Dr James Fenwick PhD, FHEA, FRHistS
Senior Lecturer
Summary
I'm a Senior Lecturer in Media Studies at Sheffield Hallam and the Course Leader for BA (Hons) Media. I teach modules such as Media Texts and Genres, Media Industries and Researching for the Media.
My research focuses on film and media history and heritage and the use and study of media archives to understand material cultures of the film, television, and media industries.
I welcome PhD proposals in the broad area of film and media history and heritage, as well as in the area of film, media and cultural industries in an urban context.
About
Prior to working at Sheffield Hallam University, I worked at De Montfort University, UWE Bristol, and the University of Derby. I also have industry experience, having worked for Northern Ireland Screen. My research interests are in film and media history and heritage, focused on the use and study of film and media archives.
My research investigates the role of the producer in film and television; the industrial logic of unmade films and television; the role of the media industries in urban regeneration; and the material histories of archives themselves. I am the co-convenor of the BAFTSS Archives and Archival Methods Special Interest Group and an editor of the BAFTSS journal Open Screens. I am the author of Stanley Kubrick Produces (Rutgers University Press, 2020), which investigates the material realities, cultural conditions, and social relations on those film associated with filmmaker Stanley Kubrick.
My research on Stanley Kubrick has also involved the use of archival methods to reframe the textual understanding of films like Lolita and A Clockwork Orange. I consider the material and social realities of their production and the ways in which the films textually embody the exploitative and abusive cultures of production in Hollywood. This research has led to a forthcoming article, ‘The Problems with Kubrick’, in the New Review of Film and Television Studies and several recent papers, including the paper, ‘Kubrick, Women’s Bodies, and Casting in A Clockwork Orange’, at the BAFTSS 2021 conference.
I am now currently preparing a research project on a history of the Stanley Kubrick Archive itself, focusing on its material realities and cultural value, with the aim of reframing the scholarly use of the archive through an archaeological approach. I am the co-editor of Shadow Cinema: The Historical and Industrial Contexts of Unmade Film (Bloomsbury, 2020) and I am the editor of the book series Unmade Film and Television (Intellect). The series focuses on the cultural and industrial logic of unmade projects across the film and television industry and why it is so many projects are ultimately abandoned or left unproduced.
I have a further book forthcoming in 2021 on this topic, Unproduction Studies and the American Film Industry, to be published with Routledge. The book is a study of the Margaret Herrick Library and its unproduced script archive. I am also conducting research on the role of the media and cultural industries in the urban regeneration of Sheffield. This includes research on the history of the Sheffield Doc/Fest and the Showroom Cinema (and its origins as the Sheffield Media and Exhibition Centre). I have presented my research at the Reframing Film Festivals: Histories, Economies, Cultures conference at Ca’ Foscari University of Venice and the workshop Rethinking the Histories and Legacies of Industrial Cities at the University of Luxembourg.
