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Found 79 items for the search term jewellery%20and%20metalwork

Re:mains

Re:mains is a collection of jewellery artefacts which form a multi-component output. This research, developed through iterative practice-based processes, explores the extent to which jewellery, created predominately using food waste, could serve as tools which enable the wearer to reflect on the everyday act of eating.

Tags:
Physical and Digital Making: Theory and Practice
Staff profiles

Jenny Hutton

Staff profile for Jenny Hutton, Senior Lecturer at Sheffield Hallam University

Staff profiles

Rachael Colley

Rachael Colley is a senior lecturer in jewellery and metalwork, based at the Sheffield Institute of Arts. She is a member of the Art and Design Research Centre (ADRC), based within the College of Business, Technology and Engineering.

Staff profiles

Nantia Koulidou

Nantia Koulidou external web profile

Why Should Jewellers Care about the Digital?

In the journal paper ‘Why Should Jewellers care about the Digital’ Koulidou discusses digital jewellery practice from a jeweller’s perspective.

Tags:
Physical and Digital Making: Theory and Practice

Friction stirred mokume gane

Mokume gane is a high value, decorative laminate material used in the jewellery industry. Production of mokume gane is difficult and expensive at both small scale and industrial levels.

Beneath the Skin

Beneath the Skin was an exhibition that brought together eight academic researchers working within the field of contemporary metalwork and jewellery in order to reveal the research that underpins the object.

News

Helping Indonesian artisans think like designers

In Indonesia, craft has become an unsustainable industry. We’re helping build cooperation and fair trade into every design.

Staff profiles

Maria Hanson

Maria is subject tutor for Metalwork and Jewellery students on the MA Design Course, and contributes to lectures and seminars for postgraduate students across all design disciplines

Making Links: Craft Value Chain

This collection of jewellery artefacts made from recycled glass and metal are the outcome of an enquiry which explored how the application of co-creative design thinking strategies within a rural Indonesian community can provide creative agency for artisan craftmakers

Tags:
Physical and Digital Making: Theory and Practice
Frugal Making
 

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