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More investment has been made into research into interventions to prevent mental illness than into those designed to improve mental well-being. This intervention is designed to improve and sustain mental well-being in older adults.

The performance work, Of Sound in the Landing Page, was a re-articulation of ‘Thus Spoke Zarathustra’ as a soundscape created from the various elements of the natural world that Nietzsche weaved into his text

Thought Curfew is an original performance project developed for presentation as the headline act of the Ubumuntu Festival of Culture in Kigali, Rwanda in 2018.

This project explores how design processes and tools can be used to create games that promote physical activity amongst adolescents

The Imposter Series is an ongoing project of observational still life drawings taken from objects/artefacts/props used in Yuen Fong Ling’s performance-workshops.

This body of work investigating photography in the Northern Landscape consists of two book chapters, two book editorials, and two exhibition co-curations.

Re:mains is a collection of jewellery artefacts which form a multi-component output. This research, developed through iterative practice-based processes, explores the extent to which jewellery, created predominately using food waste, could serve as tools which enable the wearer to reflect on the everyday act of eating.

Furniture, an exhibition by Paul Chamberlain, head of the Art and Design Research Centre at Sheffield Hallam University.

This chapter, a contribution to a book in the Routledge Research in Cultural and Media Studies series, presents findings from an inquiry into the human propensity for making meaning with and from ordinary things and materials.

A long-term research engagement exploring the philosophical agency of live art and articulating shared concerns regarding the use of the body by philosophers and live artists.