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‘Shaping Sustainable Fashion’ explores theory, practice and methodology for fashion sustainability and specifically examines the way in which contemporary fashion clothing is produced, used and discarded. As fashion and textile designers become aware of the environmental impacts associated with clothing, this book presents a range of approaches that can be used to reduce and avoid textile waste.

This research explored how co-design can help to address market failure barriers preventing technology innovation in the field of child prosthetics.

This EPSRC funded project by Professor Ian Gwilt and Dr Claire Craig explored the potential of film and animation in promoting communication between younger and older people growing up and growing old in care

Imagine you were a museum professional and had a toolkit to create interactive installations in a matter of hours rather than months: what would you make?

This research explores the relationship of psychological and cinematic space. The principal output, Unhomely Street, a 20 minute essay film, uses a character in a state of fugue as a strategy to explore attitudes towards capitalism and contemporary society.

Contribution to regeneration programs through creative collaborations and the production of public artworks

Simmond’s work exhibited in ‘Pile’, a comprehensive sculpture show that questioned the conventions of group exhibitions, explores the relation between pattern and decoration and formalist abstraction, questioning if painting can establish a visual pulse, and enabling a re-interpretation of a previous painting and a body of new paintings/drawings.

Commissioned by The National Trust in 2011, Foghorn Requiem is a landscape-interactive musical composition for the Souter Lighthouse Foghorn, highlighting the passing of the foghorn from the British coastal landscape. Foghorn Requiem is performed by the ship horns of a flotilla of sixty vessels on the North Sea, three onshore brass bands and the Souter Foghorn itself.

Under the heading INCREDIBLES Zellweger explores the uncanny but also spectacular side of medical body modification and toys with its psychological implications; the lengthening of limbs (phantom limbs), improved performance (plug-ins & add-ons), impossible body parts, optional aesthetics, variations and choice (from the INCREDIBLES series).

Exploring the role of the exhibition as a ‘theatre for conversation’ and its role and format as a research tool and means of dissemination