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This solo exhibition continues Kivland’s longstanding enquiry into ‘the material relations between persons and the social relations between things’, following Marx.

This solo exhibition, realised in three evolving, discrete iterations, addresses questions of role attribution, gender construction, and economic exchange (value forms, after Marx).

The research ‘Human Simulation’ investigates how the human body, a person and various health concerns are being simulated in medical education by using standardized patients (SP).

Open loop solutions for recycled glass from the consumer, construction and automotive stream

The 'Make, Do and Mend' project explores how we might reinvigorate community-based approaches to the repair of clothing and examines the potential roles for online and offline activities to facilitate knowledge exchange, build communities and develop new repair processes and strategies.

The brooches pictured belong to a series of over 100, made for The Campaign for Objects in Purgatory. They were given to contributors to the Objects in Purgatory exhibition (Sheffield Institute of Arts Gallery 2011) in exchange for contributing their story or drawing of an uncherished gift. The project has been initiated and developed by designer Julia Keyte.

Compiled entirely from archive materials including a de-classified FBI file, The Archive tells the incredible story of David Drucker, a lawyer in 1940s America.

Digital technologies in heritage sites and museums are generally understood to be screen-based and more recently applications for the visitors’ phone.

The process of making work is like a large-scale act of reverse engineering, attempting to unpack aspects of social life and especially values. An example of this was the work Transfer, made in response to Manchester Royal infirmary.

This exhibition formed part of a continuing enquiry into observational hierarchies and the exceptional use of surveillance technologies on digital interactions.