The Natural Forms I II III
This solo exhibition, realised in three evolving, discrete iterations, addresses questions of role attribution, gender construction, and economic exchange (value forms, after Marx).
Come and Go
This exhibition formed part of a continuing enquiry into observational hierarchies and the exceptional use of surveillance technologies on digital interactions.
Querying Queer Histories and Public Memorial - Towards Memorial after Edward Carpenter (1844 - 1929)
In a period of political and social uncertainty, how can what you wear help to express your beliefs and what you stand for? TOWARDS MEMORIAL is an art project that explores this question by remaking a pair of sandals designed and made by the socialist writer, poet and activist Edward Carpenter (1844-1929).
Domesticated
Domesticated is an enquiry into the omnipresent social engagement in bodily practices of self-improvement, since training facilities for all ages have become familiar sites in peoples’ homes, as well as in contemporary urban public spaces.
ASUNDER
ASUNDER tells the story of what happened to an English town during the First World War, with almost all of its men abroad fighting and its women and children left behind.
Lift Share
The work is an enquiry into whether two strangers suffering past family trauma – a Romanian woman in search of a child that was forcibly taken from her and a Scottish musician confronting the death of his abusive father – can discover a shared empathy to help heal their pain.
Weather Prediction by Numerical Process - a Forecast for Europe
Weather Prediction by Numerical Process - a Forecast for Europe is a performance and exhibition where the weather is forecast through human labour, thus turning the act of computation into a social, performative and collaborative action.
Kuannersuit; Kvanefjeld
Kuannersuit; Kvanefjeld is an art installation, video documentary and evolving online archive which examines the divisive issue of uranium mining in Greenland.
A Soft Rebellion in Detroit
This enquiry questions the cultural representation of post-industrial cities, whose ‘reason for being’, their industry, has transformed so significantly that the use of their nicknames e.g. ‘The Motor City’ (Detroit), becomes a melancholy gesture that talks only about the past
A Soft Rebellion in Paradise
This enquiry focuses on the post-industrial city of Sheffield, its female citizens, and their empowerment, explored through filmed participatory performance, and extends Brown’s methodologies developed in Detroit from 2015-2017.