Senior Lecturer
Teaching
Department of Media Arts and Communication
College of Social Sciences and Arts
Media Arts and Communication
BA (Hons) Media
- Media Industries
- Media Texts and Genres
- Researching for the Media
- Globalisation and the Media
Research
European Association for American Studies, Kirk Doulgas Papers, 2017
Nias-Lorentz Program, Life and Legacy, Studying the Work of Stanley Kubrick, 2019
Publications
Key Publications
Fenwick, J. (2022). BSkyB and the 1991 World Student Games: the transformation of live sports television acquisition and coverage in the UK in the early 1990s. Television & New Media, 24 (3), 336-355. http://doi.org/10.1177/15274764221110194
Fenwick, J. (2022). Tracing the Origins, Evolution, and Failure of the Cultural Vision for the Sheffield Media and Exhibition Centre (1988-1995) Through Archival Research. Screen, 63 (2), 230-251. http://doi.org/10.1093/screen/hjac018
Fenwick, J. (2021). The exploitation of Sue Lyon: Lolita (1962), archival research, and questions for film history. Feminist Media Studies. http://doi.org/10.1080/14680777.2021.1996422
Fenwick, J. (2021). Unproduction Studies and the American Film Industry. London: Routledge. https://www.routledge.com/Unproduction-Studies-and-the-American-Film-Industry/Fenwick/p/book/9781032072210
Fenwick, J. (2021). Urban Regeneration and Stakeholder Dynamics in the Formation, Growth and Maintenance of the Sheffield International Documentary Festival in the 1990s. Historical Journal of Film, Radio and Television. http://doi.org/10.1080/01439685.2021.1922035
Fenwick, J. (2020). Stanley Kubrick Produces. Rutgers University Press. https://www.rutgersuniversitypress.org/stanley-kubrick-produces/9781978814875
Fenwick, J., Foster, K., & Eldridge, D. (Eds.). (2020). Shadow Cinema The Historical and Production Contexts of Unmade Films. Bloomsbury. https://www.bloomsbury.com/us/shadow-cinema-9781501351600/
Fenwick, J., Foster, K., & Eldridge, D. (Eds.). (2020). Shadow Cinema The Historical and Production Contexts of Unmade Films. Bloomsbury. https://www.bloomsbury.com/us/shadow-cinema-9781501351600/
Fenwick, J. (Ed.). (2020). Understanding Kubrick's 2001: a space odyssey : representation and interpretation. Intellect. https://www.intellectbooks.com/understanding-kubricks-2001-a-space-odyssey
Fenwick, J., Hunter, I.Q., & Pezzotta, E. (2017). Stanley Kubrick: A Retrospective. Cinergie, 12. http://doi.org/10.6092/issn.2280-9481/7341
Fenwick, J., Hunter, I.Q., & Pezzotta, E. (2017). The Stanley Kubrick Archive: A Dossier of New Research. Historical Journal of Film, Radio and Television, 37 (3), 367-372. http://doi.org/10.1080/01439685.2017.1342329
Journal articles
Fenwick, J. (2022). Problems with Kubrick: reframing Stanley Kubrick through archival research. The New Review of Film and Television Studies. http://doi.org/10.1080/17400309.2022.2091888
Fenwick, J. (2022). ‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance. Historical Journal of Film, Radio and Television, 42 (2), 377-379. http://doi.org/10.1080/01439685.2022.2050597
Fenwick, J. (2022). Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive. Historical Journal of Film, Radio and Television. http://doi.org/10.1080/01439685.2022.2018560
Melia, M., Orgill, G., & Fenwick, J. (2022). Introduction: 50 years of A Clockwork Orange (1971). Historical Journal of Film, Radio and Television. http://doi.org/10.1080/01439685.2022.2018561
Fenwick, J. (2021). John Boorman’s The Lord of the Rings: A Case Study of an Unmade Film. Historical Journal of Film, Radio and Television. http://doi.org/10.1080/01439685.2021.1976913
Fenwick, J. (2021). Everyday movies: portability and the transformation of American Culture [book review]. Historical Journal of Film, Radio and Television, 41 (3), 631-633. http://doi.org/10.1080/01439685.2021.1949128
Fenwick, J. (2021). Stanley Kubrick: New York Jewish intellectual. Journal of Modern Jewish Studies, 20 (1), 132-133. http://doi.org/10.1080/14725886.2021.1875591
Fenwick, J. (2018). ‘Let this be Kubrick’s final word. Do you hear us Warner Bros.?’: Fan reception to the death of Stanley Kubrick and his final film, Eyes Wide Shut. The Journal of Fandom Studies, 6 (1), 21-32. http://doi.org/10.1386/jfs.6.1.21_1
