Student projects

Student projects

Showing 17 projects

Anton Hecht: Examining Gamefulness in Participatory Art: Space, Participant and Artefact

The study explores how games theory might elucidate and generate participatory art.


Caroline Claisse: The Augmented House: Crafting tangible interaction in house museums.

With my practice-based PhD, I intended to broaden current practice in exhibition design by means of designing for tangible interaction in house museums.


Marika Grasso: Responsive matter: touch-touchscreen relationship through a material explorative approach

The study explores the conductivity of touch through art practice, and material explorative approach.


Rachel Smith: Drawing out Language: From or to and, Disrupting Dualism through Conceptual Poetics

This research address how the material and conceptual form of artist books may be used to explore the partial nature of communication and to challenge the fixity of meaning implied by dualism in language


Debbie Michaels: Organisational Encounters and Reflexive Undergoings - A Speculative Weaving in Three Transpositions

Gathering threads from psychoanalysis, art psychotherapy, and the arts I (re)examine the psycho-social role of reflexive art practice in honing sensitivity to the affective dimensions of human situations and experience.


Sophie Parkes-Nield: Thankstide: The English calendar custom as narrative device in contemporary fiction

A practice-based PhD programme, Sophie is writing a novel that incorporates a calendar custom, Thankstide, to examine what it reveals about individuals and communities in contemporary England, and how useful it is as a narrative device for the contemporary creative writer.


Marney Walker: How can design support the expression of personal aesthetic preferences in dementia?

Although dementia may affect the way we think, we will always know what we like.


Emma O'Connor: The Reclamation of Patient Narrative: Interrogating patient experience of genetic conditions through film

Using film to explore the relations between the experience, its representation, and its communication.


Amal Al-Ismaili: Interpreting the Traditional Jewellery of Bedouin in Oman through Contemporary Jewellery Practice

Research project exploring the subjective value of traditional Omani jewellery


Louise Finney: Working through Fragments: Fictionalising the Archive

Exploring how archives and indexes can be applied to blur the boundary between fact and fiction


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