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a ROLE to PLAY brings together the lived experiences and dreams of Bolsover residents, one of the most deprived towns in the middle of England.

In a period of political and social uncertainty, how can what you wear help to express your beliefs and what you stand for? TOWARDS MEMORIAL is an art project that explores this question by remaking a pair of sandals designed and made by the socialist writer, poet and activist Edward Carpenter (1844-1929).

As much about forgetting considers how the passage of time gives us both history and memory, and how tensions often exist between these two formulations

The Repository of Irrational Gestures proposes and tests the notion that moving image work and sonic composition can critically investigate and illuminate the turbulent but permeable boundaries that differentiate between ‘rational’ and ‘irrational’ actions, thinking and/or behaviours.

This research examines a viewer’s experience of an ‘original’, authentic artefact and has generated the following outcomes: 23 mixed media drawings, a live work, a digital app, a limited edition print work and a print portfolio.

Compiled entirely from archive materials including a de-classified FBI file, The Archive tells the incredible story of David Drucker, a lawyer in 1940s America.

This solo exhibition, realised in three evolving, discrete iterations, addresses questions of role attribution, gender construction, and economic exchange (value forms, after Marx).

This exhibition formed part of a continuing enquiry into observational hierarchies and the exceptional use of surveillance technologies on digital interactions.

Vindskaber was an inquiry into how the use of Virtual and Augmented Reality might impact on our perception and understanding of the landscape in the future.

Mirror II: Distance is a dual-screen video installation. It was produced as the result of two field trips to Pakistan in 2015 focussing on the heavily fortified diplomatic enclave of Islamabad.