Unhomely Street: The Architecture of Cinematic and Psychological Space

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Unhomely Street: The Architecture of Cinematic and Psychological Space

Unhomely Street
Unhomely Street

This research explores the relationship of psychological and cinematic space. The principal output, Unhomely Street, a 20 minute essay film, uses a character in a state of fugue as a strategy to explore attitudes towards capitalism and contemporary society.

The filmmaking methodology employs diverse approaches drawing on essayistic, documentary, and experimental traditions to build a filmic experience of subjectivity that operates on several levels simultaneously. The film was produced while the filmmaker was recovering from post-concussive syndrome following a head injury and draws on subjective imagery and representations of mental illness. The production method employs a fine-art tradition of intuitively manipulating material, guided by effect.

The narrative explores philosopher Jacques Derrida’s concept of hauntology, a critical framework that recognises the non-linearity of thought, and suggests we have a responsibility to the future, to those dead and not yet born, while also recognising Mark Fisher’s interpretation, that we live in a time of mental illness, mourning the lost futures of the twentieth century.

Unhomely Street premiered at 63. Internationales Kurzfilmtage, Oberhausen, 2016. Research arising from Unhomely Street has been presented at conferences: ‘12th Annual Deleuze and Guattari conference’, Royal Holloway, London, 2019, Leeds Humanities Research Institute, University of Leeds, 2016, The Department of Architecture, Altinbas University, Istanbul, 2018. Following this presentation the book chapter ‘The Unconscious and the City: A Neuropsychoanalytic Exploration of Cinematic Space’, in Narrating the City, Intellect Books, 2020, was published. The production method is explored in an article published in Journal for Artistic Research, 2017. The success of Unhomely Street at Oberhausen in 2016 led to an invitation to present Profile: Susannah Gent, a retrospective of 20 years of films in 2020. An interview with the festival curator and a documentary commissioned by Arte, the French / German arts channel are included in the portfolio.

Unhomely Street
Still from Susannah Gent's 'Unhomely Street' - A woman looks over her shoulder on a residential street at night.
Still from Susannah Gent's 'Unhomely Street' - A projector screen shows an image of the artist with beams coming from her eyes.
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Key information

Explore the people, research centres and partner organisations behind this project.

Get in touch

Contact the ADMRC to discuss facilities, partnerships, doctoral research and more

Email ADMRC

Research team

An image of Susannah Gent

Susannah Gent

Senior Lecturer, Film and Media Production