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Dr Sharon Kivland Ma, Ph.D.

Reader in Fine Art


Summary

I am an artist, writer, editor, and publisher.. My work considers what is put at stake by art, politics, and psychoanalysis.

About

I am an artist and writer working in London and France. I have exhibited widely in and North America. Publications include A Case of Hysteria, Book Works, London, 1999, a work that led to many other books. Filigrane Editions, France, published a small book on my work Le bonheur des femmes, which began in the perfume departments of the grands magasins of Paris, where I retreated after walking the streets in pursuit of Marx and Freud, in the shadow of Lacan. It is a practice of refinement, enacted in archives, libraries, the arcades, and in the intersection of public political action and private subjectivity. I follow Sigmund Freud on holiday; to date I have dreamt of Rome, been melancholy in Trieste, had a disturbance of memory in Athens, forgot a proper name, and walked in the mountains, which can be traced in Freud on Holiday. Volume I. Freud Dreams of Rome (Information as material 2006), Freud on Holiday. Volume II. A Disturbance of Memory (Information as material, York, with Cube art editions, Athens, 2007), Freud on Holiday.Volume III. The Forgetting of a Proper Name (Cube art editions, 2011), and Freud on Holiday Volume IV These are accompanied by a series of four appendices: Freud’s Dining, Freud’s Weather, Freud’s Hotels, Freud’s Shopping (Information as material, 2011–12). I forgot my shoes on the steps of the Freud Museum, London, thought of witty and amusing remarks too late on the stairs of the Freud Museum, Vienna, and pictured the bouquets Freud did not receive; these events are recounted in L'esprit d'escalier, An Agent of the Estate (Information as material, 2007 and 2008), and Afterwards (with Forbes Morlock, Warwick Arts Centre, 2009. In 2019 I published my collection of gallery/museum press release extracts, Unable to achieve broad recognition in my lifetime, I laboured in obscurity until my death last year. My book A Lover’s Discourse was shortlisted for the Bob Calle Prix de livre d’artiste in 2017. Of the two books, Christian A. Wollin writes: ‘Sharon Kivland has duly given us the defining discourse diptych of the decade, journeying down the dazzling venues of Total Commodification with prudent zest.’

Recent works follow revolutionary movements in France (moments of communal luxury), taking up fashion and fashioning (the shaping of bodies) and education. Reading and politics are evoked and feminised, draped in silk or satin, befurred, charmed and charming. Solo exhibitions include: Crazy about their bodies / Folles de leur corps (CGP, London, 2104); Natürliche Formen – Von Frauen, Füchsen und Lesern (Dieselkraftwerkmuseum, Cottbus, 2015); The Natural Forms, Part II: The Readers. The Foxes. The Tracts. Some Coquetteries (Kunstverein-Tiergarten Berlin, 2015-16); The Natural Forms, Part III (HGB, Leipzig, 2016); Le modèle, FRAC, (Brittany, 2018); Entreprise de Séduction (HEC and Musée de toile de Jouy, Jouy-en-Josas, 2018); Die Holzdiebe, (ZAK (Zentrum Kunst Aktuel), Zitadelle, Berlin/Spandau,2018); Jamais un fille chaste n'a lu roman (Circuit, Lausanne, 2019); La Forme naturelle, Edizioni Periferia, Luzern (2020). her work ahs been included in many group exhibition, in the UK and internationally.

Art practice and theory, Freudian and Lacanian psychoanalysis, desire and the unconscious, Marxism, French revolutionary politics, continental philosophy, feminism, embodiment, and irony.

Teaching

Department of Art and Design

Social Sciences and Arts

Subject Area

Fine Art

Convenor of the Transmission lecture series

Art Contexts: Writing Art

Research

I established the press MA BIBLIOTHÈQUE I write, as my manifesto: ‘The editor invites authors she considers to be good readers. She agrees with Nabokov that a good reader, a major reader, an active and creative reader, is a re-reader. She knows her writers and they know her, even when they have not yet met. They have read each other, or believe themselves to have done so. They are flirtatious, ruffling pages. She likes those who do not hesitate to buy the books she publishes, but under certain circumstances will make excuses for those who do not. She promises to do her best. The best is reading.’ The press produces four series: The Good Reader, signed and numbered limited editions whose authors take up an aspect of reading/re-reading; The Constellations, novellas or book-length essays, again with the implication of reading or revisiting texts; The Meteors, small pocket-sized editions; and a more diverse collection that ranges from experimental poetry, film criticism, conceptual writing, artists’ projects, and anthologies (one in print, another forthcoming). The press seeks to make unexpected juxtapositions, to explore new and existing forms of conceptual writing and art writing, to provide alternative modes of research on contemporary culture in relation to reading strategies. Solidarity and collective engagement is of importance, as is locating and dislocating textual/literary forms and introducing new authors or new fields of enquiry to new audiences. It is a platform for works that do not fit neatly into any category, and whose authors find it difficult to publish as a result.

Featured Projects

Relevant Projects

I co-convene the Transmission lecture series, which I initiated many year ago. there are a range of publications associated with this.

Collaborators and Sponsors

- Louise Finney, 'Negotiating Fragments: History, Archive, and Fiction(ing)'
- Debbie Michaels, ‘Unmaking, Making, Remaking. An Exploration of Reflexive Praxis in/through Three Transpositions'
- Helen Clarke ‘Streetwalker: the flȃneuse and the electronic flȃneur’ (Heritage Consortium, Leeds Beckett University)
- Emma Bolland, 'Scripting Silence, or; The Expanded Screenplay as Auto-Practice and Art Writing'
- Daniela Cascella, 'Nothing As We Need It: For Chimeric Writing'
- Gavin Edmonds, Listening for echoes: Afterwardsness as a model for artistic practice’ (University of the Arts London)
- Hestia Peppé, ‘Drawing on divination. A speculative methodology for expanded reading practices'
- Julia Calver, 'Anacoluthic Syntax: Feminist Phrasings in Writing and Reading'

Completed:

- Steve Swindell, 'A Study of the Relationship between Art Practice and Citizenship'
- Laura Gonzales, 'Make Me Yours: The Psychodynamics of Seduction Through Works of Art'
- Miguel Santos, 'Poetics of the Interface – Creating Works of Art that Engage in Self-Reflection'
- Gill Hobson, 'In Search of Space: Exploring the Dynamic Relation of Person and Place'
- Brian Eccleshall, 'Drawing out Language: Destabilisation of Narrative Sense through Conceptual Writing'
- Dawn Woolley, ‘Consumed by the Imagination’ (Royal College of Art, London)
- Emma O'Toole, 'The Reclamation of Patient Narrative: Interrogating patient experience of genetic conditions through film'
- Dawn Woolley, ‘Consumed by the Imagination’ (Royal College of Art, London)
- Susanna Gent, 'The Neuroscientific Uncanny: a filmic investigation of twenty-first century hauntology'
- Rachel Taylor, ‘Heritage as Process: Reconstructing the Historical Child’s Voice through Art Practice’
- Bernadette O'Toole, 'Mallarmé and the embodied gesture: In the expanded field of painting'
- Rachel Smith, ' Drawing out Language: From Or to And, Disrupting Dualism through Conceptual Poetics'

Publications

Journal articles

Bolland, E., Calver, J., Clarke, H., Finney, L., Gent, S., Kivland, S., ... Smith, R. (2020). The Work as Will. Inscription, 1 (1), 6-15. https://inscriptionjournal.com/2020/06/20/roland-barthes-reading-group/

Kivland, S. (2017). ENVOIS XX : Letters from J.L. to S.K. LUNE : The Journal of Literary Misrule, 00, 58-70. https://lunejournal.org/

Kivland, S. (2017). To forget and to repeat: negative and cliché. Photographies, 10 (1), 13-33. http://doi.org/10.1080/17540763.2016.1258589

Kivland, S. (2015). Coming out of the dark. Times Higher Education, (2,219), 56.

