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ASUNDER tells the story of what happened to an English town during the First World War, with almost all of its men abroad fighting and its women and children left behind.

This body of work investigating photography in the Northern Landscape consists of two book chapters, two book editorials, and two exhibition co-curations.

The research enquiry sought to explore and illuminate issues of migration in 20th century Europe in relation to questions of culture and identity.

Virginia Heath's BAFTA-nominated documentary evokes the spirit of 20th century Scotland

Ymedaca was a multi-modal art work that created the largest sculpture ever exhibited at YSP by recasting its entire grounds and facilities as a contemporary translation of Plato’s garden academy

This solo exhibition, realised in three evolving, discrete iterations, addresses questions of role attribution, gender construction, and economic exchange (value forms, after Marx).

The work is an enquiry into whether two strangers suffering past family trauma – a Romanian woman in search of a child that was forcibly taken from her and a Scottish musician confronting the death of his abusive father – can discover a shared empathy to help heal their pain.

This chapter, a contribution to a book in the Routledge Research in Cultural and Media Studies series, presents findings from an inquiry into the human propensity for making meaning with and from ordinary things and materials.

‘Hiding in Plain Sight’ explores the relationship between staff, space, institution and the visibility of care work, in the disintegrating UK healthcare system.

This body of work investigates how design research informed by feminist theory and philosophy can facilitate future design ontologies conceived beyond normative patriarchal and capitalist value constructs.