonathan Safran Foer’s ‘A Primer for the Punctuation of Heart Disease’ ’, in Norris, S. and Maier, C. D. (eds) Interactions, Images, and Texts: A Reader in Multimodality, Berlin; New York: Mouton De Gruyter, pp.369-375.

GIBBONS, Alison (2014) ‘Fictionality and Ontology’, in Stockwell, P. and Whiteley, S. (eds) The Cambridge Handbook of Stylistics, Cambridge: Cambridge University Press, pp.410-425.

GIBBONS, Alison (2012) ‘Multimodal Literature and Experimentation’, in Bray, J., Gibbons, A. and McHale, B. (eds) Routledge Companion to Experimental Literature. London; New York: Routledge, pp.420-434.

GIBBONS, Alison (2012) ‘Altermodernist Fiction’, in Bray, J., Gibbons, A. and McHale, B. (eds) Routledge Companion to Experimental Literature. London; New York: Routledge, pp.238-252.

GIBBONS, Alison (2012) ‘ “You were there”: The allways ontologies of Only Revolutions’, in Pöhlman, S. (ed.) Revolutionary Leaves: The Fiction of Mark Z. Danielewski, Cambridge Scholars Publishing, pp.167-182.

GIBBONS, Alison (2011) ‘This is not for you’, in Bray, J. and Gibbons, A. (eds) Mark Z. Danielewski. Manchester: Manchester University Press, pp.17-32.

GIBBONS, Alison (2010) ‘Narrative worlds and multimodal figures in House of Leaves: “-find your own words; I have no more” ’, in Grishakova, M. and Ryan, M-L. (eds) Intermediality and Storytelling, Berlin: Walter de Gruyter, pp.285-311.

GIBBONS, Alison (2009) ‘ “I contain multitudes": Narrative multimodality and the book that bleeds', in Page, R. (ed.) New Perspectives on Narrative and Multimodality. London; New York: Routledge, pp.99-114.