Recently I have been engaged in the fascinating Games Design arena, and whilst not a gamer, the convergent technologies from film and photogrammetric media have become a research study. Interactivity in 3D space has long been the games forte but this notion is emerging into narrative formats, and such concepts provide a future of immersive environments that lend themselves to many areas of production and delivery.

Reading as art is a series of events conceived as reading interventions or library 'occupations at the ICA, London, convened by Sarah Wood.

The Imposter Series is an ongoing project of observational still life drawings taken from objects/artefacts/props used in Yuen Fong Ling’s performance-workshops.

Excessories was an exhibition which confronts creative misunderstandings with the Art and Design Research Centre at Sheffield Hallam University.

Transformational Health is a core theme of Collaboration in Leadership for Applied Research and Healthcare (NIHR) led by the University of Leeds.

Material Truths, featuring work from Penny McCarthy, opens at Site Gallery Sheffield next week.

Lise Autogena has created a unique musical performance to mark the demise of the iconic nautical siren that has traditionally haunted the UK's coastline

MA, FRSA, Director of Research Institute (Culture & Creativity)

Jim Roddis was made an Emeritus Professor of the University on his retirement from full time employment and now works on a part time basis in the Art and Design Research Centre

If we may agree that there is another unheard language, beyond the ring of our ears, may we begin to say what ‘is being said’, what we ‘are not hearing’? This forces us to look deeper, to search for patterns, to learn how to recognise the forces at play. What do these forces look like?