Untitled (superorganism)
Untitled (superorganism) is a video installation commissioned in 2014 for ‘Anthropocene Monument’, an exhibition and symposium-performance curated by Bruno Latour, Bronislaw Szerszynski and Olivier Michelon at L’Abbatoirs Museum of Modern and Contemporary Art in Toulouse.
We Are All Migrants
The research enquiry sought to explore and illuminate issues of migration in 20th century Europe in relation to questions of culture and identity.
Mirror IV: Legacy
Mirror IV: Legacy is a two-channel video installation. It was developed as an experimental platform to explore the relationship between content and framing. Specifically, the project considered the authority of a museum and the credibility of an archive.
Mirror I: Hierarchy
Mirror I: Hierarchy was devised to explore the anxieties and thought-processes of two protagonists within the world of surgery – the patient and the surgeon.
Unhomely Street: The Architecture of Cinematic and Psychological Space
This research explores the relationship of psychological and cinematic space. The principal output, Unhomely Street, a 20 minute essay film, uses a character in a state of fugue as a strategy to explore attitudes towards capitalism and contemporary society.
Artist Substance
‘Artist Substance’ is a quasi-philosophical term Reeve devised to denote a speculative model of art’s ontological operation as a reciprocal relationship between ‘Art’ brought into physical existence and an existential capacity within a human creature that simultaneously becomes activated (‘ontologically carved’) through the non-verbal creation process
Ymedaca
Ymedaca was a multi-modal art work that created the largest sculpture ever exhibited at YSP by recasting its entire grounds and facilities as a contemporary translation of Plato’s garden academy
The Immense Ventriloquism
The Immense Ventriloquism – Part.2 presents new work by TC McCormack, and showcases new and existing artworks by seven guest artists.
Room with a VDU
The research for this journal article explores the design history of a relatively short-lived phenomenon— the glass-walled secure rooms in which mainframe computers were housed within corporate workplaces in the 1960s and 1970s.
Of Sound in the Landing Page
The performance work, Of Sound in the Landing Page, was a re-articulation of ‘Thus Spoke Zarathustra’ as a soundscape created from the various elements of the natural world that Nietzsche weaved into his text