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Mind Sets is an innovative use of design which utilises the medium of six picture story-making to enable children in care to share their stories. Three-dimensional illustrated environments created a backdrop to help children to frame stories and to engage in active problem-solving using a series of character and challenge cards.

Alaster's work has concentrated on understanding the issues surrounding the accessibility of packaging for older people and people with disabilities. The initial work concentrated on looking at ways to measure consumer's strength in a more realistic fashion using a bespoke measuring device.

The Imposter Series is an ongoing project of observational still life drawings taken from objects/artefacts/props used in Yuen Fong Ling’s performance-workshops.

International studies indicate that approximately 10% of all patients who are admitted to hospital suffer some form of adverse event (AE). An AE can be defined as an unintended harm to a patient resulting in injury, death or a prolonged admission.

This chapter, a contribution to a book in the Routledge Research in Cultural and Media Studies series, presents findings from an inquiry into the human propensity for making meaning with and from ordinary things and materials.

A long-term research engagement exploring the philosophical agency of live art and articulating shared concerns regarding the use of the body by philosophers and live artists.

Re:mains is a collection of jewellery artefacts which form a multi-component output. This research, developed through iterative practice-based processes, explores the extent to which jewellery, created predominately using food waste, could serve as tools which enable the wearer to reflect on the everyday act of eating.

This body of work investigating photography in the Northern Landscape consists of two book chapters, two book editorials, and two exhibition co-curations.

Furniture, an exhibition by Paul Chamberlain, head of the Art and Design Research Centre at Sheffield Hallam University.

Virginia Heath's BAFTA-nominated documentary evokes the spirit of 20th century Scotland