Fenwick, J. (2017). Curating Kubrick: Constructing New Perspective Narratives in Stanley Kubrick Exhibitions. Screening the Past, (42). http://www.screeningthepast.com/2017/09/curating-kubrick-constructing-new-perspective-narratives-in-stanley-kubrick-exhibitions/
Book chapters
Clarke, D. (2023). I want to believe: how UFOs conquered the X-files. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-files. Bloomsbury
Fenwick, J., & Rodgers, D. (2023). Introduction: a critical reflection on thirty years of The X-Files. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. London: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/
Fenwick, J. (2023). Introduction to Part one: Cultural legacies: landscape, environment, technology. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. London: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/
Fenwick, J. (2023). Introduction to Part four: Intersectional legacies: identity and representation. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. London: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/
Fenwick, J., & Rodgers, D. (2023). Introduction: a critical reflection on thirty years of The X-Files. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. London: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/
Fenwick, J. (2023). Introduction to Part one: Cultural legacies: landscape, environment, technology. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. London: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/
Fenwick, J. (2023). Introduction to Part four: Intersectional legacies: identity and representation. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. London: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/
Rodgers, D. (2023). Introduction to Part Three: The X-Philes: fandom and paratextual narratives. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. London: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/
Rodgers, D. (2023). Introduction to Part Two: Contemporary legend: conspiracy, belief and politics. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. London: Bloomsbury Academic
Fenwick, J. (2022). Lolita, Censorship, and Controversy: The Archival Remains of the Dispute Between Canon L. J. Collins and Stanley Kubrick. In Adult Themes: British Cinema and the 'X' Certificate in the Long Sixties. Bloomsbury
Fenwick, J. (2022). The Problems with Lolita (1962). In Ritzenhoff, K.A., Metlić, D., & Szaniawski, J. (Eds.) Gender, Power, and Identity in The Films of Stanley Kubrick. Abingdon: Routledge: http://doi.org/10.4324/9781003208174
Fenwick, J. (2022). Une publicité pour Dieu et pour le programme spatial: 2001, l’odyssée de l’espace et le Festival international du film de Moscou de 1969 / “A commercial for God and the space program”: 2001: A Space Odyssey and the 1969 Moscow International Film Festival. In Robinson, C., & Azulys, S. (Eds.) 2001: A Space Odyssey: At the Crossroads of Science and the Arts (2001 : l’odyssée de l’espace : Au carrefour des sciences et des arts). Les Éditions de l’École Polytechnique
Fenwick, J. (2021). A film ‘highly offensive to our nation’: Stanley Kubrick’s Paths of Glory (1957), Censorship, and Militaristic Representations of Post-War Europe. In The Routledge Companion to European Cinema. London: Routledge: http://doi.org/10.4324/9781003027447
Fenwick, J. (2021). Kubrick and Production. In Hunter, I.Q., & Abrams, N. (Eds.) The Bloomsbury Companion to Stanley Kubrick. https://www.bloomsbury.com/us/the-bloomsbury-companion-to-stanley-kubrick-9781501343636/: Bloomsbury: https://www.bloomsbury.com/us/the-bloomsbury-companion-to-stanley-kubrick-9781501343636/
Fenwick, J. (2020). A production strategy of overdevelopment: Kirk Douglas’s Bryna Productions and the unproduced Viva Gringo! In Fenwick, J., Foster, K., & Eldridge, D. (Eds.) Shadow Cinema The Historical and Production Contexts of Unmade Films. Bloomsbury Academic: https://www.bloomsbury.com/us/shadow-cinema-9781501351617/
Fenwick, J. (2020). A production strategy of overdevelopment: Kirk Douglas’s Bryna Productions and the unproduced Viva Gringo! In Fenwick, J., Foster, K., & Eldridge, D. (Eds.) Shadow Cinema The Historical and Production Contexts of Unmade Films. Bloomsbury Academic: https://www.bloomsbury.com/us/shadow-cinema-9781501351617/
