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The 'Make, Do and Mend' project explores how we might reinvigorate community-based approaches to the repair of clothing and examines the potential roles for online and offline activities to facilitate knowledge exchange, build communities and develop new repair processes and strategies.

Compiled entirely from archive materials including a de-classified FBI file, The Archive tells the incredible story of David Drucker, a lawyer in 1940s America.

This solo exhibition continues Kivland’s longstanding enquiry into ‘the material relations between persons and the social relations between things’, following Marx.

This solo exhibition, realised in three evolving, discrete iterations, addresses questions of role attribution, gender construction, and economic exchange (value forms, after Marx).

Open loop solutions for recycled glass from the consumer, construction and automotive stream

This research explores the implications of a growing shift of healthcare from what has previously resided within the domain of the hospital to the private space of the home.

Digital technologies in heritage sites and museums are generally understood to be screen-based and more recently applications for the visitors’ phone.

The process of making work is like a large-scale act of reverse engineering, attempting to unpack aspects of social life and especially values. An example of this was the work Transfer, made in response to Manchester Royal infirmary.

This exhibition formed part of a continuing enquiry into observational hierarchies and the exceptional use of surveillance technologies on digital interactions.

This collection of jewellery artefacts made from recycled glass and metal are the outcome of an enquiry which explored how the application of co-creative design thinking strategies within a rural Indonesian community can provide creative agency for artisan craftmakers