Kivland, S. (2015). Hors corps. Psychoanalytical Notebooks, 29, 135-142. http://londonsociety-nls.org.uk/Publications.htm

Kivland, S. (2015). Anna and Sigm : a fiction. 3:am magazine. http://www.3ammagazine.com/3am/anna-and-sigm/

Kivland, S. (2014). 'The Men'. E.R.O.S, 4, 65-79. http://erosjournal.co.uk/product/eros-issue-4

Kivland, S. (2014). Footnotes to Capital : a critique of political economy : the process of exchange. Journal of Writing in Creative Practice, 7 (1), 99-109. http://doi.org/10.1386/jwcp.7.1.99_1

Kivland, S. (2014). Last year. . http://www.freud.org.uk/events/75582/the-construction-of-memory/

Kivland, S. (2013). ReisenA series of artist's pages in B&W issue of The Windsor Review, edited by Alex McKay. The Windsor Review B&W issue, 46 (2), 94-102. http://windsorreview.wordpress.com/

Kivland, S. (2013). A London Fantasy. ArtAngel. http://www.artangel.org.uk/

Kivland, S. (2012). The odour of the natural and social history of a family under the Second Empire. Crux Desperationis, 2. http://www.ubu.com/concept/

Kivland, S. (2012). Nana : ghostwriter. Crux Desperationis, 3, [19]-[20]. http://www.ubu.com/concept/

Kivland, S. (2011). Nana by Émile Zola, digested according to light and lighting effects, including metaphor. Crux Desperationis, 1, [16]. http://www.ubu.com/concept/

Joseph-Lester, J., & Kivland, S. (2007). Transmission working from the collection. Angelaki - Journal of the Theoretical Humanities, 12 (2), 1-2. http://doi.org/10.1080/09697250701754830

Kivland, S. (2004). [Last year\ (Hotel psychoanalysis, mirrors). ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES, 9 (1), 16-27.

Banham, G., & Kivland, S. (2002). A good enough hostess. Angelaki - Journal of the Theoretical Humanities, 7 (1), 9-13. http://doi.org/10.1080/09697250213618

Kivland, S., & Woolley, D. (n.d.). Are you a doctor, sir? : a sound work. 3 a.m. http://www.3ammagazine.com/3am/?s=Sharon+Kivland

Conference papers

Kivland, S. (2016). Lalangue. In Performa : Performance and Performativity: Actualities and Futures, Leeds Humanities Research Institute, University of Leeds, 15 June 2016. https://leedsperforma.wordpress.com/

Kivland, S. (2013). Anthology Live at Café Curio, Camden Arts CentreAnnabel Frearson (with Tai Shani), Lizzie Hughes, Sharon Kivland, Liliane Lijn, Sharon Morris, Sally O Reilly, AudreyReynolds, Cherry Smyth, and Sarah Tripp. In Anthology Live, Camden Arts Centre. London NW3, 20 February 2012. http://www.camdenartscentre.org/whats-on/view/eve-gs-07

Kivland, S. (2012). 'Liberty is not a choice between objects', a paper and presentation of works at the conference 'Marx and the Aesthetic' at the University of Amsterdam, Netherlands, 10 to 13 may, 2012. In Marx and the Aesthetic, Amsterdam, 10 May 2013 - 13 May 2013. http://cyberbillig.com/marx/

Kivland, S. (2009). Working Papers: An Incentive Bonus. In Academic Sessions. Intersections, Manchester Metropolitan University, MIRIAD, 2 April 2009 - 4 April 2009. http://www.aah.org.uk/page/3193

Kivland, S. (2008). Afterwards. In Episode : pleasure and persuasion in lens-based media, Clore Auditorium, Tate Britain, Millbank, London, 28 November 2008. http://www.curatingvideo.com/index.php?option=com_content&task=view&id=28&Itemid=57

Kivland, S. (2008). The Forgetting of a Foreign Name. In Cultural Memory : Forgetting to Remember/Remembering to Forget, Keynes College at the University of Kent at Canterbury, 10 September 2008 - 13 September 2008. http://www.kent.ac.uk/kiash/archives/events/culturalmemory/programme.html

Book chapters

Kivland, S. (2019). 'A Promenade'. In Carlton, J., & Drew, S. (Eds.) From the Kitchen Table: Drew Gallery Projects 1984-90. (pp. 87-91). Southwark Park Galleries, London

Kivland, S. (2019). 'A Promenade'. In Carlton, J., & Drew, S. (Eds.) From the Kitchen Table: Drew Gallery Projects 1984-90. (pp. 87-91). Southwark Park Galleries, London

Kivland, S. (2018). Le Balcon. In The Other Room Anthology. Manchester: The Other Room Press: https://otherroom.org/

Kivland, S. (2018). Mes plus belles coiffures. In Theewen, G. (Ed.) SALON. Cologne, Germany: Salon Verlag: https://www.salon-verlag.de/book/salon-no-6/

Kivland, S., & Pile, S. (2017). Freud in London. In Joseph-Lester, J., King, S., Blier-Carruthers, A., & Bottazzi, R. (Eds.) Walking cities : London. (pp. 190-221). London: Camberwell Press

Kivland, S. (2017). Toile de Jouy. Regards contemporainPublication following the exhibition at Espace d'art contemporain HEC, 2015. In Toile de Jouy. Regards contemporain. (pp. 19). Jouy-en-Josas, France: Espace de l'art contemporain HEC Jouy-en-Josas, France

Kivland, S. (2016). 'Avant la lettre', an introduction to Laura Gonzalez. In Make me yours : how art seduces. (pp. xii-xvii). Cambridge: Cambridge Scholars Publishing

Kivland, S. (2016). Thoughts between spaces. In Shelagh Wakely : Spaces between Things. London: Richard Saltoun Gallery: http://www.richardsaltoun.com/

Kivland, S. (2015). 'This green and pleasant': a short story. In Price, T. (Ed.) COBRA 1.9 : Book of Flash Fiction. Cobra Press: http://cobrapress.bigcartel.com/product/cobra-1-9-book-of-flash-fiction

Kivland, S. (2015). 'First Encounter'An essay on artists' books in the catalogue of the Sheffield International Artist Book Prize, 2015. In Sheffield International Artist Book Prize 2015. Sheffield: Bank Street Arts: http://artistsbookprize.co.uk/2015catalogue

Kivland, S. (2015). Last Year. In E.R.O.S. Homotopia. (pp. 69-70). London: EROS Press: http://erosjournal.co.uk/

Kivland, S. (2015). 'The Editions' in PAGES Collections and Collaborations. In Collections and Collaborations. (pp. 15-19). Leeds: Wild Pansy Press

Kivland, S. (2014). The Unconscious is a City. In Kingsbury, P., & Pile, S. (Eds.) Psychoanalytic Geographies. London: Ashgate: http://www.ashgate.com/isbn/9781472407214

Joseph-Lester, J., & Segal, N. (2013). Spirit. In Kivland, S., & Segal, N. (Eds.) Vicissitudes histories and destinies of psychoanalysis. (pp. 189-198). London: Institute of Germanic and Romance Studies, University of London

Kivland, S. (2013). 'Reading. Some positions' The Book is Live. In Sawdon-Smith, R., & Waeckerle, E. (Eds.) The Book is Alive. Research Group for Artists Publications (RGAP) / bookRoom

Harrington, J. (2013). The archive of manufacture. In Corris, M., Joseph-Lester, J., & Kivland, S. (Eds.) Labour, Work, Action. (pp. 73-79). London: Artwords Press: http://www.artwords.co.uk/book/transmission-annuallabour-work-action

Kivland, S. (2013). The Nabokov PaperAn experiment in novel reading. In The Nabokov Paper. (pp. 78-81). York, UK: information as material: http://www.informationasmaterial.org/portfolio/the-nabokov-paper/

Kivland, S., & saper, C. (2013). Un Voyage en Mer. In Freud on holiday: a disturbance of memory. Rennes, France: FRAC Bretagne: http://fracbretagne.fr/programme.html

Kivland, S. (2011). An interview with Sharon Kivland. In James, N. (Ed.) Interviews/Artists. Enquiries and Solution. London: CV Publications: http://www.tracksdirectory.ision.co.uk/page4.html

Kivland, S. (2011). Sous les pavés, la plage. In Westerman, J. (Ed.) Brutalist speculations and flights of fancy. (pp. 18-19). Sheffield: Site Gallery

Mccarthy, P., & Etchells, T. (2010). Dialogue 2009. In Corris, M., Joseph-Lester, J., & Kivland, S. (Eds.) Hospitality. (pp. 257-272). London: ARTWORDS: http://www.transmission.uk.com/

Kivland, S. (2010). Le cri de la soie. In English Spoke Here. St-Etienne, France: Les cahiers intempestifs: http://www.cahiers-intempestifs.com/