Fenwick, J., Foster, K., & Eldridge, D. (2020). Introduction: What Is and What Might Have Been. In Shadow Cinema: The Historical and Production Contexts of Unmade Films. (pp. 1-14). Bloomsbury
Fenwick, J., Foster, K., & Eldridge, D. (2020). Introduction: What Is and What Might Have Been. In Shadow Cinema: The Historical and Production Contexts of Unmade Films. (pp. 1-14). Bloomsbury
Fenwick, J. (2020). Eyes Wide Shut. In Murguía, S.J., Dymond, E.J., & Fennelly, K. (Eds.) Encyclopedia of Sexism in American Films. Rowman and Littlefield: https://rowman.com/ISBN/9781538115527/The-Encyclopedia-of-Sexism-in-American-Films
Fenwick, J. (2020). Kirk Douglas and Stanley Kubrick: Reconsidering a Creative and Business Partnership. In A Critical Companion to Stanley Kubrick. Lanham: Lexington books: https://rowman.com/ISBN/9781793613769/A-Critical-Companion-to-Stanley-Kubrick#:~:text=A%20Critical%20Companion%20to%20Stanley%20Kubrick%20offers%20a%20thorough%20and,depictions%20of%20war%20and%20violence
Fenwick, J. (2020). ‘‘Look, Ma, I’m A Corporation!’: United Artists and Kirk Douglas’s Bryna Productions 1955-1959’. In Krämer, P., Needham, G., Tzioumakis, Y., & Balio, T. (Eds.) United Artists. Routledge: https://www.routledge.com/United-Artists/Kramer-Needham-Tzioumakis-Balio/p/book/9780367179007
Fenwick, J. (2019). Body Double. In Murguía, S.J., Dymond, E.J., & Fennelly, K. (Eds.) Encyclopedia of Sexism in American Films. Rowman and Littlefield: https://rowman.com/ISBN/9781538115527/The-Encyclopedia-of-Sexism-in-American-Films
Fenwick, J. (2018). Tsui Hark’s film workshop: Political cues in the gangster film 1986-1989. In A Companion to the Gangster Film. (pp. 430-445). John Wiley & Sons, Inc: http://doi.org/10.1002/9781119041757.ch23
Fenwick, J. (2018). A Clockwork Orange: Anthony Burgess’s (1962) black comedy and Stanley Kubrick’s violent grotesque (1971). In Gale researcher guide for: A Clockwork Orange: Anthony Burgess's Black Comedy (1962) and Stanley Kubrick's Violent Grotesque (1971). Gale, Cengage Learning
Fenwick, J. (2018). Performing the man-ape in “The Dawn of Man”: Daniel Richter and the American Mime Theatre. In Fenwick, J. (Ed.) Understanding Stanley Kubrick’s 2001: A Space Odyssey: Representation and Interpretation. Intellect: https://www.intellectbooks.com/understanding-kubricks-2001-a-space-odyssey
Fenwick, J. (2018). Forging new perspectives. In Fenwick, J. (Ed.) Understanding Stanley Kubrick’s 2001: A Space Odyssey: Representation and Interpretation. Intellect: https://www.intellectbooks.com/understanding-kubricks-2001-a-space-odyssey
Fenwick, J. (2018). Performing the man-ape in “The Dawn of Man”: Daniel Richter and the American Mime Theatre. In Fenwick, J. (Ed.) Understanding Stanley Kubrick’s 2001: A Space Odyssey: Representation and Interpretation. Intellect: https://www.intellectbooks.com/understanding-kubricks-2001-a-space-odyssey
Fenwick, J. (2017). “Freddie, can you talk?”: the ethics of betrayal in Frederic Raphael’s Memoir Eyes Wide Open. In Herbe, S., & Linke, G. (Eds.) British Autobiography in the 20th and 21st Centuries. (pp. 39-58). Universitätsverlag: https://www.winter-verlag.de/en/detail/978-3-8253-6848-7/Herbe_Linke_Eds_British_Autobiography/
Fenwick, J. (2017). The Eady Levy, "the envy of most other European nations": Runaway productions and the British Film Fund in the early 1960s. In Hunter, I.Q., Porter, L., & Smith, J. (Eds.) The Routledge Companion to British Cinema History. (pp. 191-199). Abingdon: Routledge: http://doi.org/10.4324/9781315392189
Books
Fenwick, J., & Rodgers, D. (Eds.). (2023). The Legacy of The X-Files. London: Bloomsbury Academic. https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/
Fenwick, J., & Rodgers, D. (Eds.). (2023). The Legacy of The X-Files. London: Bloomsbury Academic. https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/
Scholarly editions
Fenwick, J., Melia, M., & Orgill, G. (Eds.). (2022). 50 Years of A Clockwork Orange (Special Issue). Historical Journal of Film, Radio and Television.
