Student projects

Showing 17 projects

Azza El Hassan: The Afterlife of an Image - Palestinian Images Following Plundering

This work traces a collection of Palestinian photos and films that have been ejected from public spheres following a series of violent events.


Sophie Parkes-Nield: Thankstide: The English calendar custom as narrative device in contemporary fiction

A practice-based PhD programme, Sophie is writing a novel that incorporates a calendar custom, Thankstide, to examine what it reveals about individuals and communities in contemporary England, and how useful it is as a narrative device for the contemporary creative writer.


Amy Graham: On London Buses: Heritage Practices in Everyday Life

The project develops research approaches into ‘heritage’ as both a locus of meaning (the heritage object) and a practice of meaning (a doing) which has affecting as well as personal, political, cultural, and ethical consequences within our everyday lives.


Emma O'Connor: The Reclamation of Patient Narrative: Interrogating patient experience of genetic conditions through film

Using film to explore the relations between the experience, its representation, and its communication.


Victoria Lucas: Reclamation Ground: Material Reckoning with Gendered Subjectivity through Site-Responsive Art Practice

This practice-led PhD explores how the materiality of post-industrial landscapes may be used to deconstruct and reconstitute female subjectivity.


Daniela Cascella: Nothing As We Need It: For Chimeric Writing

Nothing As We Need It: For Chimeric Writing is a thesis-work in which a new form of critical writing is imagined, enacted, and studied.


Louise Finney: Working through Fragments: Fictionalising the Archive

Exploring how archives and indexes can be applied to blur the boundary between fact and fiction


Jerome Harrington: Process made visible: In and outside the object

A practice-based PhD that investigates our relationship to and understanding of the object and its materiality


Rachel Smith: Drawing out Language: From or to and, Disrupting Dualism through Conceptual Poetics

This research address how the material and conceptual form of artist books may be used to explore the partial nature of communication and to challenge the fixity of meaning implied by dualism in language


Debbie Michaels: Organisational Encounters and Reflexive Undergoings - A Speculative Weaving in Three Transpositions

Gathering threads from psychoanalysis, art psychotherapy, and the arts I (re)examine the psycho-social role of reflexive art practice in honing sensitivity to the affective dimensions of human situations and experience.


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