Kivland, S. (2010). Mes Petroleuses. In Curreri, A., & Scollon, E. (Eds.) Black & White. (pp. 52-53). Oakland, CA, USA: Amanda Curreri and Erik Scollon: http://www.blurb.fr/bookstore/detail/1702375

Simmonds, G., & Trimming, L. (2009). Guest: Lee Triming ; Host: Gary Simmonds. In Kivland, S. (Ed.) Host : The Stranger Bound Edition 2009. (pp. 1-16). London: Artwords Press: http://www.artwords.co.uk/

Kivland, S. (2008). A Viennese waltz and a murder : an eye-witness account. In Beech, A., Joseph-Lester, J., & Poole, M. (Eds.) Episode : pleasure and persuasion in lens based media. (pp. 15-22). London: Artwords

Kivland, S. (2007). Memoirs: It will have happened already. In Critical Architecture. (pp. 143-149). http://doi.org/10.4324/9780203945667

Books

Kivland, S. (Ed.). (2020). Roland Barthes's Party. London: MA BIBLIOTHÈQUE. https://mabibliotheque.cargo.site/The-Roland-Barthes-Reading-Group-ROLAND-BARTHES-S-PARTY

Kivland, S. (Ed.). (2020). Roland Barthes's Party. London: MA BIBLIOTHÈQUE. https://mabibliotheque.cargo.site/The-Roland-Barthes-Reading-Group-ROLAND-BARTHES-S-PARTY

Kivland, S. (Ed.). (2020). Roland Barthes's Party. London: MA BIBLIOTHÈQUE. https://mabibliotheque.cargo.site/The-Roland-Barthes-Reading-Group-ROLAND-BARTHES-S-PARTY

Kivland, S. (2019). J'attends un enfant(50 signed and numbered). MA BIBLIOTHEQUE. https://mabibliotheque.cargo.site/Sharon-Kivland-J-attends-un-enfant-2019

Kivland, S. (2019). The Missed Encounter. A disappointment, an ear, a shell, and a snail. MA BIBLIOTHEQUE. https://lightsculpture.pagesperso-orange.fr/sharon/publications.html

Kivland, S., & Holmes, D. (Eds.). (2019). THE GRAVESIDE ORATIONS OF CARL EINSTEIN. MA BIBLIOTHEQUE. https://mabibliotheque.cargo.site/Dale-Holmes-Sharon-Kivland-eds-THE-GRAVESIDE-ORATIONS-OF-CARL

Kivland, S., & Holmes, D. (Eds.). (2019). THE GRAVESIDE ORATIONS OF CARL EINSTEIN. MA BIBLIOTHEQUE. https://mabibliotheque.cargo.site/Dale-Holmes-Sharon-Kivland-eds-THE-GRAVESIDE-ORATIONS-OF-CARL

Holmes, D., & Kivland, S. (Eds.). (2019). The Graveside Orations of Carl Einstein. Ma Bibliotheque. https://mabibliotheque.cargo.site/Dale-Holmes-Sharon-Kivland-eds-THE-GRAVESIDE-ORATIONS-OF-CARL

Holmes, D., & Kivland, S. (Eds.). (2019). The Graveside Orations of Carl Einstein. Ma Bibliotheque. https://mabibliotheque.cargo.site/Dale-Holmes-Sharon-Kivland-eds-THE-GRAVESIDE-ORATIONS-OF-CARL

Kivland, S. (Ed.). (2019). Anabelle Hulaut LES PENSÉES DE SAM MOORE. L’ARBRE QUI CACHE LA FORÊT THE THOUGHTS OF SAM MOORE. THE TREE THAT HIDES THE FOREST. MA BIBLIOTHEQUE. https://mabibliotheque.cargo.site/Anabelle-Hulaut-Les-Pensees-de-Sam-Moore-2019

Kivland, S. (Ed.). (2019). Les Pensées de Sam Moore. L’arbre qui cache la forêt = The Thoughts of Sam Moore. The tree that hides the forests, by Anabelle Hulaut. Ma Bibliotheque. https://mabibliotheque.cargo.site/Anabelle-Hulaut-Les-Pensees-de-Sam-Moore-2019

Kivland, S. (Ed.). (2019). Winter strangers, by Isobel Wohl. Ma Bibliotheque. https://mabibliotheque.cargo.site/Isobel-Wohl-Winter-Strangers-2019

Kivland, S. (Ed.). (2019). The Drawer & a Pile of Bricks, by David Berridge. Ma Bibliotheque. https://mabibliotheque.cargo.site/David-Berridge-The-Drawer-A-Pile-of-Bricks-2019

Kivland, S. (Ed.). (2019). Entertaining ideas (The long view), by Kate Briggs. Ma Bibliotheque. https://mabibliotheque.cargo.site/Kate-Briggs-Entertaining-Ideas-The-Long-View-2019

Kivland, S. (Ed.). (2019). The Disœvre, by Felicity Allen. Ma Bibliotheque. https://mabibliotheque.cargo.site/Felicity-Allen-The-Disoeuvre-2019

Kivland, S. (Ed.). (2019). The Cesspool of Rapture, by Joseph Noonan-Ganley. Ma Bibliotheque. https://mabibliotheque.cargo.site/Joseph-Noonan-Ganley-The-Cesspool-of-Rapture-2019

Kivland, S. (2019). UNABLE TO ACHIEVE BROAD RECOGNITION IN MY LIFETIME, I LABOURED IN OBSCURITY UNTIL MY DEATH LAST YEAR. London: MA BIBLIOTHÈQUE. https://mabibliotheque.cargo.site/Sharon-Kivland-UNABLE-TO-ACHIEVE-BROAD-RECOGNITION-IN-MY-LIFETIME-I

Kivland, S. (2019). UNABLE TO ACHIEVE BROAD RECOGNITION IN MY LIFETIME, I LABOURED IN OBSCURITY UNTIL MY DEATH LAST YEAR. MA BIBLIOTHÈQUE.

Kivland, S. (2018). Le Bottier de la jeunesse. London: MA BIBLIOTHÈQUE.

Bolland, E., Clarke, H., Finney, L., Kivland, S., Michaels, D., O'Toole, B., & Smith, R. (2018). The Desire for Haiku : reading Roland Barthes, The Preparation of the Novel. London: MA BIBLIOTHÈQUE. http://www.sharonkivland.com/

Kivland, S. (Ed.). (2018). Beyond Walter Benjamin's Paris and Kenneth Goldsmith's New York / Michael Hampton. London: MA BIBLIOTHÈQUE. http://www.sharonkivland.com/

Kivland, S. (Ed.). (2018). Library : a suitable case for treatment / Paul Buck. London: MA BIBLIOTHÈQUE. http://www.sharonkivland.com/

Kivland, S. (Ed.). (2018). It is foul weather in us all / Riccardo Boglione. London: MA BIBLIOTHÈQUE. http://www.sharonkivland.com/

Kivland, S. (Ed.). (2018). Field Poetics / Kristen Kreider and James O'Leary. London: MA BIBLIOTHÈQUE. http://www.sharonkivland.com/

Kivland, S. (Ed.). (2018). A Casa Mia / Aude Anquetil. London: MA BIBLIOTHÈQUE. http://www.sharonkivland.com/

Kivland, S. (Ed.). (2018). Round that way / Claire Potter. London: MA BIBLIOTHÈQUE.

Kivland, S. (Ed.). (2018). L'ECHEC DU PEREC. London: MA BIBLIOTHÈQUE.

Kivland, S. (Ed.). (2018). L'ECHEC DU PEREC. London: MA BIBLIOTHÈQUE.

Kivland, S., & Bideaud, F. (2018). Our libraries / Nos bibliotheques. London: MA BIBLIOTHÈQUE in association with DDAB. http://lightsculpture.pagesperso-orange.fr/sharon/publications.html

Kivland, S. (Ed.). (2018). Love is the language that sex speaks. London: MA BIBLIOTHÈQUE.

Kivland, S. (Ed.). (2018). LIVRE LIVRET LIVER. (THE GOOD READER). London: MA BIBLIOTHÈQUE.

Jagoe, R., & Kivland, S. (Eds.). (2018). On violence : an anthology of commissioned essays, fiction, art works. London: MA BIBLIOTHÈQUE. http://www.sharonkivland.com/

Kivland, S. (Ed.). (2018). La Biblioteca de Babel. London, UK: Ma Biblioteque.

