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Mirror I: Hierarchy was devised to explore the anxieties and thought-processes of two protagonists within the world of surgery – the patient and the surgeon.

As much about forgetting considers how the passage of time gives us both history and memory, and how tensions often exist between these two formulations

Mirror IV: Legacy is a two-channel video installation. It was developed as an experimental platform to explore the relationship between content and framing. Specifically, the project considered the authority of a museum and the credibility of an archive.

Thought Curfew is an original performance project developed for presentation as the headline act of the Ubumuntu Festival of Culture in Kigali, Rwanda in 2018.

‘COPY’ explores the ways that crossing a historic medium like drawing with technological viewing platforms can open up a space for thinking about the ways images are communicated and conveyed

This research examines a viewer’s experience of an ‘original’, authentic artefact and has generated the following outcomes: 23 mixed media drawings, a live work, a digital app, a limited edition print work and a print portfolio.

The Immense Ventriloquism – Part.2 presents new work by TC McCormack, and showcases new and existing artworks by seven guest artists.

Domesticated is an enquiry into the omnipresent social engagement in bodily practices of self-improvement, since training facilities for all ages have become familiar sites in peoples’ homes, as well as in contemporary urban public spaces.

Compiled entirely from archive materials including a de-classified FBI file, The Archive tells the incredible story of David Drucker, a lawyer in 1940s America.

Becky Shaw's research project explores Calgarian’s emotional attachment to their man-made and industrial water infrastructure