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The research for this journal article explores the design history of a relatively short-lived phenomenon— the glass-walled secure rooms in which mainframe computers were housed within corporate workplaces in the 1960s and 1970s.

"Black Shoals; Dark Matter” is an art-based enquiry into the aesthetics of financial data and how it manifests a relationship with power.

Weather Prediction by Numerical Process - a Forecast for Europe is a performance and exhibition where the weather is forecast through human labour, thus turning the act of computation into a social, performative and collaborative action.

Vindskaber was an inquiry into how the use of Virtual and Augmented Reality might impact on our perception and understanding of the landscape in the future.

Kuannersuit; Kvanefjeld is an art installation, video documentary and evolving online archive which examines the divisive issue of uranium mining in Greenland.

This body of work investigating photography in the Northern Landscape consists of two book chapters, two book editorials, and two exhibition co-curations.

As much about forgetting considers how the passage of time gives us both history and memory, and how tensions often exist between these two formulations

Mirror I: Hierarchy was devised to explore the anxieties and thought-processes of two protagonists within the world of surgery – the patient and the surgeon.

‘Artist Substance’ is a quasi-philosophical term Reeve devised to denote a speculative model of art’s ontological operation as a reciprocal relationship between ‘Art’ brought into physical existence and an existential capacity within a human creature that simultaneously becomes activated (‘ontologically carved’) through the non-verbal creation process

The research enquiry sought to explore and illuminate issues of migration in 20th century Europe in relation to questions of culture and identity.