Clarke, H., & Kivland, S. (Eds.). (2017). The Lost Diagrams of Walter Benjamin. London: MA BIBLIOTHÈQUE.

Kivland, S. (2017). Freud's Views. Freud on Holiday Appendix 5. London: MA BIBLIOTHÈQUE.

Kivland, S. (Ed.). (2017). After Vanessa Place / Naomi Toth and Vanessa Place. London: MA BIBLIOTHÈQUE. http://www.sharonkivland.com/

Kivland, S. (Ed.). (2017). Glaire / Jamie Crewe. London: MA BIBLIOTHÈQUE. http://lightsculpture.pagesperso-orange.fr/sharon/publications.html

Kivland, S. (2017). Emptiness & Silence. A supplement to Reading Nana. London: MA BIBLIOTHÈQUE. http://www.sharonkivland.com/

Kivland, S. (Ed.). (2017). Wollstonochlincraft 1791–1971 / Annabel Frearson. London: MA BIBLIOTHÈQUE. http://www.sharonkivland.com/

Kivland, S. (Ed.). (2017). Wollstonochlincraft 1791–1971 / Annabel Frearson. London: MA BIBLIOTHÈQUE. http://www.sharonkivland.com/

Îlle-et-Vilaine, S.-.B.-.S.-.M., & Bretagne, F.R.D.C. (2017). Armel Beaufils, le regard des femmes une exposition conçue par Sharon Kivland, [Saint-Briac-sur-Mer, Presbytère, 1er juillet-3 septembre 2017].

WOOD, S. (2017). Civilisation and Its Malcontents.

Kivland, S. (2017). Reading Nana : an experimental novel. London: MA BIBLIOTHÈQUE.

Kivland, S. (Ed.). (2017). The Dreamers. London: Ma Bibliotheque.

Kivland, S. (2017). A Lover's Discourse. London: Ma Bibliotheque.

Kivland, S. (2016). Les petites filles modèles. Ma Bibliothèque. http://www.sharonkivland.com/

Kivland, S. (2016). Le regne de bébé. Ma Bibliotheque. http://www.sharonkivland.com/

Kivland, S. (Ed.). (2016). Peter Jaeger, The Shadow Line. London: MA BIBLIOTHÈQUE.

Kivland, S. (2016). En toute intimité. Ma Bibliotheque.

Kivland, S. (2016). Enfants I. London: Ma Bibliotheque.

Kivland, S. (2016). Enfants II. London: Ma Bibliotheque.

Kivland, S. (2016). Enfants III. London: Ma Bibliotheque.

Kivland, S. (2016). MOI, 216. London: Ma Bibliotheque.

Kivland, S. (2016). Self / Love : Issue 8, E.R.O.S. London: EROS Press. http://erosjournal.tictail.com/products/publications

Kivland, S. (2016). Chapter 5: Contradictions in the General Formula. London: Ma Bibliotheque.

Kivland, S. (2016). Chapter 6: The sale and purchase of labour power. London: Ma Bibliotheque.

Kivland, S. (2015). Chapter 4: The general formula for capital. London: Ma Bibliothèque.

Kivland, S. (2015). Mes Mariannes. London: Ma Biblit0hèque.

Kivland, S. (2014). Chapter 1: The Commodity. London: Ma Bibliothèque.

Kivland, S. (2014). Chapter 3: Money, or the circulation of commodities. London: Ma Bibliothèque.

Kivland, S. (2014). Chapter 2: The process of exchange. London: Ma Bibliothèque.

Kivland, S. (2014). Report on knowledge. London: Ma Bibliothèque.

Kivland, S. (2014). Folles de leur corps / Crazy about their bodies. London: CGP London in assocation with Ma Bibliotheque.

Kivland, S. (2014). Nana vit sa vie. London: Ma Bibliothèque.

Kivland, S. (2013). Jeux de Lignes. London: DOMOBAAL editions. http://www.domobaal.com/

Kivland, S. (2013). Freud on Holiday. Volume IV. A Cavernous Defile. Part I. Athens, Greece: Cube Art Editions. http://www.cubearteditions.com/

Kivland, S. (2013). Madame Bovary. London: MA BIBLIOTHÈQUE.

Kivland, S. (2013). Le style Louis XVI. London: Domobaal Editions. http://domobaal.com/

Kivland, S. (2012). Freres et soeurs. London: Domobaal Editions. http://www.domobaal.com/publications.html

Kivland, S. (2012). Pierrots et pierrettes. London: Domobaal Editions. http://www.domobaal.com/publications.html

Kivland, S. (2012). Les chiens des Pyrénées. London: Domobaal Editions. http://www.domobaal.com/publications.html

Kivland, S. (2012). Communiants et communiantes. London: Domobaal Editions. http://www.domobaal.com/publications.html

Kivland, S. (2012). Nus exotiques. London: Domobaal Editions. http://www.domobaal.com/publications.html

Kivland, S. (2012). Les amants modernes. London: Domobaal Editions. http://www.domobaal.com/publications.html

Kivland, S. (2012). Les chalets suisses. London: Domobaal Editions. http://www.domobaal.com/publications.html

Kivland, S., & Segal, N. (Eds.). (2012). Vicissitudes : histories and destinies of psychoanalysis. London: Institute of Germanic & Romance Studies (School of Advanced Study, University of London).

Kivland, S. (2011). Freud on holiday. Appendix II : Freud's Dining. York: information as material. http://informationasmaterial.com/

Kivland, S. (2011). Freud on Holiday. Volume III. The Forgetting of a Foreign Name. Athens, Greece/York, UK: Cube Art Editions/information as material. http://cubearteditions.com/

Kivland, S. (2011). Freud on Holiday. Appendix I: Freud's Weather. York, UK: information as material. http://informationasmaterial.com/

Kivland, S. (2011). La mer est si bleue. London: Domo Baal Editions. http://domobaal.com/

Kivland, S. (2011). Le rouge baiser. London: Domo Baal Editions. http://domobaal.com/

Kivland, S. (2011). Le cri de la soie II. London: Domo Baal Editions. http://domobaal.com/

Kivland, S. (2011). Le cri de soie I. London: Domo Baal Editions. http://domobaal.com/

Corris, M., Joseph-Lester, J., & Kivland, S. (Eds.). (2010). Transmission annual. Hospitality. Artwords Press. http://www.artwords.co.uk/acatalog/Artwords_Press.html

Kivland, S. (2010). Reisen II. York, UK: information as material.

Kivland, S. (Ed.). (2010). Transmission: Friend : Guest: Jane Harris ; Host: Gary Simmonds. London: Artwordspress. http://www.artwords.co.uk/

Kivland, S. (2010). Reisen I. York: information as material. http://informationasmaterial.com/

Morlock, F., & Kivland, S. (2009). Freud and the gift of flowers. York: Information As Material.

Kivland, S. (2009). Guest: Marko Maetamm ; Host: Sharon Kivland. London: Artwords Press.

Kivland, S. (2009). Afterwards : Sharon Kivland. Coventry: Mead Gallery, Warwick Art Center. http://www.cornerhousepublications.org/bookstore/product/afterwards

Joseph-Lester, J., & Kivland, S. (2008). Guest: Michael Corrin ; Host: Jaspar Joseph-Lester and Sharon Kivland. London: Artwords Press.

Kivland, S. (2008). An agent of the estate. York: Information as Material.

Kivland, S. (2008). Guest: Cesare Pietroiusti ; Host: Sharon Kivland. London: Artwords Press.

Kivland, S. (2007). Freud on holiday. Volume 2, A disturbance of memory. York: Information As Material. http://www3.shu.ac.uk/c3ri/SingleProject.cfm?Project_ID=226&ResCentre=ADRC

Kivland, S., Joseph-Lester, J., & Cocker, E. (Eds.). (2006). Transmission : speaking and listening. Vol.5. Site Gallery.

Kivland, S. (2006). Freud on holiday. Volume 1, Freud dreams of Rome. York: Information As Material. http://www3.shu.ac.uk/c3ri/SingleProject.cfm?Project_ID=227&ResCentre=ADRC

Kivland, S., Joseph-Lester, J., & Cocker, E. (Eds.). (2005). Transmission : speaking and listening. Vol.4. Sheffield: Site Gallery.