Fenwick, J., Hunter, I.Q., & Pezzotta, E. (Eds.). (2017). Stanley Kubrick A Retrospective (Special Issue). Cinergie. http://doi.org/10.6092/issn.2280-9481/v6-n12-2017
Fenwick, J., Hunter, I.Q., & Pezzotta, E. (Eds.). (2017). The Stanley Kubrick Archive (Speccial Dossier). Historical Journal of Film, Radio and Television. https://www-tandfonline-com.hallam.idm.oclc.org/toc/chjf20/37/3?nav=tocList
Theses / Dissertations
Fenwick, J. (2018). Stanley Kubrick: Producers and Production Companies 1953-1999. (Doctoral thesis). Supervised by Hunter, I.Q.
Internet Publications
Fenwick, J. (2022). Failure, unmade films, and Hollywood. https://www.flowjournal.org/2022/01/failure-unmade-films-and-hollywood/
Fenwick, J. (2021). Stanley Kubrick and #MeToo. [Blog]. https://nrftsjournal.org/stanley-kubrick-and-metoo/
Fenwick, J. (2021). The World Assembly of Youth and Archival Serendipity. [Blog post]. http://iamhist.net/2021/01/world-assembly-youth-archival-serendipity/
Fenwick, J. (2020). Hidden Histories of Film and Media. [Researcher Blog]. https://blogs.shu.ac.uk/c3riimpact/hidden-histories-of-film-and-media/
Fenwick, J. (2020). Archival Research in the Age of Coronavirus: Alternatives, Opportunities and Dangers. [Blog post]. https://www.intellectbooks.com/archival-research-in-the-age-of-coronavirus-alternatives-opportunities-and-dangers
Fenwick, J. (2018). A day at the archives…The Kirk Douglas Papers, Wisconsin Historical Society. http://iamhist.net/2018/10/day-archives-kirk-douglas-papers-wisconsin-historical-society/
Fenwick, J. (2017). A day at the archives…The Stanley Kubrick Archives, University of the Arts London (UAL). http://iamhist.net/2017/12/stanley-kubrick-archives/
Exhibitions
Fenwick, J., & Hunter, I.Q. (2016). Stanley Kubrick: Cult Auteur. Heritage Center, Leicester.
Fenwick, J., & Hunter, I.Q. (2016). Stanley Kubrick: Cult Auteur. Heritage Center, Leicester.
Fenwick, J., & Hunter, I. (2016). Stanley Kubrick: A Retrospective. [Cinema season]. Phoenix Cinema.
Fenwick, J., & Hunter, I. (2016). Stanley Kubrick: A Retrospective. [Cinema season]. Phoenix Cinema.
