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I teach within Games Design. During my time at the university I have taught 3D modelling, Rigging, Texturing and Animation through levels 4-7, as well as various skills and techniques within software such as Zbrush, for high polygon definition with character creation.

A new program named CADubator has been set up in the engineering department of the College of Business, Technology and Engineering at Sheffield Hallam University for students to gain paid work experience

Adobe Express is a cloud based design platform focused on simplifying content creation for users, not professional designers. It offers a range of tools for creating various assets like social media content, videos, PDFs, and web pages. Users can use the pre-built templates, Adobe Stock content, design elements, and even generative AI features like text-to-image and text effects. It's available on desktop and mobile, with syncing capabilities across devices.

I have been involved in the 'Inclusive Design' of packaging for a little over 12 years. I was the UK's technical expert in the development of ISO 17480 Packaging Accessibility guidelines. Further, I have extensive experience in measuring people's capabilities, observing people opening packaging and developing solutions. I am currently involved in a number of projects working with academia, business and healthcare professionals to improve packaging accessibility.

Learn about the expertise in SHU’s world-leading Sports Engineering Research Group, incl. applied computing, design engineering, active travel and biomechanics

Member of the Art and Design Research Centre

We are pleased to announce that our recent Knowledge Transfer Partnership with PMS Diecasting Ltd in Rotherham has been assessed by the Technology Strategy Board to be 'Outstanding' - the top grade available

Peak Design approached us to analyse hemispherical aluminium samples after encountering a problem with the material splitting during the manufacture of a particular component.

The new home of art and design, the Old Post Hall is a stunning space for exhibitions, receptions, product launches and private events

What role do Virtual Reality (VR) and Augmented Reality (AR) play in engaging visitors of cultural heritage? Can we design for 3D reconstructions to be part of the visit rather than separated experiences?