Kivland, S., Sanderson, L., & Cocker, E. (Eds.). (2004). Transmission : speaking and listening. Vol.3. Sheffield: Sheffield Hallam University Site Gallery.

Kivland, S., & Sanderson, L. (Eds.). (2003). Transmission : speaking and listening. Vol.2. Sheffield: Site Gallery.

Kivland, S., & Dery, L. (2002). Le bonheur des femmes = The scent of a woman. Filigranes.

Kivland, S., & Sanderson, L. (Eds.). (2002). Transmission : speaking and listening. Vol.1. Sheffield: Sheffield Hallam University and Site Gallery.

Kivland, S., & Giffon, A. (1994). Le Double: Actes Du Colloque "Le Double, Femmes Et Creation". France: Centre d'arts plastiques de Saint-Fons.

Reports

Gent, S., & Kivland, S. (2015). Editions II, Removed from the Eyes. Sheffield: MA Bibliotheque.

Theses / Dissertations

Smith, R. (2020). Drawing out Language: From or to and, Disrupting Dualism through Conceptual Poetics. (Doctoral thesis). Supervised by Kivland, S. http://doi.org/10.7190/shu-thesis-00315

Gent, S. (2019). The neuroscientific uncanny: a filmic investigation of twenty-first century hauntology. (Doctoral thesis). Supervised by Kivland, S. http://doi.org/10.7190/shu-thesis-00269

Eccleshall, B.D. (2016). Reiterative drawing as translation : Making, resistance, and the negotiated encounter. (Doctoral thesis). Supervised by Mccarthy, P., Kivland, S., & Brown, C.

Hobson, G.E. (2015). In search of space : Exploring the dynamic relation of person and place. (Doctoral thesis). Supervised by Kivland, S., Cotterrell, D., & Doherty, K.

Dos Santos, C.M.S.F. (2011). Poetics of the interface: Creating works of art that engage in self-reflection. (Doctoral thesis). Supervised by Kivland, S., & Joseph-Lester, J.

Gonzalez, L. (2010). Make me yours: the psychodynamics of seduction through works of art. (Doctoral thesis). Supervised by Kivland, S., Dutton, S., & Fisher, T.

Swindells, S. (2004). A study of the relationship between art practice and citizenship. (Doctoral thesis). Supervised by Fisher, T., & Kivland, S.

Internet Publications

Kivland, S. (2020). Night Out. [Text]. http://www.sallyoreilly.org.uk/theopenarms/index.html

Artefacts

Kivland, S. (2016). Lalangue, an artist's book. [art work]. http://www.ambruno.co.uk/words.html

Kivland, S. (2012). Ma pétroleuse. Noms propres. A limited edition multiple,produced as part of Kivland's exhibition at Passerelle, Brest, 2012. [Silver necklace in limited edition]. http://www.cac-passerelle.com/index.php?option=com_content&view=article&id=452&Itemid=100003

Kivland, S. (2012). Mes mouches. [artist's book].

Kivland, S. (2012). Les Devis manquantes, artist's book. [artist's book].

Kivland, S. (2009). Mes bonnes années. A series of twenty-four works. [works of art].

Exhibitions

Kivland, S. (2005). Le forme-valeur. [Portfolio of images]. Galerie du Cloitre, ERBA, Rennes.

Kivland, S. (2004). Cela aura deja eu lieu. [Portfolio of images]. Centre d'art contemporain, Château de Morsang, Morsang-sur-Orge, France.

Kivland, S. (2011). I am sick of my thoughts. [Exhibition of works of art]. London. http://domobaal.com/exhibitions/59-11-sharon-kivland-01.html

Kivland, S., & Swaim, B. (2011). Reproductions. Bratislava, Slovakia. http://amtproject.sk/

Kivland, S. (2011). Sharon Kivland: amateur and collector. IDEAS Store, Whitechapel, London. http://www.ideastore.co.uk/en/articles/sharon_kivland

Kivland, S. (2011). Project 101. [films on DVD]. Lab Gallery, New York, USA. http://thelabgallery.com/2011/10/project-101/

Kivland, S. (2011). Les paris sont ouverts. Freud Museum, London. http://www.freud.org.uk/exhibitions/74259/-les-paris-sont-ouverts--the-killing-pictures/

Kivland, S. (2008). Natural Education. Bastart, Stetinova, Bratislava, Slovak republic. http://www.bastart.sk/

Kivland, S. (2012). Replay, 20 ans d'exposition au centre d'art. Galerie de Dourven, Trédez-Locquémeau, France. http://www.itineraires-bis.org/

Kivland, S. (2012). Un vent de révolutionCentre d'art PasserelleBrestCurated by Ulrike Kremeier. An exhibition that includes lovely dresses, delightful bonnets, literate animals, and some moments of surprising violence. [Exhibition of works of art]. Brest, France. http://www.cac-passerelle.com/

Kivland, S. (2012). Ma Nana (from One-fold book exhibition). [folio]. X marks the bökshop, London.

Kivland, S. (2011). Text and image. Galerie Bugdahn & Kaimer, Düsseldorf. http://www.bugdahnundkaimer.com/Page/SumInt_2011_Einl_Tx.html

Kivland, S. (2011). Sequences. Johan Deumens Gallery, Amsterdam. http://www.johandeumens.com/exhibitions-fairs/1-sequences.html

Kivland, S. (2011). Lieux Imaginaire. [Glass]. Galerie Bugdahn and Kaimer, Düsseldorf. http://www.bugdahnundkaimer.com/

Kivland, S. (2009). elles@pompidouWomen artists in the collection of the Centre Georges Pompidou, Paris. [Exhibition and catalogue]. Centre Georges Pompidou, Paris. http://http//www.centrepompidou.fr

Kivland, S. (2008). Summer Interval '08, group exhibition at Galerie Bugdahn und Kaimer, Düsseldorf, exhibiting Robert Barry, Claire Corey, Gabriel Jones, Sharon Kivland, Abigail O'Brien. [Prints and engraving]. Galerie Bugdahn & Kaimer, Düsseldorf. http://www.bugdahnundkaimer.com/

Kivland, S. (2008). Natural education. [Exhibition of works of art]. Bastart, Stetinova, Bratislava, Slovak republic. http://www.bastart.sk/shows/shows.php?Q=25

Kivland, S. (2008). Mon abécédaire. [embroidered works]. Edinburgh. http://www.sleeper1.com/previous/2008/sharon_kivland_01.htm

Kivland, S. (2009). Reisen, a solo exhibition at Galerie Bugdahn und Kaimer, Düsseldorf. Galerie Bugdahn & Kaimer, Düsseldorf. http://www.bugdahnundkaimer.com/

Kivland, S. (2008). A wind of revolution blows, the storm is on the horizon, a solo exhibition at CHELSEA Space, London. CHELSEA Space, London.

Kivland, S. (2009). Quels seraient les meilleurs moyens de perfectionner l'éducation des femmes?, a solo exhibition at CIAC, Pont-Aven, France, curated by Catherine Elkar for CIAC and FRAC Bretagne. CIAC, Pont-Aven, France. http://www.ciac-pa.com/fre/agenda-expos/octobre-2009/sharon-kivland-quels-seraient-les-meilleurs-moyens-de-perfectionner-l-education-des-femmes/%28annee%29/2006

Kivland, S. (2010). Mes plus belles. le Sphinx. Paris.

Kivland, S. (2010). Mes plus belles. le Sphinx. Paris.

Kivland, S. (2008). Parallax. [1 audio CD, text for walls, images (photographs)]. Fieldgate, London. http://www.fieldgategallery.com/parallax.html

Kivland, S. (2009). Afterwards. Mead Gallery, Warwick. http://www.meadgallery.co.uk/events/visual-arts/afterwards

Kivland, S. (2009). Time is a sausage (A Show of Shows). [Images (Photographs)]. Domo Baal Gallery, London. http://www.domobaal.com/exhibitions/52-09-time-is-a-sausage-01.html

Kivland, S. (2010). Sophisticated Boom Boom (in black and white. [Images (Photgraphs)]. Domo Baal Gallery, London. http://www.domobaal.com/exhibitions/54-10-sophisticated-boom-boom-02.html

Kivland, S. (2011). Why do I keep reading the same books? AMT–Project, Bratislava. http://amtproject.sk/exhibition/why-do-i-keep-reading-same-books

Kivland, S. (2011). Reisen. Every year Sigmund Freud went on holiday with his brother, Alexander. [films on DVD]. Freud's Dreams Museum, St Petersburg, Russa. http://www.freud.ru/

Kivland, S. (2011). Super Farmers' Market. [works on paper]. Handel Street Projects, Sicilian Avenue, London. http://www.handelstreetprojects.com/projects.htm#SuperFarmers

Kivland, S. (2010). The Perverse Library. [books exhibited]. Shandy Hall, Coxwold, N. Yorks. http://laurencesternetrust.org.uk/exhibition.php?id=84

Kivland, S. (2009). U235 deuxième. La collection, enrichissements 2008 - 2009. [books exhibited]. CDLA, Saint-Yrieix-la-Perche. http://cdla.info/fr/expositions/u235-deuxieme

Kivland, S. (2009). A reise (to travel). [Exhibition of works of art]. Galeri Vox, Bergen, Norway. http://www.gallerivox.no/vox/hjem.aspx

Kivland, S. (2000). Le bonheur des femmes. [Images (Photographs) and text]. Portfolio, Edinburgh.

