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This enquiry questions the cultural representation of post-industrial cities, whose ‘reason for being’, their industry, has transformed so significantly that the use of their nicknames e.g. ‘The Motor City’ (Detroit), becomes a melancholy gesture that talks only about the past

‘COPY’ explores the ways that crossing a historic medium like drawing with technological viewing platforms can open up a space for thinking about the ways images are communicated and conveyed

Kuannersuit; Kvanefjeld is an art installation, video documentary and evolving online archive which examines the divisive issue of uranium mining in Greenland.

Weather Prediction by Numerical Process - a Forecast for Europe is a performance and exhibition where the weather is forecast through human labour, thus turning the act of computation into a social, performative and collaborative action.

This enquiry focuses on the post-industrial city of Sheffield, its female citizens, and their empowerment, explored through filmed participatory performance, and extends Brown’s methodologies developed in Detroit from 2015-2017.

The research ‘Place in Time’ originated in a commission from landscape artist Tim Simmons to develop a publication that would introduce his work to new and wider audiences

This research explores the subversive potential of reading women, as errancy and transgression, in relation to sexuality and education is explored in work/s structured on the education of women and women as readers.

Mirror III: Horizon is a two-channel video installation. The project examines the challenges to trust that can occur when identities cannot be verified.

"Black Shoals; Dark Matter” is an art-based enquiry into the aesthetics of financial data and how it manifests a relationship with power.

This work developed and tested systems that can inform and add to the growing debates within the social, artistic and cultural sectors regarding the need to develop new cultural, social and political geographies for the city as proposed from Henri Lefebvre, to Kevin Lynch and Georgs Simmel.