Fenwick, J., Cere, R., & Richards, A. (2023). Sheffield DocFest 30th Anniversary Exhibition. Sheffield DocFest. https://sheffdocfest.com/composition/30th-anniversary-exhibition
Media
Fenwick, J. (2021). Author James Fenwick discusses his new book Stanley Kubrick Produces. [Podcast]. William Ramsey Investigates
Fenwick, J. (2021). Author James Fenwick discusses his new book Stanley Kubrick Produces. [Podcast]. William Ramsey Investigates
Loftus, J. (2020). Lolita Podcast. [Podcast]. iHeartRadio
Fenwick, J. (2020). James Fenwick, Stanley Kubrick Produces…with TRE’s Giles Brown. [Radio Interview]. Talk Radio Europe
Fenwick, J. (2020). James Fenwick, Stanley Kubrick Produces…with TRE’s Giles Brown. [Radio Interview]. Talk Radio Europe
Fenwick, J. (2020). The Future of the BBC - Radio Debate, Paulette Edwards Show. [Radio]. BBC Radio Sheffield
Fenwick, J. (2020). The Future of the BBC - Radio Debate, Paulette Edwards Show. [Radio]. BBC Radio Sheffield
Presentations
Fenwick, J. (2023). Sustaining a load of rubbish or: How I learned to stop worrying and recycle archival ephemera in the Stanley Kubrick Archive. Presented at: BAFTSS 2023, University of Lincoln
Fenwick, J. (2022). It’s not just about Stanley: The Stanley Kubrick Archive as a site for multidisciplinary perspectives and research. Presented at: Annual Stanley Kubrick Lecture 2022, University of the Arts London
Fenwick, J. (2022). Stanley Kubrick, Archive Research, and Film History. Presented at: Guest lecture - film research seminar series, York St. John University
Fenwick, J. (2022). Researcher Confessional. Presented at: METHOD, SHU / online
Fenwick, J. (2022). Exposing Muybridge - introduction and filmmaker Q&A. Presented at: Sheffield DocFest, Curzon Cinema
Fenwick, J. (2022). Exposing Muybridge - introduction and filmmaker Q&A. Presented at: Sheffield DocFest, Curzon Cinema
Fenwick, J. (2022). Fragile Memory - introduction and filmmaker Q&A. Presented at: Sheffield DocFest, Curzon Cinema
Fenwick, J. (2022). Fragile Memory - introduction and filmmaker Q&A. Presented at: Sheffield DocFest, Curzon Cinema
Fenwick, J. (2022). The Precarious Lives of Yorkshire's Film Festival Programmers. Presented at: Creating Knowledge Conference 2022, Sheffield Hallam University, 2022
Fenwick, J., & Ritzenhoff, K. (2021). Re-assessing the Male Auteur After #MeToo: A Case Study of Stanley Kubrick.
Fenwick, J., & Ritzenhoff, K. (2021). Re-assessing the Male Auteur After #MeToo: A Case Study of Stanley Kubrick.
Fenwick, J. (2021). Decentering Kubrick Studies Through Archival Research’. Presented at: Research seminar series, Online
Fenwick, J. (2021). Kubrick, Women’s Bodies, and Casting in A Clockwork Orange (1971): Questions for Film History Research. Presented at: Time and the Body in Film, TV and Screen Studies, University of Southampton Centre for International Film Research
Fenwick, J. (2021). A Case Study of the Decentering of Stanley Kubrick Across Six Years of Teaching. Presented at: Media Education Summit 2021, University of Leeds
Fenwick, J. (2020). Spartacus in the Archive: Doing History in the Kirk Douglas Papers. Presented at: Spartacus @ 60, Online
Fenwick, J., & Corker, C. (2020). Memory, Heritage and the Post-Steel City: The Transformation of Sheffield Since 1990. Presented at: Rethinking the Histories and Legacies of Industrial Cities, University of Luxembourg
Fenwick, J. (2020). Developing Student Experience Through ‘Course Leader Surgeries. Presented at: Course Leader Fest, Sheffield Hallam University
Fenwick, J. (2020). The Evolution of a Documentary Festival: The Cultural Growth of Sheffield Doc/Fest. Presented at: Reframing Film Festivals: Histories, Economies, Cultures, Universita Ca' Foscari, Venice
Fenwick, J. (2019). Teaching Kubrick. Presented at: Life and Legacy, Studying the Work of Stanley Kubrick, University of Leiden
Fenwick, J. (2019). Teaching Kubrick. Presented at: Life and Legacy, Studying the Work of Stanley Kubrick, University of Leiden
Fenwick, J. (2019). Kubrick's Legacy. Presented at: Life and Legacy, Studying the Work of Stanley Kubrick, Lorentz Center, University of Leiden, Netherlands
Fenwick, J., & Melia, M. (2019). New Material, New Perspectives? Presented at: Life and Legacy, Studying the Work of Stanley Kubrick, University of Leiden
Fenwick, J. (2018). A Graphic Representation: Kubrick's A Clockwork Orange and Ballantine Books. Presented at: A Clockwork Symposium: A Clockwork Orange, New Perspectives, University of the Arts London
Fenwick, J. (2018). A Transmedia Odyssey: Marvel Comics and the Expansion of the 2001: A Space Odyssey Universe. Presented at: International Kubrick Symposium 2018, Deutsches Filminstitut Filmmuseum, Frankfurt, 2018
Fenwick, J., Jaunas, V., Odino, S., Ulivieri, F., & Peiler, N. (2018). Understanding Kubrick's 2001: A Space Odyssey Panel Debate. Presented at: International Kubrick Symposium 2018, Frankfurt
Fenwick, J., Jaunas, V., Odino, S., Ulivieri, F., & Peiler, N. (2018). Understanding Kubrick's 2001: A Space Odyssey Panel Debate. Presented at: International Kubrick Symposium 2018, Frankfurt
Fenwick, J. (2016). Introduction to The Killing.