Kivland, S. (2009). Afterwards. [exhibition]. Mead Gallery, Warwick Arts Centre, University of Warwick. http://www.warwickartscentre.co.uk/mead-gallery/previous-exhibitions/2009/afterwards-curated-by-sharon-kivland/

Kivland, S. (2012). Lessons in History volume II - Democracy An exhibition of artists' books and multiples on the theme above. [Artist's book]. Brisbane, Australia. http://http//www.grahamegalleries.com/category/exhibitions/2012/lessons-in-history-vol-ii-democracy/

Kivland, S. (n.d.). Homenagem à Shelagh Wakely. [Exhibition of works of art]. Museu do Acude, Rio de Janeiro, Brazil.

Kivland, S. (n.d.). Homenagem à Shelagh Wakely. [Exhibition of works of art]. Museu do Acude, Rio de Janeiro, Brazil.

Kivland, S. (2012). Sense of Place in Artist Books. [Exhibition]. University of Minneapolis, Minnesota. USA.

Kivland, S. (2012). 'GHOST IV: Presence and Absence'. [Exhibition]. St Johns Church, Bethnal Green, London. http://www.ghosthostings.co.uk/

Kivland, S. (n.d.). 'Anthology', a project conceived by Lucy Reynolds in 'Film in Space: an exhibition of film and expanded cinema'. [16 mm film loops]. Camden Arts Centre, Arkwright Road, London NW3. http://www.camdenartscentre.org/

Kivland, S. (2012). Ma Nana (encore), autres filles, et quelques petits explosionsA solo exhibition at Galerie des Petits Carreaux17 November 2012 to 5 Januray 2013. [Exhibition of works of art]. Galerie des Petits Carreaux, Paris.

Kivland, S. (2013). L'invitation à l'imaginaire. [Exhibition of works of art]. Lannion, France. http://http//www.imagerie-lannion.com/actualite.htm

Kivland, S. (n.d.). Reproductions II: a solo exhibition at DOMOBAAL, London. [Exhibition of works of art]. DOMOBAAL, 3 John Street, London WC1. http://domobaal.com/

Kivland, S. (2013). Enrichissements de la collection 2011/12des images / images d’images / pas d’image. [Exhibition of works of art]. CdLA, St-Yriex-le-Perche, France.

Kivland, S. (2013). Interdit au mineurs. [Exhibition of works of art]. Galerie des Petits Carreaux, Paris. http://www.galeriedespetitscarreaux.com/

Kivland, S. (2013). A book is a performance. [Exhibition of artists' books]. Centre for Artists' Books, Dundee Contemporary Arts, Scotland. http://http//www.dundee.ac.uk/djcad/exhibitions/exhibitions/a-book-is-a-performance/

Kivland, S. (n.d.). Ulysses, l'autre mer. [Exhibition of works of art]. Rennes, Port-Louis, and St-Brieuc, France. http://fracbretagne.fr/programme.html

Carrick, N., Greenleaf, P., & Kivland, S. (n.d.). Resort. [Exhibition of works of art and a book]. Transition Gallery, London. http://www.transitiongallery.co.uk/index.html

Kivland, S. (2013). Punctuations, Separations & Artists’ Books. [Exhibition of works of art and books]. 159 Farringdon Road, London. http://www.emmahilleagle.com/home.html

Kivland, S. (2013). 'Reading Nana'. [text works]. ICA London. http://www.ica.org.uk/?lid=37939

Kivland, S. (2013). 'Paysages', a group exhibition at galerie des petits carreaux, st-briac, France on the theme of landscape. [Exhibition of works of art and books]. St-Briac, France. http://www.galeriedespetitscarreaux.com/index.php?id=paysages

Kivland, S. (2013). Unseen Book Market, Johan Deumens Gallery at unseen Amsterdam. [artist's books]. Amsterdam. http://www.johandeumens.com/exhibitions-fairs/index.html

Kivland, S. (2013). Unseen Book Market, Johan Deumens Gallery at unseen Amsterdam. [artist's books]. Amsterdam. http://www.johandeumens.com/exhibitions-fairs/index.html

Kivland, S. (2013). The World in a Box. A Bittersweet Salon. [Exhibition of works of art]. The Matchroom Social Club, 8 Fort Hill, Margate, Kent.

Kivland, S. (2013). Femmes folles de leur corpsA solo exhibition at Galerie Bugdahn und Kaimer, Düsseldorf. [Exhibition of works of art]. Galerie Bugdahn und Kaimer, Düsseldorf.

Kivland, S. (2013). The Nabokov PaperAn exhibition at Shandy Hall. [Exhibition of works of art and books]. Shandy Hall, Coxwold, N, Yorkshire.

Kivland, S. (2013). Cousu main. Le temps passéA group exhibition at Galerie des petits carreaux, Paris. [Exhibition of works of art]. Galerie des petits carreaux, Paris. http://www.galeriedespetitscarreaux.com/index.php?id=cousu-main-le-temps-passe

Kivland, S. (2013). Plaisir d'offrirA group exhibition at Galerie des petits carreaux, Paris. [Exhibition of works of art]. Galerie des petits carreaux. http://www.galeriedespetitscarreaux.com/

Kivland, S. (2013). Reading as Art: Turning the Pages of Victorian PsychologyA performance event in Senate House Library, University of LondonConvened by Sharon Kivland and Mura Ghosh. [Exhibition/performance event]. Senate House Library, University of London.

Kivland, S. (2014). Folles de leur corps / Crazy about their bodies. [Exhibition and associated events]. CGP London. http://www.cgplondon.org/exhibition_thumbs.php?show_rand=0&show_view=0&show_biog=1&show_releases=1&exhibition_id=457&locale=CAFE%20GALLERY

Kivland, S. (2014). Folles de leur corps / Crazy about their bodies. [Exhibition and associated events]. CGP London. http://www.cgplondon.org/exhibition_thumbs.php?show_rand=0&show_view=0&show_biog=1&show_releases=1&exhibition_id=457&locale=CAFE%20GALLERY

Kivland, S. (2014). Repetition as an ongoing state of change, and, Reframing extant material. [Exhibition]. Johan Deumens Gallery. Amsterdam. http://www.johandeumens.com/

Kivland, S. (2014). Book Act. [exhibition]. The Tetley, Leeds.

Kivland, S. (2015). Re cover. [exhibition]. Leeds.

Kivland, S. (2014). Stills. [art work]. Whitechapel Gallery.

Kivland, S. (2014). Their eyes travel across the pages and their hearts search out meaning. [performance events]. Senate House Library, University of London.

Kivland, S. (2015). Reports on knowledge. [exhibition and associated events]. Leeds College of Art, Vernon Street Library.

Kivland, S. (2015). A Mixed Bag group exhibition. [exhibition]. Galerie Bugdahn, Düsseldorf.

Kivland, S. (2015). Are you a doctor, sir? [sound work]. Soma Gallery, Berlin.

Kivland, S., & Joseph-Lester, J. (2013). Modern interiors. [Exhibition]. Five Years, London. http://www.fiveyears.org.uk/archive2/pages/177/Modern_Interiors/177.html

Kivland, S. (2015). Toile de Jouy. Regards contemporain at l'Espace d'art contemporain HEC. [art works]. L'Espace d'art contemporain HEC, Jouy en Josas, France.

