Neck Assessment Tool
The Head-Up project is a 2-year study funded by the National Institute for Health Research's Invention for Innovation to develop a novel neck orthosis for neck weakness.
Empowering cultural heritage professionals to create interactive exhibitions
This research explores how complex technologies can be made accessible to non-technical heritage professionals empowering them to design personalised interactive visitor experiences.
Sculpture Park Hill and Park Hill Plinths
Park Hill Plinths is an ambitious new permanent site-specific public sculpture for the interior landscape of the iconic Brutalist Grade 2* Park Hill estate in Sheffield, the largest listed structure in Europe
Post-industrial ruins
This is a collaborative project that both deepens and develops understanding of the post-industrial landscape with reference to the industrial ruin.
Excessories - Let's talk about FAT
Excessories was an exhibition which confronts creative misunderstandings with the Art and Design Research Centre at Sheffield Hallam University.
Computer History
A social, cultural and design history of the evolution of the electronic computer, its reception, consumption and representation
Hybrid Display Structures
The installation Hybrid-Display Structures navigates the complex relationship between the legacy of exhibition making and the contemporaneous reach of curation as art practice, in order to examine the autonomous and authorial positions of artworks.
European Academy of Design
In April 2013, at the 10th EAD Conference held in Gothenburg, Professor Paul Atkinson took over the role of Chair of the Academy from Professor Rachel Cooper OBE, who ran the Academy since it was founded in 1994.
SHINE - Design in Rehab
This project builds upon a pilot project 'design and rehabilitation' undertaken by the Lab4Living team supported by the Silvia Adams Trust and the Royal Society of Arts
The Tactical Life Model
As a way of introducing the various media and methods employed in my art practice and research, this selection of foundational works are assembled to provide a context for my current art practice and research.