Fenwick, J. (2016). A Transmedia Odyssey: Marvel Comic Adaptation of 2001: A Space Odyssey. Presented at: BAFTSS Annual Conference, University of Reading
Fenwick, J. (2015). Producing the Man-Ape in 2001: A Space Odyssey (1968): Questions of Authorial Agency. Presented at: 25th Annual Screen Studies Conference, University of Glasgow
Fenwick, J. (2015). Hawk Films Ltd. And the Cinema Products Corporation: An Innovative Collaboration During the 1970s. Presented at: New Frontiers in Cinema and Television, De Montfort University
Other publications
Alberge, D. (2020). Stanley Kubrick and Kirk Douglas wanted Doctor Zhivago movie rights. The Guardian: https://www.theguardian.com/film/2020/nov/09/stanley-kubrick-kirk-douglas-wanted-doctor-zhivago-movie-rights
Fenwick, J. (2020). 2001 between Kubrick and Clarke: The Genesis, Making and Authorship of a Masterpiece. Edinburgh University Press: http://doi.org/10.3366/jbctv.2020.0548
Jagger, N. (2020). Lockdown watch: why we turn to TV in times of increased anxiety. NME: https://www.nme.com/features/lockdown-watch-tv-netflix-streaming-2699375
Fenwick, J. (2020). Documenting syria: Film-making, video activism and revolution. Taylor & Francis: http://doi.org/10.1080/01439685.2020.1773089
Fenwick, J. (2020). The Routledge Companion to Urban Media and Communication. Routledge: http://doi.org/10.1080/01439685.2020.1773091
Fenwick, J. (2020). Bad film histories: ethnography and the early archive. Taylor & Francis: http://doi.org/10.1080/17460654.2020.1754469
Fenwick, J. (2020). An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann's Shoah. Taylor & Francis: http://doi.org/10.1080/01439685.2020.1729553
Ciampaglia, D. (2018). The Crazy Legacy of Jack Kirby’s Forgotten 2001: A Space Odyssey. Wired: https://www.wired.com/story/jack-kirby-2001-space-odyssey-history/
Fenwick, J. (2017). City Movie Held Its Own With Hollywood Blockbusters. The Sheffield Star
Fenwick, J. (2015). Stanley Kubrick: Adapting the Sublime. Oxford University Press (OUP): http://doi.org/10.1093/adaptation/apv015
Other activities
Editor, Open Screens Journal https://www.openscreensjournal.com/ Editorial Advisory Board, Frames Journal https://framescinemajournal.com/ Co-convenor, BAFTSS Archives and Archival Methods Special Interest Group
Postgraduate supervision
- Catriona McAvoy, 'Hidden Voices: Decentering and Decolonising the Narrative of the Stanley Kubrick Archive'
- Anna Richards, 'A Critical Cultural History of Sheffield DocFest, 1994-2019'
- Saiful Hisyam Bin Md Salleh, 'An Exploration of the Experiences of Documentary Filmmakers in Malaysia'
- Charlie Thorpe, 'Collaborative Reflexive Documentary: Filmmaking to Explore Representations of Mental Health in Documentaries'
- Azza El-Hassan, 'The Void Project: Palestinian Modern Visual Narrative in the Absence of a Visual Archive'