Kivland, S. (2015). Hôtel Particulier. [art works]. Chateau Gontier, France. http://www.le-carre.org/spectacle/anabelle-hulaut-david-michael-clarke/

Kivland, S. (2015). Lalangue. [Art works]. Spazio Tadini, Milan, Italy. http://www.mnemoart.org/accueil.php

Kivland, S. (2014). The Postcard is a Public Work of Art. [Exhibtion and book]. X Mark the Bökship, London. http://www.bokship.org/postcard.html

Kivland, S. (2015). A lover's discord. [Exhibition of art works]. KONTOR,Værnedamsvej 7a, 1819 Frederiksberg, Denmark. http://www.galerielehtinen.com/index.php?/artistandcurratorlinks/2015-a-lovers-discord/

Kivland, S. (n.d.). ConstructionsA group exhibition for the inauguration of the new gallery space of galerie des petits carreaux. [Exhibition of art works]. Galerie des petit carreaux, St-Briac, France. http://www.galeriedespetitscarreaux.com/index.php?id=expositions

Kivland, S. (2015). Le ligne et le volume. [Exhibition of art works]. Galerie de Rohan, 29 Place Saint-Thomas, 29800 Landerneau, France. http://www.fracbretagne.fr/ai1ec_event/la-ligne-et-le-volume/

Kivland, S. (2015). Natürliche Formen – Von Frauen,Füchsen und LesernSharon KivlandA solo exhibition at the Dieselkraftwerkmuseum, Cottbus, Germany. [Exhibition of art works]. dkw. Kunstmuseum Dieselkraftwerk Cottbus Uferstraße / Am Amtsteich 15 03046 Cottbus. http://www.museum-dkw.de/ausstellungen_3.htm

Kivland, S. (2015). On paperA group exhibition at Galerie Bugdahn, Düsseldorf. [Exhibition of art works]. Galerie Bugdahn, Heinrich Heine Allee, Düsseldorf, Germany. http://www.bugdahnundkaimer.com/Page/kuenstler.html

Kivland, S. (2015). The Natural Forms. Part II. The Readers. The Foxes. The Tracts. Some CoquetteriesA solo exhibition. [Exhibition of art works]. Kunstverein Tiergarten. Galerie Nord, Turmstrasse 75, 10551 BERLIN. http://www.kunstverein-tiergarten.de/

Kivland, S. (2016). The Natural Forms. Part III. The Tracts. Readers and Liseuses. Mademoiselle La Marchandise. & other works. [exhibion of art works]. HGB, Leipzig. https://www.hgb-leipzig.de/index.php?a=aktuell&b=presse&c=&d=&&pressid=453

Kivland, S. (2016). OVERSEAS, a group exhibition curated by Galini Notti. [exhibition of art works]. The American College Greece, Athens. http://www.acg.edu/events/overseas-arts-festival-2016

Kivland, S. (2016). A Lover's Discord. 2. [exhibition of art works]. MOCA, 113 Bellenden Road, London SE15 4QY. http://www.mocalondon.co.uk/discord.php

Kivland, S. (2016). RENDEZ-VOUS À SAINT-BRIAC, Manifestation d'art contemporain. [exhibition of art works]. Saint Briac, France. http://festivartsaintbriac.fr/

Kivland, S. (2016). One or two things they know about her. [Performance]. Art Lacuna, London SW11.

Kivland, S. (2016). Singing Girls. [text/reading]. Transmission Gallery, King Street, Glasgow. http://transmissiongallery.org/

Kivland, S. (2016). Freud on Holiday and other works. [exhibition of artists' books]. Artspace, Cambridge. http://thereadingroomexhibition.blogspot.fr/

Kivland, S. (2016). Library Interventions at Chelsea College of Arts Library. [exhibition of art works]. Chelsea College of Arts Library. http://www.arts.ac.uk/study-at-ual/library-services/

Kivland, S. (2016). Textes,images,récits. [exhibition of artists' books]. CdLA, St Yrieix-la-Perche, France.

Kivland, S. (n.d.). The Natural Forms. Parts I, II, III. [Exhibitions of works of art].

Kivland, S. (2016). Sharon Kivland exhibition and talk. [Exhibitions of works of art]. Anagram Books, Lausitzer Str.35, 10999 Berlin, Germany. http://www.anagrambooks.com/sharon-kivland-exhibition-and-talk

Kivland, S. (2016). Photos Graphies Group Show. [Exhibitions of works of art]. Galerie des petis carreaux, Paris.

Kivland, S. (n.d.). Sur le motif - a group exhibition on motif and repeat in works of art. [Exhibitions of works of art]. Galerie des petis carreaux.

Kivland, S. (2016). Mannequin. [Exhibitions of works of art]. The Griffin Gallery. https://griffingallery.co.uk/exhibitions/mannequin-perimeter-space

Kivland, S. (2017). Decorative Dormitories for Sleep Workers. [Exhibitions of works of art]. Xero, Kline and Coma, 258 Hackney Road, London E2. http://www.xero-kline-coma.com/archive/HoH/HoH.html

Kivland, S. (2017). Le modèle - a solo exhibition curated by FRAC Bretagne for Rendez-vous à Saint=Briac, France. [Exhibitions of works of art]. Ancien Presbytère, Saint-Briac, France. http://www.fracbretagne.fr/ai1ec_event/sharon-kivland-le-modele/

Kivland, S. (2018). Entreprise de séduction : une exposition pour redécouvrir la Manufacture Oberkampf et toutes les contradictions de son époque. [Exhibition of art works]. Espace d'art contemporain HEC, Jouy-en-Josas, France. http://www.hec.fr/News-Room/Actualites/Entreprise-et-Seduction-une-exposition-pour-redecouvrir-la-Manufacture-Oberkampf-et-toutes-les-contradictions-de-son-epoque

Kivland, S. (2017). In Quotes : Collage and Assemblage in Contemporary Art, curated by Ann-Marie James, with Caroline Fisher. [Exhibition of art works]. EAST Gallery, Norwich University of the Arts. https://www.nua.ac.uk/events/all/in-quotes/

Kivland, S. (n.d.). In Quotes : Collage and Assemblage in Contemporary Art, curated by Ann-Marie James. [Exhibition of art works]. Gerald Moore Gallery, London. http://geraldmooregallery.org/exhibitions/37/overview/

Kivland, S. (2018). Hope is Strong. [Exhibition of art works]. Millenium Gallery, Sheffield, UK. http://www.museums-sheffield.org.uk/museums/millennium-gallery/exhibitions/

Kivland, S. (2018). A Lover's Discourse/Un discours amoureux : a reading with Adeline Mannarini at Conceptual Poetics Day. [Performance]. Haus der Kulturen das Welt, Berlin. http://missread.com/stage-2018/

Kivland, S. (2018). Nos bibliothèques : an installation of posters and books, with Fabiennne Bideaud. [Exhibition of art works]. Cité internationale des arts. http://c-e-a.asso.fr/

Kivland, S. (2018). A lover's discourse / un discours amoureux : a reading with Fabienne Bideaud. [Reading]. Cité internationale des arts, Paris. http://c-e-a.asso.fr/

Kivland, S. (2018). La beauté révélée. [Exhibition of art works]. Chateau de Kerjean, St-Vougay, Finisterre, France. http://www.cdp29.fr/fr/agenda/view/432/bel-belle-belles/

Kivland, S. (2018). Rhinoceral Words II. Exposition. [Exhibition of art works]. Fonderie Kugler, Geneva. https://www.usinekugler.ch/fonderie/fonderie-kugler/news-fonderie/516-rhinoceral-words-ii-exposition

Kivland, S. (2018). Unable to achieve broad recognition in my lifetime, I laboured in obscurity until my death last year. [Reading]. The Other Room, Castle Hotel, Manchester. https://otherroom.org/

Kivland, S. (2018). A lover's discourse / un discours amoureux : a reading with Clémentine Bedos. [Reading]. University of Surrey, Guildford, UK. https://www.surrey.ac.uk/events/20180602-8th-annual-surrey-poetry-festival

Kivland, S. (2018). Die Holzdiebe. [Installation]. ZAK Center for Contemporary Art, Berlin. http://www.zitadelle-berlin.de/en/museengalerien/galerie-alte-kaserne/

Kivland, S. (2018). La terreur n’est autre chose que la justice prompte, sévère, inflexible. [Mixed media]. GARAGE Museum of Contemporary Art, Moscow. https://garagemca.org/en

Kivland, S. (2017). Armel Beaufils, le Regard des femmes. [Installlation of sculpture and related works]. Le Presbytere, Saint-Briac-sur-Mer, in association with FRAC Bretagne, Rennes. https://www.fracbretagne.fr/ai1ec_event/exposition-armel-beaufils-le-regard-des-femmes/

Kivland, S. (2019). Liseuses de Capital. [Mixed media]. Athens Municipality Art Center, Athens, Greece.

