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‘Artist Substance’ is a quasi-philosophical term Reeve devised to denote a speculative model of art’s ontological operation as a reciprocal relationship between ‘Art’ brought into physical existence and an existential capacity within a human creature that simultaneously becomes activated (‘ontologically carved’) through the non-verbal creation process

The Immense Ventriloquism – Part.2 presents new work by TC McCormack, and showcases new and existing artworks by seven guest artists.

The research for this journal article explores the design history of a relatively short-lived phenomenon— the glass-walled secure rooms in which mainframe computers were housed within corporate workplaces in the 1960s and 1970s.

The performance work, Of Sound in the Landing Page, was a re-articulation of ‘Thus Spoke Zarathustra’ as a soundscape created from the various elements of the natural world that Nietzsche weaved into his text

Thought Curfew is an original performance project developed for presentation as the headline act of the Ubumuntu Festival of Culture in Kigali, Rwanda in 2018.

This body of work investigating photography in the Northern Landscape consists of two book chapters, two book editorials, and two exhibition co-curations.

This chapter, a contribution to a book in the Routledge Research in Cultural and Media Studies series, presents findings from an inquiry into the human propensity for making meaning with and from ordinary things and materials.

The Repository of Irrational Gestures proposes and tests the notion that moving image work and sonic composition can critically investigate and illuminate the turbulent but permeable boundaries that differentiate between ‘rational’ and ‘irrational’ actions, thinking and/or behaviours.

This research examines a viewer’s experience of an ‘original’, authentic artefact and has generated the following outcomes: 23 mixed media drawings, a live work, a digital app, a limited edition print work and a print portfolio.

Compiled entirely from archive materials including a de-classified FBI file, The Archive tells the incredible story of David Drucker, a lawyer in 1940s America.