My Dangerous Loverboy, researched, written and directed by Virginia Heath, addresses the question of how to engage the creative talents of vulnerable and marginalized young women, making their experience visible to public and governing agencies, to bring about change.

Building on the question of cinematic point of view in her previous film 'Relativity', Virginia Heath researched, wrote and directed the 30 mins film “Point Annihilation” (2005) which is set in New Zealand and investigates the conflict between two cultural points of view or ways of seeing the world.

Little Lost David is an 11 mins experimental music documentary film written and directed by Virginia Heath. Her process of writing and directing the film, was focused on investigating the most appropriate visual and audio strategies to reflect the unique, experimental musical structure of Little Lost David (aka David J Roch)’s songs.

Researched and directed by Virginia Heath, “Relativity”, was recognised by the Berlinale Short Film Competition Jury for its cinematic investigation of point of view in short narrative film and acknowledged for its exploration of the related questions of “reality and the perception of reality, truth and the perception of truth, sex and the perception of sex”.

Elevation is a unique portrait of Sheffield's (in)famous Park Hill estate, created during an eclipse period between clearance and reinvention.

Alaster's work has concentrated on understanding the issues surrounding the accessibility of packaging for older people and people with disabilities. The initial work concentrated on looking at ways to measure consumer's strength in a more realistic fashion using a bespoke measuring device.

Design Futures were delighted to win a bronze award in the Luxury, Promotional & Giftware category at Starpack 2011

KeyPiece was a combined public exhibition and research event bringing together leading metalworking practitioners and their work in November 2009.

The data-objects project is a practice-based research project that asks can the creation of physical artefacts based on data extracted from complex digital information systems change the way we read, interpret and respond to digital information?

This Special Issue speaks to CRIs notion of improvisation as a site for the analysis of social practice. To this end the authors explore practical experiences of improvisation through experimental artistic practice. The research sets out to construct a tripartite structure that incorporates failure, serendipity, and sagacity, leading to improvisation by exploring the practice of Tacita Dean and in particular the exhibition, 'An Aside' (2005).