Ymedaca was a multi-modal art work that created the largest sculpture ever exhibited at YSP by recasting its entire grounds and facilities as a contemporary translation of Plato’s garden academy

This research explores the relationship of psychological and cinematic space. The principal output, Unhomely Street, a 20 minute essay film, uses a character in a state of fugue as a strategy to explore attitudes towards capitalism and contemporary society.

Vindskaber was an inquiry into how the use of Virtual and Augmented Reality might impact on our perception and understanding of the landscape in the future.

This solo exhibition, realised in three evolving, discrete iterations, addresses questions of role attribution, gender construction, and economic exchange (value forms, after Marx).

This research investigates what factors are particular to research in the area of the design history of recent technologies, and asks how those factors might be mitigated.

The performance work, Of Sound in the Landing Page, was a re-articulation of ‘Thus Spoke Zarathustra’ as a soundscape created from the various elements of the natural world that Nietzsche weaved into his text

Becky Shaw's research project explores Calgarian’s emotional attachment to their man-made and industrial water infrastructure

This work developed and tested systems that can inform and add to the growing debates within the social, artistic and cultural sectors regarding the need to develop new cultural, social and political geographies for the city as proposed from Henri Lefebvre, to Kevin Lynch and Georgs Simmel.

Park Hill Plinths is an ambitious new permanent site-specific public sculpture for the interior landscape of the iconic Brutalist Grade 2* Park Hill estate in Sheffield, the largest listed structure in Europe

Kuannersuit; Kvanefjeld is an art installation, video documentary and evolving online archive which examines the divisive issue of uranium mining in Greenland.