Kivland, S. (2019). Liseuses de Capital. [Mixed media]. Athens Municipality Art Center, Athens, Greece.

Kivland, S. (2019). Mains ganteées et pieds bottés : Représentations d’armées de femmes et corps collectifs féminin’Curated by Lise Lerichomme. [Books]. Éditions Incertain Sens / Cabinet du livre d’artiste, Rennes. http://www.cnap.fr/mains-ganteees-et-pieds-bottes-representations-darmees-de-femmes-et-corps-collectifs-feminins

Kivland, S. (2019). Mains ganteées et pieds bottés : Représentations d’armées de femmes et corps collectifs féminin’Curated by Lise Lerichomme. [Books]. Éditions Incertain Sens / Cabinet du livre d’artiste, Rennes. http://www.cnap.fr/mains-ganteees-et-pieds-bottes-representations-darmees-de-femmes-et-corps-collectifs-feminins

Kivland, S. (2019). To Dream by the Book. [Long-playing vinyl record and film]. Palazzo Pesaro Papafava Calle de la Racheta, Cannaregio 3764, 30121 Venezia, Italy. http://www.aliveintheuniverse.com/art-films-venice-biennale-2019

Kivland, S. (2019). To Dream by the Book. [Long-playing vinyl record and film]. Palazzo Pesaro Papafava Calle de la Racheta, Cannaregio 3764, 30121 Venezia, Italy. http://www.aliveintheuniverse.com/art-films-venice-biennale-2019

Kivland, S. (2019). Des mots et des choses : une sélection d’œuvres et de livres d’artistes de la collection, curated by Marjolaine Lévy. [Books]. FRAC Bretagne, Rennes. https://www.fracbretagne.fr/ai1ec_event/des-mots-et-des-choses-exposition-rennes-2019/

Kivland, S. (2019). Des mots et des choses : une sélection d’œuvres et de livres d’artistes de la collection, curated by Marjolaine Lévy. [Books]. FRAC Bretagne, Rennes. https://www.fracbretagne.fr/ai1ec_event/des-mots-et-des-choses-exposition-rennes-2019/

Kivland, S. (2019). Jamais fille chaste n'a lu de romans. [Installation]. CIRCUIT, centre d'art contemporain, Lausanne.

Kivland, S. (2020). La Forme naturelle. [See description]. Edizione Periferia, Luzern, Switzerland. https://periferia.ch/en/showroom/la-forme-naturelle/

Kivland, S. (2020). La collection, 20 ans d'enrichissements. Cinquième épisode: Sharon Kivland. [Books]. CDLA Centre de livres d'artistes.

Kivland, S. (2020). La collection, 20 ans d'enrichissements. Cinquième épisode: Sharon Kivland. [Artist's books]. CDLA, Saint Yrieux-le-Perche, France. https://lecdla.files.wordpress.com/2020/06/carte-information-75.pdf

Performances

Kivland, S. (2019). En toute intimité. Freud Museum, London Reading. https://www.freud.org.uk/event/4633

Kivland, S. (2019). Unable to achieve broad recognition in my lifetime, I laboured in obscurity until my death last year. Haus der Kulteren der Welt, Berlin Reading. http://conceptualpoeticsday.org/

Presentations

Kivland, S. (2016). An Ethics of Production Opposed to Conformity. Presented at: Practicing Ethics : Positionality, Spatiality and Subjectivity in Dialogue, The Bartlett School of Architeture, London, 2016

Kivland, S. (2016). Report on Knowledge (II), a film and essay for WOF (World Ornamental Forum). Presented at: World Ornamental Forum, Ernst Ludwig Kirchner Museum, Davos, Switzerland, 2016

Kivland, S. (2016). 'The Commodity Speaks' panel 'Hearing Voices'. Presented at: Feminist Readings 2: Theory, Practice and Politics of Reading Today, University of Leeds, 2016

Kivland, S. (2015). 'The Good Reader', a presentation in 'The Book: Changing Technologies'. Presented at: The Book : Changing Technologies, Bank Street Arts, Sheffield, 2015

Kivland, S. (2013). Vaincre ou mourirPublic lecture and workshop Goldsmiths College London, first in a series of lectures and workshops entitled 'Practicing Feminisms', convened by the Department of Art. Presented at: Practicing feminisms, Goldsmiths College University of London, 2013

Kivland, S. (2013). Reproductions : a public lecture at the Leeds International Contemporary Artists' Book Fair, March 2013. Presented at: PAGES : Leeds International Artist Book Fair, University of Leeds, 2013

Kivland, S. (2012). Hostings 6. Absence – Haunted Landscapes. Presented at: Hostings 6. Absence – Haunted Landscapes, Senate House, University of London, 2012

Kivland, S. (2012). Day-dreaming. Presented at: Making Space. Psychoanalysis and Artistic Process – A day of dialogues between artists and psychoanalysts, London, 2012

Kivland, S. (2011). Nous Deux. Presented at: Making Sense. A Symposium in Honour of Naomi Segal, Senate House, University of London, 2011

Other publications

Kivland, S. (2018). La Pagode. Brass Art, Bury Art Museum

Kivland, S. (2008). Reading Around, a project to celebrate World Book Day, initiated by CFPR, University of the West of England. CFPR: http://www.bookarts.uwe.ac.uk/reading.htm

Kivland, S. (2008). A Wind of Revolution Blows, exhibition catalogue, CHELSEA Space, London, text by Esther Leslie, illustrations by Sharon Kivland. London: CHELSEA Space: http://www.chelseaspace.org/publication.html

Kivland, S. (2008). Transcript, a work made from 2007 to 2008 for the Institute of Germanic and Romance Studies, University of London, during Kivland's Visiting Fellowship in the university. The final work, realised in January, remains in situ. University of London: Institute of Germanic and Romance Studies: http://http//sas-space.sas.ac.uk/2283/

Other activities

Sharon Kivland has been an external examiner for many courses, including currently BA Fine Art, Manchester Metropolitan University,   MA Fine Art, University of Lincoln, MFA Art and Duncan of Jordonstone. She has examined PhDs and an MPhil, in diverse subjects, at the Royal College of Art, University of Leeds, Goldsmiths College University of LondonL, University of Coventry, London Metropolitan University, University of Kent, University of Reading.

Postgraduate supervision

  • 'Reiterative Drawing as Translation: Making, Resistance, and the Negotiated Encounter’
  • 'The reclamation of patient narrative: Interrogating patient experience of genetic conditions through film
  • 'Working through Fragments: Fictionalising the Archive'
  • 'Drawing out Language: Destabilisation of Narrative Sense through Conceptual Writing'
  • 'Mallarmé and the embodied gesture: In the expanded field of painting'
  • 'The uncanny in film, art and neuroscience.’ 
  • ‘Visualising unspoken narratives: interrogating meaning through reflexive art practice’
  • ‘Heritage as Process: Reconstructing the Historical Child’s Voice through Art Practice’
  • ‘Truth is Structured Like a Fiction: Memoir and the Expanded Screenplay’
  • ‘Streetwalker: the flȃneuse and the electronic flȃneur’ (Heritage Consortium, Leeds Beckett University)
  • ‘Consumed by the Imagination’ (Royal College of Art, London)
  • ‘Not Playing With Words: Writing As Criticism As Writing As Art’
  • ‘Divination as a Methodology for Experimental Reading’
  • “Listening for echoes: Afterwardsness as a model for artistic practice’ (University of the Arts London)

  • 'A Study of the Relationship between Art Practice and Citizenship'
  • 'Make Me Yours: The Psychodynamics of Seduction Through Works of Art'
  • 'Poetics of the Interface – Creating Works of Art that Engage in Self-Reflection'
  • 'In Search of Space: Exploring the Dynamic Relation of Person and Place'
  • 'The reclamation of patient narrative: Interrogating patient experience of genetic conditions through film’
  • ‘Consumed by the Imagination’ (Royal College of Art, London)
  • Completed so move down?

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